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Claude Arrieu Johann Sebastian Bach Igor Stravinsky Gabriel Fauré Claude Debussy Maurice Ravel Marguerite Long Georges Caussade Noël Gallon Jean Roger Ducasse Ducasse Paul Dukas Pierre Schaeffer Jean Pierre Rampal Roussel Frédéric Chopin Johannes Brahms Wolfgang Amadeus Mozart Sergei Rachmaninov Franz Liszt Astor Piazzolla Beethoven Georges Bizet Gioachino Rossini Antonio Vivaldi Niccolò Paganini Pyotr Ilyich Tchaikovsky Johann Strauss John Dowland Franz Joseph Haydn Ralph Vaughan Williams Giovanni Battista Pergolesi Antonín Dvořák Giacomo Puccini Franz Schubert Giuseppe Verdi Opéra Marseille 1924 1932 1934 1935 1936 1937 1938 1943 1944 1945 1946 1947 1949 1953 1955 1957 1958 1960 1961 1962 1964 1965 1970 1974
Relax and enjoy with the best classical music of all times! Subscribe: (http•••) Claude Arrieu - Quintette en Ut, pour flute, hautbois, clarinette, cor et basson (1955) 1 Allegro 2 Andante 3 Allegro Scherzando 4 Adagio 5 Allegro vivace Claude Arrieu was a classically trained musician from an early age. She became particularly interested in works by Bach and Mozart, and later, Igor Stravinsky. However, Gabriel Fauré, Claude Debussy, and Maurice Ravel provided her the most inspiration. Dreaming of a career as a virtuoso, she entered the Conservatoire de Paris in 1924. She became a piano student of Marguerite Long and took classes from Georges Caussade, Noël Gallon, Jean Roger-Ducasse and Paul Dukas. In 1932, she received first prize for composition. From this point on, she developed her personal style. She was particularly interested in the evolution of musical language and various technical means available. In 1935, she joined the French Radio Broadcasting Program Service (« Service des programmes de la Radiodiffusion française »), where she was employed to 1947. She participated in the development of a wide range of programming, including Pierre Schaeffer’s experimental radio series, La Coquille à planètes (1943–1944). In 1949, she won the Prix Italia of the RAI for her score Frédéric Général. She wrote music in all styles, composing works of "pure music" as well as music for theatre, film, radio, and music hall, contributing her own voice to every situation, dramatic or comic, with a particular taste for rhythm and imagery. Her musical gift is typified by its ease of flow and elegance of structure. Vivacity, clarity of expression, and a natural feel for melody are her hallmarks. Arrieu composed concertos for piano (1932), two pianos (1934), two concertos for violin (1938 and 1949), for flute (1946), trumpet and strings (1965). She also wrote Petite suite en cinq parties (1945), "Concerto for wind quintet and strings" (1962), Suite funambulesque ("Tightrope Walker's Suite") (1961), and "Variations for classical strings" (1970). Among her important chamber music compositions are her "Trio for Woodwinds" (1936), "Sonatina for Two Violins" (1937), and "Clarinet Quartet" (1964). Her "Sonatine for flute and piano" made a big impression at its first radio performance in 1944 by Jean-Pierre Rampal and H. Moyens. Although Arrieu’s instrumental works strongly contributed to her legacy, it is vocal music that most markedly distinguish her career. Voice inspired her to set many poems to music, including those by Joachim du Bellay, Louise Levêque de Vilmorin, Louis Aragon, Jean Cocteau, Jean Tardieu, Stéphane Mallarmé, and Paul Éluard. Examples include Chansons Bas for voice and piano based on poems by Mallarmé (1937); Candide, radio music on texts by Jean Tardieu based on Voltaire; and À la Libération, cantata of seven poems on love in war, on poems by Paul Éluard Her first opéra bouffe, Cadet Roussel with a libretto by André de la Tourasse after Jean Limozin, was presented at the Opéra de Marseille on 2 October 1953. In 1960, La princesse de Babylone ("Princess of Babylon"), an opéra bouffe after the work of Voltaire adapted by Pierre Dominica, was praised for its lyrical originality and spectacle. Noteworthy film scores include: Les Gueux au paradis (1946), Crèvecoeur (1955), Niok l'éléphant (1957), Marchands de rien (1958), Le Tombeur (1958), and Julie Charles (for television, 1974). Pierre Schaeffer writes: "Claude Arrieu is part of her time by virtue of a presence, an instinct of efficiency, a bold fidelity. Whatever the means, concertos or songs, music for official events, concerts for the elite or for a crowd of spectators, she delivered emotion through an impeccable technique and a spiritual vigilance, finding the path to the heart." Listen Fantastic Piano, Violin and Orchestral Masterpieces by the greatest composers of all time. Claude Debussy, Frédéric Chopin, Johannes Brahms, Wolfgang Amadeus Mozart, Sergei Rachmaninov, Franz Liszt, Astor Piazzolla, Johann Sebastian Bach, Ludwig van Beethoven, Georges Bizet, Gioachino Rossini, Antonio Vivaldi, Niccolò Paganini, Wagner Richard, Pyotr Ilyich Tchaikovsky, Johann Strauss, John Dowland, Franz Joseph Haydn, Ralph Vaughan Williams, Giovanni Battista Pergolesi, Antonín Dvořák, Giacomo Puccini, Igor Stravinsky, Franz Schubert, Giuseppe Verdi, and others… Subscribe: (http•••)
Felix Woyrsch Plagge Brahms Bach Palestrina Lassus Heinrich Schütz Stravinsky Schoenberg Hindemith
Rolf Plagge - Piano His main influences included his friend Brahms as well as Bach, Palestrina, Lassus, and Heinrich Schütz. Although Woyrsch quite valued the music of his contemporaries such as Stravinsky, Schoenberg and Hindemith, he felt less committed to musical innovation as a composer. Rather, he devoted himself to the development of a personal style in the classical-romantic tradition. After his death, he quickly fell into oblivion. (http•••) Please support me for the work so this keeps going and i can keep on my favourite activity. This really means a lot to me thanks ! There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Bach Bach I Stravinsky Svetlanov Yurovsky
И. С. Бах — И. Стравинский Хоральные вариации Vom Himmel hoch da komm' ich her' для хора и оркестра. Государственный академический симфонический оркестр России имени Е. Ф. Светланова Дирижёр – Владимир Юровский Государственная академическая хоровая капелла России имени А. А. Юрлова / I. S. Bach, I. Stravinsky Chorale variations Vom Himmel hoch da komm' ich her' for chorus and orchestra. State academic Symphony orchestra of Russia named after E. F. Svetlanov Conductor-Vladimir Yurovsky State academic choral chapel of Russia named after A. A. Yurlov
Igor Strawinsky Wilfried Lingenberg Pianestival 1882 1943 1971 2011
Igor Strawinsky +••.••(...)) Sonate für zwei Klaviere +••.••(...)) I. Moderato II. Theme with Variations (ab 4:11) III. Allegretto (ab 9:32) Wilfried Lingenberg und Allicent Ratzlaff, Klavier (Konzert am 5. Juni 2011 im großen Foyer des Théâtre du Châtelet in Paris; siehe (http•••) )
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