Ludwig van Beethoven 7 Bagatelle per pianoforte, Opp. 33 Video
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2024-04-17
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Beethoven Henryk Szeryng Bernard Haitink Christian Gottlob Neefe Johann Sebastian Bach Dressler Mozart Haydn Concertgebouw Orchestra Royal Concertgebouw Orchestra 1770 1782 1787 1791 1792 1798 1802 1805 1816 1827
The Romance for Violin and Orchestra No. 2 in F major, Op. 50 is a piece for violin and orchestra by Ludwig van Beethoven, one of two such compositions by Beethoven, the other being Romance No. 1 in G major, Op. 40. It was written in 1798, four years before the first romance, and was published 1805, two years later than the first. Hence, this piece was designated as Beethoven's second romance. It is one of Beethoven's most popular works. Ludwig van Beethoven - Biography Born: December 17, 1770 in Bonn, Germany Died: March 26, 1827, Vienna, Austria NATIONALITY: German ERA: Classical MAIN GENRE: Orchestral Music, Chamber Music, Vocal/ Choral Music, Opera MAIN WORKS: Orchestral Music: 9 Symphonies (including Symphony No. 5.) PIANO CONCERTOS: Overtures (including Coriolan and Leonore) CHAMBER MUSIC: Piano Trios Piano Sonatas ( including Moonlight and Waldstein) String Trio String Quintet Sonatas for Piano and Violoncello 7 Bagatelles for Piano Clarinet Trio Horn Sonata String Quartets (including Razumovsky) Violin Sonatas VOCAL CHORAL: Songs and song cycle Masses (including Missa Solemnis) Cantatas (including Der glorreiche Augenblick) OPERA: Fidelio Brief biography: Beethoven's father, Johannes, was a court Tenor and pianist and was the first person to instruct young Ludwig in music. He taught him the piano, violin, and also possibly the viola. He went to elementary school in the Neugasse until his first public performance at the age of 7, where his father, seeing the latent talent that his son possessed, sought out for him other teachers, more suited for his talent. The most notable of his teacher was Christian Gottlob Neefe, who was responsible for introducing young Ludwig to the music of Johann Sebastian Bach. By 1782, Beethoven was already assisting Neefe as deputy court organist in Bonn, and it was in the same year that his first work, a set of variations on a march theme by Dressler, was published. He then played viola in the Bonn symphony until he went to Vienna in 1787, with the idea of studying with Mozart. His plan for studying with Mozart was cut short though, by the sudden death of his mother, and thusly he being recalled back to Bonn to be at her bedside when she finally passed on. He returned to Vienna in 1792, to study with Haydn, (Mozart having died in 1791). He was to remain in Vienna for the rest of his life, where he was to write his most remembered, and popular pieces, including Symphonies 4,5 and 9. He became well known at first, for his piano playing, having attained the level of virtuoso, and became well known among the aristocracy for his ability to improvise. By 1802, he was to have written 32 of his piano sonatas, and his first 2 symphonies, 18 string quartets, and his first 3 piano concertos. Sadly though, it was around this time, that the deafness, that he had noticed coming on 5-6 years previously, began to hit him even harder. This was a time of great despair for him, as is seen in the letters he wrote to his brothers in the "Heiligenstadt Testament", which were never sent, but were found among his possessions along with the "Immortal Beloved " letters, after his death. During this middle period of his life, he wrote symphonies 3-8,piano concertos 4 & 5, and his violin concerto, to name a few. His involvement in the custody dispute of his nephew Karl, also slowed his musical output, and his production of music until around 1816 was almost stagnant. But the years following 1816 are arguably his most productive, with his 9th symphony, his final 7 piano sonatas, and a set of string quartets, which unlike their predecessors., have 6 and 7 movements, instead of the usual 4. He was able to complete these masterful creations, including the extended finale in the 9th symphony, Ode to Joy, while being almost completely deaf.. There is a story that circulates which says that at the finish of conduction the 9th, he just stood there facing the symphony, and not knowing that the crowd was applauding, because of his deafness, and his ability to hear the applause. He had to be turned around, to see the effect of his musical masterpiece upon the crowd. He continued to compose late into his life, until his death. He was buried with honors in Vienna, and his funeral was said to have been attended by more then 10,000 people, which shows the true following that his music created among the people who were blessed with being able to hear, enjoy and experience it. HENRYK SZERYNG - Official Website: (http•••) HENRYK SZERYNG - Wiki Page: (http•••) Royal Concertgebouw Orchestra website: (http•••) American Friends of the Royal Concertgebouw Orchestra: (http•••) Conductor, Bernard Haitink's Official website: (http•••)
Suh Beethoven William Walton Alice Tully Isang Yun Hastings Hudson Kurt Masur Ken David Masur Myung Whun Chung Pascal Verrot Murray Perahia Garrick Ohlsson Peter Serkin Serkin Emanuel Ax Vladimir Feltsman Feltsman Avery Fisher Hall Alice Tully Hall Lincoln Center Carnegie Hall Seoul Arts Center Tanglewood Hudson Valley Philharmonic Seoul Philharmonic Orchestra Royal Philharmonic Orchestra 1990 2001 2009 2012 2013 2014 2016 2018
