Richard Strauss Burleske Video
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Richard Strauss Rudolf Kempe Auerbach Bülow Eugen Albert Brahms Krause Meiningen Court Orchestra 1885 1886 1890 2003
Richard Strauss Burleske in D minor for piano and orchestra Malcolm Frager, piano Staatskapelle Dresden Rudolf Kempe, conductor Painting: Frank Auerbach, Head of William Feaver, 2003 Early in 1885, Strauss began a conducting apprenticeship with Hans von Bülow, who was then the director of the renowned Meiningen Court Orchestra. Even though this lasted only six months, it was of decisive importance for his career. Strauss hoped that his mentor (who was equally celebrated as a pianist and as a conductor) would perform his Burleske (1886) for piano and orchestra, but Bülow's reaction was not encouraging. "There's a different hand position in every bar; do you think I'm going to sit down for four weeks and study such an unmanageable piece?", he demanded of the fledgling composer. Strauss had better luck with another virtuoso, Eugen d'Albert, who took all the difficulties in his stride at the first performance (which was given as part of the 1890 Eisenach Music Festival). Strauss himself conducted the work, which he dedicated to d'Albert. By this stage, however, the composer had begun to lose interest in the piece, and remarked that he objected to performing a work he had already grown out of. The four accented timpani strokes at the start set the tone of cheerful music-making and give the work its “burlesque" character. Some genuinely Straussian characteristics can already be heard in this piece, despite the strong influence of Brahms. The Burleske looks forward to the cheeky humour of Till Eulenspiegel and is certainly more than the work of a talented beginner. Adapted from notes by Ernst Krause
Mariss Jansons Richard Strauss Symphonieorchester Bayerischen Rundfunks 1864 1885 1943 1949 1991 2017 2019
Burleske für Klavier und Orchester, d-Moll (1885/86/90) - Allegro vivace, TrV 145 Richard Strauss (*11. Juni 1864 †8. September 1949) Daniil Trifonow (*5. März 1991) Symphonieorchester des Bayerischen Rundfunks (BRSO) Mariss Jansons (*14. Januar 1943 †1. Dezember 2019) (http•••) Bayerischer Rundfunk, 2017
Goerner Liszt Brahms 1536 1750
Along with Liszt’s Totentanz and Franck’s Symphonic Variations, Strauss’s Burleske in D minor is the best non-piano concerto ever written. We are facing a work which fully reflects the young Strauss, with that sense of virtuosity, vigor and heroism; but it’s also very sliding, exciting and easy to listen. It should be a parody of Brahms’s second piano concerto, a joking tribute which, in fact is called “burlesque”. Here, like in Brahms, we don’t have a classic conception of the soloist accompanied by the orchestra, but we have a more important role of the orchestral textures and the single instruments, like the timpani which open and close the work. We have a big “first movement” in sonata form, with two main themes (D minor at 00:20 and F major at 02:08), a development (05:38) and a recapitulation (D minor theme at 08:59 and D major theme at 10:20), after which there is a cadenza (15:36) and eventually a coda (17:50). There is a great thematic variety, despite the fact that all the themes are closely related to one another, as in Liszt’s B minor sonata. Goerner has a corret playing of this piece. Virtuosistic passages are played with discretion and elegance.
Rudolf Kempe Ulf Hoelscher Richard Strauss 1976 2013
Provided to YouTube by Warner Classics Violin Concerto in D Minor, Op. 8: I. Allegro · Rudolf Kempe · Ulf Hoelscher Strauss, R: Violin Concerto, Op. 8, Burleske for Piano and Orchestra & Panathenäenzug, Op. 74 ℗ 1976 Parlophone Records Limited. Remastered (p) 2013 Parlophone Records Limited, a Warner Music Group Company Producer: David Mottley Conductor: Rudolf Kempe Orchestra: Staatskapelle Dresden Violin: Ulf Hoelscher Composer: Richard Strauss Auto-generated by YouTube.
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