Béla Bartók The Wooden Prince, Op. 13 list 3 Video
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Béla Bartók John Aler John Tomlinson Pierre Boulez Maillard Eberhardt Heyden Chicago Symphony Orchestra Chicago Symphony Chorus 1992
Provided to YouTube by Universal Music Group Bartók: Cantata Profana, BB.100, Sz. 94 - The Nine Splendid Stags - I. Molto moderato · John Aler · John Tomlinson · Chicago Symphony Orchestra · Pierre Boulez · Chicago Symphony Chorus Bartók: The Wooden Prince; Cantata Profana ℗ 1992 Deutsche Grammophon GmbH, Berlin Released on: 1992-01-01 Producer: Alison Ames Producer, Recording Producer: Karl-August Naegler Studio Personnel, Balance Engineer: Rainer Maillard Studio Personnel, Recording Engineer: Jobst Eberhardt Studio Personnel, Recording Engineer: Andrew Wedman Editor: Oliver Rogalla Von Heyden Associated Performer, Chorus Master: Margaret Hillis Composer, Translator: Béla Bartók Author, Original Text Author: Traditional Auto-generated by YouTube.
Béla Bartók John Aler John Tomlinson Pierre Boulez Maillard Eberhardt Heyden Chicago Symphony Orchestra Chicago Symphony Chorus 1992
Provided to YouTube by Universal Music Group Bartók: Cantata profana, BB.100, Sz. 94 - The Nine Splendid Stags - II. Andante · John Aler · John Tomlinson · Chicago Symphony Orchestra · Pierre Boulez · Chicago Symphony Chorus Bartók: The Wooden Prince; Cantata Profana ℗ 1992 Deutsche Grammophon GmbH, Berlin Released on: 1992-01-01 Producer: Alison Ames Producer, Recording Producer: Karl-August Naegler Studio Personnel, Balance Engineer: Rainer Maillard Studio Personnel, Recording Engineer: Jobst Eberhardt Studio Personnel, Recording Engineer: Andrew Wedman Editor: Oliver Rogalla Von Heyden Associated Performer, Chorus Master: Margaret Hillis Composer, Translator: Béla Bartók Author, Original Text Author: Traditional Auto-generated by YouTube.
Béla Viktor János Bartók Egressy Béni Erkel Franz Liszt Severe László Mikhail Glinka Antonín Dvořák 1855 1857 1881 1888 1911 1915 1916 1917 1918 1919 1936 1939 1945 1979 1989 2022
#piano #bartok A Miskolci Egressy Béni-Erkel Ferenc Alapfokú Művészeti Iskola verseny győzteseinek hangversenye. Ruszkai Barnabás - Zongora/Piano Béla Viktor János Bartók (/ˈbeɪlə ˈbɑːrtɒk/; Hungarian: [ˈbɒrtoːk ˈbeːlɒ]; 25 March 1881 – 26 September 1945) was a Hungarian composer, pianist, and ethnomusicologist. He is considered one of the most important composers of the 20th century; he and Franz Liszt are regarded as Hungary's greatest composers.Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology.Bartók was born in the Banatian town of Nagyszentmiklós in the Kingdom of Hungary (present-day Sânnicolau Mare, Romania) on 25 March 1881.On his father's side, the Bartók family was a Hungarian lower noble family, originating from Borsodszirák, Borsod.His paternal grandmother was a Catholic of Bunjevci origin, but considered herself Hungarian.Bartók's father (1855–1888) was also named Béla. Bartók's mother, Paula (née Voit) +••.••(...)), had ethnic German roots but spoke Hungarian fluently. A native of Turócszentmárton (present-day Martin, Slovakia),[6] she also had Hungarian and Slavic ancestry. Béla displayed notable musical talent very early in life: according to his mother, he could distinguish between different dance rhythms that she played on the piano before he learned to speak in complete sentences.By the age of four he was able to play 40 pieces on the piano and his mother began formally teaching him the next year. Béla was a sickly child and suffered from severe eczema until the age of five,as a result of an inoculation with a faulty smallpox vaccine, with his facial disfigurement causing him to avoid people. In 1888, when he was seven, his father, the director of an agricultural school, died suddenly. His mother then took Béla and his sister, Erzsébet, to live in Nagyszőlős (present-day Vynohradiv, Ukraine) and then in Pressburg (Pozsony, present-day Bratislava, Slovakia). Béla gave his first public recital aged 11 in Nagyszőlős, to positive critical reception.Among the pieces he played was his own first composition, written two years previously: a short piece called "The Course of the Danube". Shortly thereafter, László Erkel accepted him as a pupil.In 1911, Bartók wrote what was to be his only opera, Bluebeard's Castle, dedicated to Márta. He entered it for a prize by the Hungarian Fine Arts Commission, but they rejected his work as not fit for the stage.In 1917 Bartók revised the score for the 1918 première, and rewrote the ending. Following the 1919 revolution in which he actively participated, he was pressured by the Horthy regime to remove the name of librettist Béla Balázs from the opera, as Balázs was of Jewish origin, was blacklisted, and had left the country for Vienna. Bluebeard's Castle received only one revival, in 1936, before Bartók emigrated. For the remainder of his life, although devoted to Hungary, its people and its culture, he never felt much loyalty to the government or its official establishments.Bartók's music reflects two trends that dramatically changed the sound of music in the 20th century: the breakdown of the diatonic system of harmony that had served composers for the previous two hundred years and the revival of nationalism as a source for musical inspiration, a trend that began with Mikhail Glinka and Antonín Dvořák in the last half of the 19th century.In his search for new forms of tonality, Bartók turned to Hungarian folk music, as well as to other folk music of the Carpathian Basin and even of Algeria and Turkey; in so doing he became influential in that stream of modernism which used indigenous music and techniques. One characteristic style of music is his Night music, which he used mostly in slow movements of multi-movement ensemble or orchestral compositions in his mature period. It is characterised by "eerie dissonances providing a backdrop to sounds of nature and lonely melodies". An example is the third movement (Adagio) of his Music for Strings, Percussion and Celesta. His music can be grouped roughly in accordance with the different periods in his life.His pessimistic attitude towards composing was lifted by the stormy and inspiring contact with Klára Gombossy in the summer of 1915.[62] This interesting episode in Bartók's life remained hidden until it was researched by Denijs Dille between 1979 and 1989.[63] Bartók started composing again, including the Suite for piano opus 14 (1916), and The Miraculous Mandarin (1918) and he completed The Wooden Prince (1917). Bartók felt the result of World War I as a personal tragedy.Many regions he loved were severed from Hungary: Transylvania, the Banat (where he was born), and Pozsony where his mother had lived. Additionally, the political relations between Hungary and other successor states to the Austro-Hungarian empire prohibited his folk music research outside of Hungary.
