Fryderyk Chopin Studi, « Trois Nouvelles Études » Video
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Vladimir Samoylovich Horowitz Chopin Bach Debussy Schumann Alexander Scriabin Sergei Rachmaninoff Tchaikovsky Thomas Beecham Liszt Toscanini Brahms Scarlatti Haydn Clementi Beethoven Samuel Barber Prokofiev Kabalevsky Schonberg Carnegie Hall 1757 1903 1915 1925 1928 1932 1933 1936 1940 1950 1953 1965 1985 1987 1989
LIKE and SUBSCRIBE for more videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Vladimir Horowiz : Carnegie Hall Rehearsal, 7 January 1965 (Bach, Chopin, Debussy, Schumann, Conversations etc...) Performer : Vladimir Horowitz, piano Date : 7 January 1965 Place : Carnegie Hall Program : Rehearsal 00:00 Horowitz improvising 03:24 Conversation and Horowitz testing the piano 05:24 Horowitz improvising II 10:31 Conversation I 11:28 Bach : Toccata Adagio and Fugue in C Major, BWV 564, I Preludio 17:57 II Intermezzo Adagio 22:15 III Fuga Moderamente scherzando un poco umoristico 27:19 Conversation II 28:15 Chopin - Polonaise Fantaisie in A Flat Major Op. 61 41:19 Conversation III 41:42 Debussy : Etudes Livre II No. 11 Pour les arpeges composés 45:45 Conversation IV 47:12 Schumann : Fantasie in C Major Op. 17 I Durchaus phantastisch und leidenschaftlich vorzutragen fragment 58:08 Conversation V 58:24 Chopin : Nocturne No. 15 in F Minor Op. 55 No. 1 BIOGRAPHY The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev. Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism. He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.” Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41. Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky. Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older. Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever. In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism. Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events. The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall. But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio. A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff. The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow. In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
Dmitry Shishkin Fryderyk Chopin 2015 2019
Provided to YouTube by eMuzyka Rondo in C Minor, Op. 1 · Dmitry Shishkin Chopin: 3 Etudes Op. 10, Sonata in B-Flat Minor, Polonaise ℗ 2015 Narodowy Instytut Fryderyka Chopina / Polskie Radio Released on: 2019-01-22 Composer: Fryderyk Chopin Lyricist: nie dotyczy Auto-generated by YouTube.
Bach Ewa Pobłocka Fryderyk Chopin Hansen Martha Argerich Viotti Glenn Gould Kazimierz Kord Antoni Wit Rappe Olga Pasichnyk Ewa Podleś Andrzej Panufnik Witold Lutosławski Szymański Paweł Mykietyn Grieg Brahms Schumann Pleyel Rameau Couperin Scarlatti Soler Castaldi Liszt Auditorio Nacional Madrid Barbican Centre Wigmore Hall Musikverein Lincoln Center Maggio Musicale Fiorentino London Symphony Orchestra English Chamber Orchestra Orchestra Maggio Musicale Fiorentino Sinfonia Varsovia Polish National Radio Symphony Orchestra 1848 1977 1979 1980 1981 1982 2004 2007 2009 2010
Ewa Pobłocka - piano, rec. 08.12.1981 A prize-winner of the Tenth International Fryderyk Chopin Piano Competition in Warsaw, Ewa Pobłocka also received the prize for the best performance of Chopin mazurkas (1980). She began taking piano lessons when she was five. She pursued her studies at Gdańsk Music Academy under Zbigniew Śliwiński and Jerzy Sulikowski, and received her diploma with distinction in 1981. She completed post-graduate studies in Hamburg under Conrad Hansen (1982) and has benefitted from artistic consultation with Jadwiga Sukiennicka, Rudolf Kerer, Tatiana Nikolaieva and Martha Argerich. In 1977, she won First Prize in the International Viotti Music Competition in Vercelli, and in 1979 the gold medal at the International Festival of Young Laureates in Bordeaux. She has performed throughout Europe and the Americas, as well as in the Far East and Australia, in such venues as the Herkules-Saal in Munich, Musikhalle in Hamburg, Auditorio Nacional in Madrid, Barbican Centre and Wigmore Hall in London, Musikverein in Vienna, Lincoln Center in New York and Glenn Gould Studio in Toronto. She has played as a soloist with the London Symphony Orchestra, English Chamber Orchestra, Orchestra del Maggio Musicale Fiorentino, Bayerischers Rundfunkorchester, Sinfonia Varsovia and Polish National Radio Symphony Orchestra and has repeatedly toured as a Warsaw Philharmonic Orchestra soloist under the baton of Kazimierz Kord and Antoni Wit. Ewa Pobłocka is a passionate chamber musician and has regularly performed with the Silesian Quartet, as well as singers like Jadwiga Rappe, Olga Pasichnyk and Ewa Podleś. She has given numerous premieres and made world premiere recordings of works by Polish contemporary composers, including piano concertos by Andrzej Panufnik, Witold Lutosławski, Paweł Szymański and Paweł Mykietyn. She has performed for many European radio stations and recorded for such labels as Polskie Nagrania ‘Muza’, Deutsche Grammophon, Pony Canyon, Victor JVC, CD Accord and BeArTon. Many of her recordings have won prizes and critical acclaim. Her most recent CDs have featured Grieg’s complete piano works, solo works by Brahms and Schumann and the complete songs of Chopin. In 2010, the Fryderyk Chopin Institute released her CD with Chopin’s Mazurkas and Sonata in C minor on period piano (Pleyel, 1848). Pobłocka is also a distinguished teacher. As well as teaching piano at Bydgoszcz Music Academy and the Fryderyk Chopin University of Music in Warsaw, she is also a guest professor at the National University of Fine Arts and Music in Tokyo and Nagoya. She has sat on the jury of many international piano competitions and received the annual Ministry of Culture and National Heritage Award and the Cavalier’s Cross of the Polonia Restituta Order from the Polish President (2004). Ewa Pobłocka performed in the ‘Chopin and his Europe’ festival in 2007, 2009, 2010. (chopin.nifc.pl) NA MOIM KANALE (ON MY CHANNEL): (playlisty z przesłanych filmów, sent films in playlists) Polska muzyka ludowa (Polish Folk Traditional Music) (http•••) Tradycyjna muzyka góralska (Polish Gorals’ Music) (http•••) Polska muzyka renesansowa i barokowa (Polish Renaissance and Baroque Music) (http•••) Polska muzyka XVIII i XIX wieku (Polish Music of 18 and 19 century) (http•••) Pan Wołodyjowski Potop muzyka (http•••) Polskie pieśni patriotyczne (Polish Patriotic Songs) (http•••) Polska muzyka symfoniczna okresu klasycyzmu (Polish Symphony Music of Classical Period) (http•••) Rameau Couperin Scarlatti Soler Castaldi (http•••) Polska muzyka średniowieczna (Polish Medieval Music) (http•••) Chopin (http•••) Liszt (http•••) Polska muzyka XX wieku (Polish Music of 20 c.) (http•••) Polski folk (http•••) Góry polskie zdjęcia (http•••) Polska muzyka filmowa (Polish Film Music) (http•••) Polskie organy Leżajsk Oliwa Kamień Pomorski (Polish Organs) (http•••)
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