Jacob Obrecht Caput Video
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2024-04-25
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"Obrecht's lines are robust and earthy, and breathe the same lusty virility which characterizes the Flemish canvases of the time. The peculiar melodic vitality is the result of a thoroughly patterned organization relying essentially on melodic sequence and even direct repeats of identical or slightly varied ideas. Obrecht is the master of clearly profiled themes, memorable equally for their rhythms and for their intervals. Spinning around within a frame of a fourth or fifth and filling it in by conjunct motion, the themes are interminably and continuously expanded by means of sequences in asymmetrical patterns which are often closely juxtaposed in imitation. "The dynamic vigor of the rhythmic drive springs from and incessant pulse of strong beats and is heightened by the division of the beat into small units. The steady and sturdy pulse that underlies all of his music enables him to bring to play, in triple meter, all sophistications of hemiola rhythm and, in duple meter, the innumerable possibilities of subtle syncopations, durational accents on and off the beat, and rhythmic patterns that start on the weak beat and gather momentum as they move to the strong beat." / from Manfred Bukofzer's description of the style of "Missa Caput," from Caput: A Liturgico-Musical Study
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