Ildegarda di Bingen Ave Maria Video
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2024-04-20
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Czech Ensemble Baroque Bacha Hildegarda Bingen Ola Gjeilo Desprez William Byrd Francis Poulenc Claudio Monteverdi Arvo Pärt Henry Purcell Samuel Barber Lamb Giovanni Pierluigi Palestrina Karl Jenkins Böhmová Holub Kubín Jeřábek Procházka Bach 1098 1179 1440 1448 1521 1525 1543 1567 1594 1623 1643 1659 1695 1899 1900 1906 1910 1935 1944 1963 1978 1981 2001 2021
Popis: Bacha na Mozarta! 2021, Natočeno 10. 3. 2021 Program: 0:00 úvod 4:00 Hildegarda von Bingen +••.••(...)): Ave Generosa 9:53 Ola Gjeilo (*1978): Ave Generosa 14:48 Josquien Desprez (1440 – 1521): Ave Maria 19:00 Franz Biebl (1906 – 2001): Ave Maria 25:24 William Byrd (1543 – 1623): Ave verum corpus 30:00 Francis Poulenc (1899 – 1963): Ave verum corpus 32:04 Claudio Monteverdi (1567 – 1643): Cantate Domino 33:49 Arvo Pärt (*1935) Cantate Domino 36:20 Henry Purcell (1659 – 1695): Man that is born of a woman, Z. 27 38:48 Samuel Barber (1910 – 1981): Agnus Dei (Lamb of God) 47:08 Giovanni Pierluigi da Palestrina (1525 – 1594): Exsultate Deo 49:12 Karl Jenkins (*1944): Exsultate, jubilate Účinkují/Cast: Markéta Böhmová, Yvetta Fendrichová, Romana Kružíková, Pavla Radostová,– soprán/soprano Lucie Kořínková, Lucie Netušilová Karafiátová, Kamila Mazalová, Veronika Slavíčková – alt/alto Ondřej Holub, Jan Kožnar, Jakub Kubín, Petr Pytlík – tenor Jan Faltýnek, Václav Karel Jeřábek, Václav Kovář, Jiří Miroslav Procházka – bas/bass Ondřej Múčka – orgel positiv Tereza Válková – sbormistr/choirmaster Luděk Randár - Bach Radovan Král - Mozart Za finanční podpory Ministerstva kultury ČR, Statutárního města Brna a Jihomoravského kraje.
Hildegard Bingen Fassler 1098 1150 1165 1179
Blessed Hildegard of Bingen (German: Hildegard von Bingen) +••.••(...) September 1179), also known as Saint Hildegard, and Sibyl of the Rhine, was a Christian mystic, German Benedictine abbess, visionary, and polymath. Elected a magistra by her fellow nuns in 1136, she founded the monasteries of Rupertsberg in 1150 and Eibingen in 1165. One of her works as a composer, the Ordo Virtutum, is an early example of liturgical drama. Attention in recent decades to women of the medieval church has led to a great deal of popular interest in Hildegard, particularly her music. Between 70 and 80 compositions have survived, which is one of the largest repertoires among medieval composers. Hildegard left behind over 100 letters, 72 songs, seventy poems, and 9 books. One of her better known works, Ordo Virtutum (Play of the Virtues), is a morality play. It is unsure when some of Hildegard's compositions were composed, though the Ordo Virtutum is thought to have been composed as early as 1151. The morality play consists of monophonic melodies for the Anima (human soul) and 16 Virtues. In addition to the Ordo Virtutum Hildegard composed many liturgical songs that were collected into a cycle called the Symphonia armoniae celestium revelationum. The songs from Symphonia are set to Hildegard's own text and range from antiphons, hymns, sequences, to responsories. Her music is described as monophonic; that is, consisting of exactly one melodic line. Hildegard's compositional style is characterized by soaring melodies, often well outside of the normal range of chant at the time. Additionally, scholars such as Margot Fassler and Marianna Richert Pfau describe Hildegard's music as highly melismatic, often with recurrent melodic units, and also note her close attention to the relationship between music and text, which was a rare occurrence in monastic chant of the twelfth century. Hildegard of Bingen's songs are left open for rhythmic interpreation because of the use of neumes without a staff. The reverence for the Virgin Mary reflected in music shows how deeply influenced and inspired Hildegard of Bingen and her community were by the Virgin Mary and the saints. The definition of 'greenness' is an earthly expression of the heavenly in an integrity that overcomes dualisms. This 'greenness' or power of life appears frequently in Hildegard's works. Hildegard's musical, literary, and scientific writings are housed primarily in two manuscripts: the Dendermonde manuscript and the Riesenkodex. The Dendermonde manuscript was copied under Hildegard's supervision at Rupertsberg, while the Riesencodex was copied in the century after Hildegard's death.
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