Pierre Boulez Répons Video
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Pierre Boulez Alain Damiens Christian Gansch Gansch 1998
Provided to YouTube by Universal Music Group Boulez: Dialogue de l'ombre double - Transition I à II · Alain Damiens · Andrew Gerzso Boulez: Répons; Dialogue de l'ombre double ℗ 1998 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Producer: Christian Gansch Studio Personnel, Balance Engineer: Klaus Hiemann Composer: Pierre Boulez Auto-generated by YouTube.
Pierre Boulez Alain Damiens Christian Gansch Gansch 1998
Provided to YouTube by Universal Music Group Boulez: Dialogue de l'ombre double - Strophe I · Alain Damiens · Andrew Gerzso Boulez: Répons; Dialogue de l'ombre double ℗ 1998 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Producer: Christian Gansch Studio Personnel, Balance Engineer: Klaus Hiemann Composer: Pierre Boulez Auto-generated by YouTube.
Pierre Boulez Alain Damiens Christian Gansch Gansch 1998
Provided to YouTube by Universal Music Group Boulez: Dialogue de l'ombre double - Strophe II · Alain Damiens · Andrew Gerzso Boulez: Répons; Dialogue de l'ombre double ℗ 1998 Deutsche Grammophon GmbH, Berlin Released on: 1998-01-01 Producer: Christian Gansch Studio Personnel, Balance Engineer: Klaus Hiemann Composer: Pierre Boulez Auto-generated by YouTube.
Pierre Boulez Sacher 1955 1994 1996 1998 2001 2005
Pierre Boulez - Incises, for piano (2001) Performed by Sébastien Vichard Incises (1994/2001) and Sur Incises (1996/1998) are two related works of the French composer Pierre Boulez. The pitches of the row used in Incises and Sur Incises are based on the Sacher hexachord, the same as those used in the rows for Répons, Messagesquisse, and Dérive 1. Incises ("Interpolations") for solo piano was composed in 1994 as a test piece for the Umberto Micheli Piano Competition, where it was first performed on 21 October 1994. Boulez revised it in 2001. Incises was Boulez's first work for solo piano since his Third Piano Sonata of 1955–57/63. The piece lasts less than ten minutes. The work plays with contrasts of gestures and textures, for instance, repeated pitches or chords in an even tempo interrupted by violent melodic arcs, or sparse chordal interjections without discernible rhythm over long held sonorities. Reviewing of a 2005 performance of Incises, Tim Page described it: "Incises is charged with a bright, cold, hard brilliance, like a spray of crushed ice. It is dense with events – even when it is silent for a moment, Boulez's music never really 'rests' – but also far more generous in its emotional expression than much of his earlier work." (http•••) Join the Score Video Creator Discord Server: (http•••) PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - (http•••) PAYPAL - Donations of any amount welcome! - (http•••)
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