Ludwig van Beethoven - Sei bagatelle per pianoforte op. 126 1. Andante con moto, in sol maggiore 2. Allegro, in sol minore 3. Andante cantabile e grazioso, in mi bemolle maggiore 4. Presto, in si minore 5. Quasi Allegretto, in sol maggiore 6. Presto; Andante amabile e con moto, in mi bemolle maggiore Estratto dal concerto tenuto da Hans Suh in data 22 settembre 2018 per la stagione di musica da camera della Fondazione William Walton e La Mortella. Hans H. Suh, vincitore nel 2018 dell'International German Piano Award di Francoforte in Germania e laureato nel 2016 al Queen Elisabeth International Music Competition, si è esibito da solista in molti dei più importanti Teatri e Sale del mondo, quali la Avery Fisher Hall e l’ Alice Tully Hall al Lincoln Center, Carnegie Hall, Merkin Hall al Kaufman Center, Hitachi Systems Hall Sendai e Concert Hall of Seoul Arts Center. Hans è vincitore di molte altre competizioni pianistiche internazionali: Sendai International Music Competition (2° Premio e medaglia d’argento), Isang Yun International Music Competition (1° Premio e “Isang Yun Special Prize”), Hastings International Piano Concerto Competition (2° Premio) e dell’ International Beethoven Competition Vienna (4° premio e “Dr. Dichler Prize”). Nel 2012 ha tenuto un tour di concerti per la Yamaha Corporation in Giappone; nel 2013 ha partecipato al Tanglewood Music Festival in Lenox MA e nel 2014 ha tenuto tournèes in Germania e Svizzera. Di recente ha tenuto un recital per il prestigioso IKIF (International Keyboard Institute & Festival) in New York. Si è esibito con le maggiori orchestre del mondo: New York Philharmonic Orchestra, Hudson Valley Philharmonic Orchestra, Seoul Philharmonic Orchestra,Sendai Philharmonic Orchestra,Kammerphilharmonie Graubünden e con la Royal Philharmonic Orchestra, sotto la direzione di Maestri del calibro di Kurt Masur, Ken-David Masur, Michael Adelson, Myung-Whun Chung, Pascal Verrot. Ha tenuto recitals in tutto il mondo: Korea, USA, Giappone, Germania, Italia. Ha seguito masterclasses con celebri musicisti quali Murray Perahia, Garrick Ohlsson, Jeffrey Kahane, Daejin Kim, Peter Serkin, Emanuel Ax. Nato a Seoul, Korea, nel 1990, Hans a 7 anni ha vinto il suo primo Premio al Korea Times Music Competition. In seguito ha tenuto molti concerti e registrazioni per la televisione nazionale coreana. A 10 anni si è trasferito con la famiglia negli USA, debuttando ad 11 anni dopo la vittoria al New York Philharmonic Young Artist Audition. Dal 2001 al 2009 ha studiato al Mannes College of Music Preparatory Division coi Prof. Yuri Kim e Vladimir Feltsman con una borsa di studio. Ha frequentato la Columbia University, dove ha studiato storia antica, continuando contemporaneamente gli studi di pianoforte con Matti Raekallio e Emanuel Ax attraverso il programma di scambio Columbia-Juilliard. Ottenuto il Diploma di perfezionamento alla Hochschule für Musik di Hannover in Germania, sta adesso seguendo il Konzertexamen degree con il Prof. Olivier Gardon.
Beethoven Artur Schnabel 1882 1938 1951
Artur Schnabel +••.••(...)) plays Ludwig van Beethoven's Elf Bagatellen für Klavier Opus 119 Recorded 10/11/1938 1. Allegretto (G minor) 2. Andante con moto (C major) 3. à l'Allemande (D major) 4. Andante cantabile (A major) 5. Risoluto (C minor) 6. Andante - Allegretto (G major) 7. C major 8. Moderato cantabile (C major) 9. Vivace moderato (A minor) 10. Allegramente (A major) 11. Andante ma non troppo (B♭ major) / From an essay recently written by my friend James Irsay: "For Schnabel, the effect was everything, and he brought his great intellectual mastery and deep insight into play to produce it. No matter that these recordings are as well known for their occasional technical lapses as for their otherwise superlative level of performance. The effect is always made, and a bit of noble struggle only enhances the humanity--and excitement--of Schnabel's achievement. Beethoven himself was said not to have always given thoroughly polished performances of his works, yet his playing made a thrilling effect upon his audience. And do not doubt it—Schnabel overwhelmingly plays with precision and clarity; he owns that inimitable sound. Schnabel's melodies sing out as if etched in the air, his gradations of touch and pedaling are many and miraculous, often resulting from subtleties of touch that appear almost surreptitiously, while communicating the crucial effect. Schnabel was a master of true “orchestral” playing--carefully layering the discreet lines in the music, down to the most extreme pianissimo, to make heard what Beethoven took the trouble to write. Schnabel gives every line its own character, without allowing it to disappear into the indistinct background from neglect or inattention." (http•••)
Alfred Brendel Ludwig Van Beethoven 1970
LUDWIG VAN BEETHOVEN Piano Sonata No. 29 in B flat major, Op. 106 "Hammerklavier" 00:00:01 I. Allegro 00:11:38 II. Scherzo. Assai vivace - Presto - Tempo I 00:14:15 III. Adagio sostenuto 00:32:48 IV. Largo - Allegro - Allegro risoluto From: 6 Bagatelles for piano, Op. 126 00:44:42 No. 2 in G minor: Allegro 00:47:42 No. 3 in E flat major: Andante cantabile e grazioso ALFRED BRENDEL, piano Filmed in Paris, 28 February 1970
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