Béla Viktor János Bartók Liszt Richard Strauss Mould Kodaly Serge Koussevitzky Yehudi Menuhin András Kórodi Antal Doráti György Melis Melis János Ferencsik Dénes Kovács Ervin Lukács Zoltán Kocsis Ránki Tusa Budapest Symphony Orchestra Budapest Philharmonic Orchestra Tátrai Quartet 1881 1903 1937 1944 1945
The Best of Béla Viktor János Bartók (March 25, 1881 – September 26, 1945) Bartók is considered one of the most important composers of the 20th century; he and Liszt are often regarded as Hungary's greatest composers. Through his collection and analytical study of folk music, he was one of the founders of comparative musicology, which later became ethnomusicology. Life and Music: * Béla Bartók was an infant prodigy. * He was performing on the piano in public by the age of 11 and by the time he had graduated from the Budapest Royal Academy in 1903 he was confidently composing in the Liszt-Richard Strauss mould. * Bartok formed a partnership with the composer Zoltan Kodaly and together they set about collecting Hungarian and Transylvanian folk songs. This formed the bedrock of Bartok's fast developing musical style. * During the decade between the late 1920s and 1930s the seemingly conflicting musical elements were fused, resulting in a stream of masterpieces, from the breathtaking rhythmic propulsion and ear-tweaking sonorities of the Sonata for Two Pianos and Percussion (1937) to the post-Romantic luxuriance of the Second Violin Concerto (1937). * Bartok escaped the horrors of war for New York, which brought with it a change of style. * He composed little for two years until a commission from the conductor Serge Koussevitzky opened the floodgates once more. This released works such as the Concerto for Orchestra, the Third Piano Concerto and the sadly incomplete Viola Concerto. * Bartok had one last surprise up his sleeve, however, with the uncompromising and enigmatic Sonata for Solo Violin (1944), written for Yehudi Menuhin. Read more at (http•••) Music for Strings, Percussion and Celesta: 0:00 I. Andante tranquillo 7:30 II.Allegro 15:09 III. Adagio 22:20 IV. Allegro molto 30:02 The Wooden Prince Suite, Op. 13, Sz. 60 42:43 Divertimento for Strings, II. Molto adagio [Sz 113] 52:03 Dance Suite - Finale 56:12 Bluebeard's Castle, Megérkeztünk - Íme Lássad [BB 62] Concerto for Orchestra: 1:05:10 I. Introduzione [BB 123] 1:14:50 II. Gioco delle coppie [BB 123] 1:21:26 III. Elegia [BB 123] 1:28:10 IV. Intermezzo interrotto [BB 123] 1:32:42 V. Finale [BB 123] Violin Concerto No. 2: 1:42:16 I. Allegro non troppo [BB 117] 1:57:30 II Andante tranquillo [BB 117] 2:06:28 III. Allegro molto [BB 117] Concerto for Piano and Orchestra No. 2: 2:18:02 I. Allegro [BB 101] 2:27:47 II. Adagio - Presto - Adagio [BB 101] 2:40:38 III. Allegro molto [BB 101] Concerto for Piano and Orchestra No. 3: 2:47:03 I. Allegretto [BB 127] 2:54:17 II. Adagio religioso [BB 127] 3:03:54 III. Allegro vivace [BB 127] 3:10:18 Piano Sonata: III. Allegro molto [BB 88] 3:13:59 String Quartet No. 2, I. Moderato [BB 75] 3:24:02 String Quartet No. 6, IV. Mesto [BB 119] Performers: Music for Strings, Percussion and Celesta- Budapest Symphony Orchestra/György Lehel The Wooden Prince - Budapest Philharmonic Orchestra/András Kórodi Divertimento Sz. 113, BB 118 - Hungarian State Orchestra/Antal Doráti Dance Suite - Finale - Budapest Philharmonic Orchestra/János Sándor Bluebeard's Castle - Katalin Kasza (soprano), György Melis (baritone), Hungarian Radio & Television Chorus, Budapest Philharmonic Orchestra/János Ferencsik Concerto for Orchestra Sz. 116, BB 123 - Hungarian State Orchestra/Antal Doráti Violin Concerto No. 2 Sz. 112, BB 117 - Dénes Kovács (violin), Budapest Symphony Orchestra/Ervin Lukács Piano Concerto No. 2 - Zoltán Kocsis (piano), Budapest Symphony Orchestra/György Lehel Piano Concerto No. 3 - Dezsõ Ránki (piano), Hungarian State Orchestra/János Ferencsik Piano Sonata - Erzsébet Tusa String Quartet No. 2 and No. 6 -Tátrai Quartet
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