Pierre Boulez Terza Sonata per pianoforte Video
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Pierre Boulez 1415 1518 1957 1959 1962 1968 1985
Pierre Boulez - Domaines, for clarinet solo (1968) Clarinet - Roger Heaton Cahier A Original - 0:00 Cahier E Original - 0:49 Cahier C Original - 1:50 Cahier B Original - 2:50 Cahier D Original - 4:19 Cahier F Original - 5:20 Cahier F Miroir - 7:44 Cahier D Miroir - 10:12 Cahier B Miroir - 11:18 Cahier C Miroir - 13:02 Cahier E Miroir - 14:15 Cahier A Miroir - 15:18 Boulez’s Domaines (Areas/Domains), composed during an extended period between 1959 and 1968, was written for clarinet alone. Boulez turned it into a kind of concerto later by adding six discrete ensembles of one to six players while retaining the original solo part. Domaines follows on from the Third Piano Sonata of 1957 and the large-scale work for soprano and orchestra Pli selon pli (Fold by Fold), which he worked on between 1957 and 1962. There are close links between the three pieces in terms of expressive melodic material, for example similarities between clarinet and vocal writing, and the quasi-aleatoric nature of the notation - the actual layout on the page of fragments of music. One interesting note to make, is the similarities between Domaines and Boulez's other work involving a solo clarinet: Dialogue de l'ombre double (1985). The clearest example comes in one the first sections heard in this recording. This section of the original Cahier A, 0:14, is identical (in sound) to the entry of the shadow clarinet in Transition I à II in Dialogue: (http•••) Join the Score Video Creator Discord Server: (http•••) PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - (http•••) PAYPAL - Donations of any amount welcome! - (http•••)
Florent Boffard Pierre Boulez 2021
LIVE du mardi 19 janvier 2021, 20:30 1 Douze notations pour piano, Pierre Boulez 10:17 2 Présentation de la troisième sonate pour piano de Pierre Boulez, Florent Boffard 04:06 3 Sonate pour piano no 3 (avec création de fragments inédits), Pierre Boulez 31:11 4 Présentation de la suite du programme, Florent Boffard 01:44 5 Une page d'éphéméride, Pierre Boulez 04:55 6 Sonate pour piano no 1, Pierre Boulez 11:18
Pierre Boulez Sacher 1955 1994 1996 1998 2001 2005
Pierre Boulez - Incises, for piano (2001) Performed by Sébastien Vichard Incises (1994/2001) and Sur Incises (1996/1998) are two related works of the French composer Pierre Boulez. The pitches of the row used in Incises and Sur Incises are based on the Sacher hexachord, the same as those used in the rows for Répons, Messagesquisse, and Dérive 1. Incises ("Interpolations") for solo piano was composed in 1994 as a test piece for the Umberto Micheli Piano Competition, where it was first performed on 21 October 1994. Boulez revised it in 2001. Incises was Boulez's first work for solo piano since his Third Piano Sonata of 1955–57/63. The piece lasts less than ten minutes. The work plays with contrasts of gestures and textures, for instance, repeated pitches or chords in an even tempo interrupted by violent melodic arcs, or sparse chordal interjections without discernible rhythm over long held sonorities. Reviewing of a 2005 performance of Incises, Tim Page described it: "Incises is charged with a bright, cold, hard brilliance, like a spray of crushed ice. It is dense with events – even when it is silent for a moment, Boulez's music never really 'rests' – but also far more generous in its emotional expression than much of his earlier work." (http•••) Join the Score Video Creator Discord Server: (http•••) PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - (http•••) PAYPAL - Donations of any amount welcome! - (http•••)
Enlaces para escuchar las obras: TROISIÈME SONATE POUR PIANO (http•••) PLI SELON PLI (http•••) ÉCLAT (http•••) RÈPONDS (http•••) ...EXPLOSANTE-FIXE...(http•••) ANTHÈMES II (http•••) Serie: La música se habla El compositor, director y gestor, Pierre Boulez +••.••(...)) dio forma a la escena musical de Francia en la segunda mitad del siglo XX. El conferencista y compositor Daniel Leguizamón repasará el legado de la obra de este compositor para la música contemporánea.
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