Charles Gounod La reine de Saba Video
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Charles Gounod Saba Jules Barbier Suzanne Sarroca Gérard Serkoyan Gilbert Py Amiel Blatt Michel Plasson Orchestre Capitole Toulouse 1862 1969
DISCLAIMER: The published music is exclusively meant for divulgation and not commercial purposes. Should anybody deem that the video appearing in this channel violates some copyright, please inform us immediately before submitting a claim to YouTube, and it will be our care to remove it. / -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 00:00 Introduction 03:18 Acte Premier 25:04 Acte Deuxème 42:52 Acte Troisième 1:05:56 Acte Quatrième 1:35:34 Acte Cinquième Charles Gounod LA REINE DE SABA (Création à l'Opéra, le 28 février 1862) Opéra en cinq actes, Livret de Jules Barbier et Michel Carré Balkis - Suzanne Sarroca Solimans - Gérard Serkoyan Adoniram - Gilbert Py Bénoni - Yvonne Dalou Amrou - Jean-Paul Caffi Phanor - Henri Amiel Méthousael - Jean Tezanas Sadoi - Gérard Blatt Sarahil - Claudia Noves Chœurs et Orchestre du Capitole de Toulouse Michel Plasson Capitole de Toulose, mars 1969 (http•••)
Saba Wagner Alvar Bizet Victorin Joncières Leroux Dupuis Lafitte Gounod 1875 1898 1900 1901 1905 1913 1925 1938
Yes, it’s an encore of encore week! Dead Tenors’ Society is showcasing a collection of previously featured vocalists in recordings never before heard on this channel. Léon Laffitte +••.••(...)) was a French spinto tenor whose career spanned the first quarter of the 20th century. Born François Laffitte in Saint-Genies, he received his vocal tutelage at the Paris Conservatory. His professional debut came about in 1898 at the Opéra de Paris in the secondary role of David in Wagner’s Die Meistersinger. During the first decade of his career, Laffitte sang a number of character roles including Ruodi in Guillaume Tell, Tybalt in Roméo et Juliette, Beppe in Pagliacci, Mime in Siegfried, Don Alvar in L’Africaine and Cassio in Otello but eventually devoted himself exclusively to leading roles. Laffitte’s repertoire grew to include over 50 diverse roles, including Canio in Pagliacci, Rodolfo in La Bohème, Cavaradossi in Tosca, Pinkerton in Madama Butterfly, Radames in Aïda, Manrico in Il Trovatore, the Duke in Rigoletto, Lensky in Yevgeny Onegin, Laërte in Hamlet, Raoul in Les Huguenots, Pylade in Iphigénie en Tauride, Julien in Louise, Énée in Les Troyens, Nicias in Thaïs, Rodrigue in Le Cid, Fernand in La Favorite, Don José in Carmen, Haroun in Bizet’s Djamileh (which he sang at the American premiere in Boston in 1913) and the title roles in Faust, Samson et Dalila, Roméo et Juliette and La Damnation de Faust. He also participated in a number of premieres, creating such roles as Kadio in Victorin de Joncières’ Lancelot (Paris, 1900), Hylas in Leroux’s Astarte (Paris, 1901) and Etienne in Dupuis’ Martille (Brussels, 1905). Laffite’s career took him to the major theaters of London, Berlin, Amsterdam, Brussels, Monte Carlo, Helsinki, Moscow, Boston, Montreal, Buenos Aires and Rio de Janeiro. Lafitte retired from the stage in 1925 and died in Paris in 1938. Laffitte’s recordings are rare, with only a handful of titles recorded for Zonophone and G&T in the early years of the 20th century. These discs reveal a finely cultivated lirico-spinto voice and a very expressive sense of artistry. In this recording, Laffitte sings Adoniram's aria, "Inspirez-moi, race divine" from Act II of Gounod's La Reine de Saba. This was recorded in Paris for G&T in 1901.
Pollet Charles Gounod Saba Orchestre Philharmonique Montpellier 1818 1893 1989
Francoise Pollet sings"Plus grand dans son obscurité" from La Reine de Saba by Charles Gounod +••.••(...)) Orchestre Philharmonique de Montpellier Cyril Diederich, conductor Recorded in 01/1989 Opéra de Montpellier
Charles Gounod Saba Jules Barbier Benoni Mould Falcon Dugazon Grassi Cordella Deyneka Benzi Opéra Comique 1862 2001
LA REINE DE SABA Grand Opéra en 4 (ou 5) actes Composer : Charles Gounod Librettists : Jules Barbier & Michel Carré, after Gérard de Nerval First performance : Théâtre de l’Opéra (salle Le Peletier), Paris, 28 February 1862 SETTING : The Biblical kingdom of Solomon PLOT : The Queen of Sheba, Balkis, loves the sculptor Adoniram and is loved by King Solomon. In the end, Adoniram is murdered by three workmen to whom he had refiused to give the master passwords, and Balkis blames the death on Solomon. No. 5 – La fonte de la mer d’airain On the plateau of Zion, Adoniram prepares to cast the Sea of Bronze, an enormous cast-iron bowl, watched by the courts of Soliman and Balkis. Benoni, Adoniram’s apprentice, warns Soliman that three workmen have sabotaged the project. A torrent of melted metal pours out of the furnace, destroying the mould, and the furnace explodes. Balkis (chanteuse Falcon): Francesca Scaini Bénoni (1er Dugazon): Anna Lucia Alessio Adoniram (fort ténor): Jeon-Won Lee Soliman (1er basse de Grand Opéra): Luca Grassi Amrou (2d. ténor): Salvatore Cordella Phanor (baryton): Jean Vendassi Méthousaël (1er basse d’Opéra-Comique): Piero Naviglio Sadoc (2de basse): Volodymyr Deyneka Bratislava Chamber Chorus Conductor : Manlio Benzi Orchestra Internazionale d’Italia Martina Franca, July 2001
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