Giuseppe Verdi Don Carlos Video
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2024-03-20
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Hans Hotter Verdi Hermann Prey Amo Simon Estes Vienna State Opera 1978
Hans Hotter in Don Carlos as King Philip II (sung in German) 1) "Ein wort noch.." ("Restate") with Hermann Prey (Posa) 2 )"Sie hat mir nie geliebt" ("Ella Giammai m'amo") Taken from ZDF TV "Hermann Prey presents". ZDF late 1960s No orchestra and conductor known. This is a great rarity with Hotter and Prey together, Hotter sang the role of Philip very rarely and only early in his career. 3) Grand Inquisitor Scene - Vienna State Opera 10 December 1978 Berislav Klobucar with Simon Estes (Philip II) Hotter sang the role of the Grand Inquisitor over 400 times during his career. His interpretation here of the 90 years old Inquisitor is ideal. As it should be. Hotter was approaching his 70th birthday at the time of this performance.
Giuseppe Verdi Zubin Mehta Hudson Alastair Miles Nina Stemme Vargas Carlos Álvarez Álvarez Salvatore Licitra Elisabeta Marin Nadia Krasteva Dan Paul Dumitrescu Mastro Clemens Unterreiner Wiener Staatsoper 2008
Trailer zu LA FORZA DEL DESTINO +••.••(...)) an der Wiener Staatsoper (http•••) (http•••) Zubin Mehta | Dirigent David Pountney | Inszenierung Richard Hudson | Ausstattung Thomas Lang | Chorleitung Beate Vollack | Choreographie Fabrice Kebour | Licht fettFilm | Video Alastair Miles | Marchese di Calatrava Nina Stemme | Leonora de Vargas Carlos Álvarez | Don Carlos de Vargas Salvatore Licitra | Don Alvaro Elisabeta Marin | Curra Nadia Krasteva | Preziosilla Alastair Miles | Pater Guardian Tiziano Bracci | Fra Melitone Dan Paul Dumitrescu | Alcalde Michael Roider | Mastro Trabuco Clemens Unterreiner | Chirurgus
Urve Tauts Verdi Neeme Järvi Estonian National Opera 1935 1960 1974 2001
URVE TAUTS (born in 1935) - one of the most outstanding mezzo-sopranos in Estonia of all times. She was the soloist of the Estonian National Opera from 1960 till 2001. Among her most brilliant roles can be mentioned Carmen, Azucena in "Il trovatore", Amneris in "Aida" and Eboli in "Don Carlos". Tauts's voice also enabled to sing the roles of dramatic sopranos such as Santuzza in "Cavalleria rusticana". This video where Urve Tauts sings Eboli's aria "O don fatale" from Verdi's opera "Don Carlo" is recorded in 1974. The orchestra of the Estonian National Opera is conducted by maestro Neeme Järvi.
Tichina Vaughn Verdi Angel Blue Eric Owens Woodcock Metropolitan Opera Seattle Opera Greek National Opera Staatstheater Stuttgart Opera Budapest Opera Graz Arena Verona Semperoper Theater Wien 1989 1990 1992 1996 1998 2003 2006 2010 2018 2019 2020 2021
Tichina Vaughn Interview on The Jim Masters Show LIVE as host Jim Masters welcomes the renowned mezzo-soprano to the show as his special guest. Tichina Vaughn has built a standout international reputation. Her formal vocal study began shortly after high school at Georgia State University, but her early years were steeped in musical activity: studying clarinet, playing in marching and concert bands, and singing as a choir member and soloist. Tichina received her Bachelor’s degree in Vocal Performance from the University of North Carolina School of the Arts in 1989. Even before her graduation, Tichina’s unmistakable voice drew attention from some of the world’s foremost opera houses – and after winning the 1989 Metropolitan Opera National Council Auditions, she joined the Met’s Young Artist Development program and made her stage debut there as Lily in the Gershwins’ Porgy and Bess in 1990. Tichina’s first leading role on a major opera stage, Amneris in a Seattle Opera production of Verdi’s Aida, arrived just two years later in 1992. Her interpretation sparked immediate attention from the opera community, and invitations to reprise the role began to pour in from companies around the globe. Soon, Tichina was recognized as an emerging Verdian mezzo-soprano, regularly taking on leading roles such as Princess Eboli in Don Carlos and the mezzo-soprano soloist in Verdi’s Requiem throughout the early 1990s. In 1996, Tichina made her European debut as Mistress Quickly in Staatstheater Stuttgart’s production of Falstaff, which marked the beginning of both her long relationship with the company and her robust European career. From 1998 to 2006, she continued to perform with the Staatstheater Stuttgart as a principal artist, eventually earning the distinction of Kammersängerin, the German honorific title for opera singers of the highest merit. Throughout her years in Stuttgart, Tichina’s list of signature roles blossomed as her aptitude for the works of Wagner became evident, culminating with her appearances as Fricka (Die Walküre) and Waltraute (Götterdämmerung) in the Staatstheater Stuttgart’s full recording of Wagner’s Ring cycle via Naxos in 2006. Now one of opera’s most sought-after mezzo-sopranos, Tichina has quite literally performed around the globe, with previous engagements on international stages including the National Opera Hong Kong, Greek National Opera, Budapest National Opera, Hamburg Opera, Opera Graz, and countless others. She made numerous appearances with the Arena di Verona summer festival in Italy starting in 2003, and from 2010 to 2018, she was engaged as a principal artist at Semperoper Dresden. In addition to her 1989 Metropolitan Opera National Council Auditions award, Tichina is the recipient of the Opera Index Vocal Award, Living Heritage Foundation Award, the Consul General’s Award for Cultural Diplomacy from the Consulate General Milan, and many other prestigious accolades.. Tichina returned to the Metropolitan Opera to reprise the role of Lily for the first time at the Met since her 1990 debut. She can be heard on the 2020 recording of the same production with Angel Blue and Eric Owens, which won Best Opera Recording at the 2021 GRAMMY Awards. An active voice teacher and mentor, Tichina returned to North Carolina in October 2019 and February 2020 as an artist-in-residence at her alma mater, the University of North Carolina School of the Arts. At UNCSA, Tichina led a series of master classes and mentored fellows of the A.J. Fletcher Opera Institute one on one, offering private vocal coaching and individualized career counseling. UNCSA School of Music interim dean Tony Woodcock described the residency as “a real plus for our graduate students as they transition to roles as entrepreneurial professional artists… and all of our voice students (are) inspired by her wisdom and her artistry.” Tichina has continued to perform,including an October 2020 production of Porgy and Bess with Austria’s Theater an der Wien. The current season includes role debuts at the Metropolitan Opera as the Innkeeper in Boris Gudonov and Maria in Porgy and Bess as well as house debuts in Boston (Champion), Cincinnati (Aida), and Utah (The Flying Dutchman). Subscribe to our YouTube channel and click the notification bell so you never miss any of our series episodes. If you enjoyed this video episode, please give it a thumbs up like and leave a comment for us! Thank you! Like! Follow! Subscribe! Facebook: www.facebook.com/jimmasterstv Instagram: www.instagram.com/jimmasterstv Twitter: www.twitter.com/jimmasterstv #TichinaVaughn #TichinaVaughInterview #TichinaVaughnsoprano #thejimmastersshow #thejimmastersshowlive #jimmasterstv
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