Samuel Barber Concerto per pianoforte, Op. 38 Video
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Vladimir Samoylovich Horowitz Chopin Bach Debussy Schumann Alexander Scriabin Sergei Rachmaninoff Tchaikovsky Thomas Beecham Liszt Toscanini Brahms Scarlatti Haydn Clementi Beethoven Samuel Barber Prokofiev Kabalevsky Schonberg Carnegie Hall 1757 1903 1915 1925 1928 1932 1933 1936 1940 1950 1953 1965 1985 1987 1989
LIKE and SUBSCRIBE for more videos ! (http•••) SUBSCRIBE to my PATREON ! → (http•••) Vladimir Horowiz : Carnegie Hall Rehearsal, 7 January 1965 (Bach, Chopin, Debussy, Schumann, Conversations etc...) Performer : Vladimir Horowitz, piano Date : 7 January 1965 Place : Carnegie Hall Program : Rehearsal 00:00 Horowitz improvising 03:24 Conversation and Horowitz testing the piano 05:24 Horowitz improvising II 10:31 Conversation I 11:28 Bach : Toccata Adagio and Fugue in C Major, BWV 564, I Preludio 17:57 II Intermezzo Adagio 22:15 III Fuga Moderamente scherzando un poco umoristico 27:19 Conversation II 28:15 Chopin - Polonaise Fantaisie in A Flat Major Op. 61 41:19 Conversation III 41:42 Debussy : Etudes Livre II No. 11 Pour les arpeges composés 45:45 Conversation IV 47:12 Schumann : Fantasie in C Major Op. 17 I Durchaus phantastisch und leidenschaftlich vorzutragen fragment 58:08 Conversation V 58:24 Chopin : Nocturne No. 15 in F Minor Op. 55 No. 1 BIOGRAPHY The most famous pianist of the twentieth century, his name known to the proverbial man on the street the world over, Vladimir Samoylovich Horowitz (1903–1989) was born in 1903 in Kiev. Horowitz showed enough prodigious talent to play for Alexander Scriabin in 1915, just before the Russian composer-pianist’s early death. Horowitz would become a superlative interpreter of Scriabin’s music, which the pianist described as “mystical… expressionistic.” Horowitz also became friends with another great Russian composer-pianist (and Scriabin’s former schoolmate), Sergei Rachmaninoff – who was the acme of Romanticism. He also made a benchmark recording of Rachmaninoff’s Piano Sonata No. 2. Emigrating from Russia in 1925 and eventually settling in New York City, Horowitz made his American debut with Tchaikovsky’s Piano Concerto No. 1 in 1928 at Carnegie Hall, which would become his home venue, the site of many recordings. Impressed by the pianist’s tonal dynamism, conductor Thomas Beecham, who led that concert, reportedly said: “Really, Mr. Horowitz, you can’t play like that – it shows the orchestra up.” Horowitz made a series of solo recordings for HMV at London’s Abbey Road Studios in 1932, including several Chopin pieces and an electrifying take on Liszt’s B Minor Sonata, helping to establish the piece in the standard repertoire. A review of a 1933 London concert declared Horowitz “the greatest pianist dead or alive.” Horowitz would make hit recordings with Toscanini of the Tchaikovsky concerto and the Brahms Piano Concerto No. 2 in 1940–41. Over the course of his career, Horowitz’s recorded repertoire stretched far beyond those early specialties of Chopin, Brahms, Liszt, Tchaikovsky, Scriabin and Rachmaninoff; in long associations for RCA, then Columbia and, finally, Deutsche Grammophon, Horowitz also ranged from Scarlatti, Haydn and Clementi to Beethoven, Schumann and miniatures across the ages with artistic and commercial success; in a period of applying himself to modern music, he premiered Samuel Barber’s Sonata in 1950, along with recording sonatas by Prokofiev and Kabalevsky. Driven to “grow until I die,” he said, the pianist reapplied himself to select Beethoven sonatas in his middle period and then several Mozart works as he grew older. Horowitz also crafted his own transcriptions and arrangements, including such showstoppers as his variations on Carmen and Stars and Stripes Forever. In his book The Great Pianists, critic Harold Schonberg wrote: “As a technician, Horowitz was one of the most honest in the history of modern pianism. Famously high-strung, his art always a mental-physical high-wire act, Horowitz took four sabbaticals from public performance to deal with various issues, his returns much-ballyhooed events. The first layoff was for two years in 1936; the longest was 1953 to 1965, followed by a tremendous homecoming to Carnegie Hall. But even over his later breaks, he recorded regularly at home in his Manhattan townhouse, documenting his art as it subtly evolved even beyond great venues and the recording studio. A 1985 film, The Last Romantic, captured the pianist in his last years, performing at home as well as reminiscing about Scriabin and Rachmaninoff. The next year, Horowitz returned to Russia, 61 years after leaving — a hugely emotional event for both artist and audience, documented in the concert album and film Horowitz in Moscow. In 1987, he played his final recital, in Hamburg; he died two years later. “Piano playing consists of intellect, heart and technique,” Horowitz said. “All should be equally developed. Without intellect, you will be a fiasco; without technique, an amateur; without heart, a machine. The profession has its perils.”
Grigory Romanovich Ginzburg Rossini Barber Issay Dobrowen Tales Alexander Goldenweiser Hanon Franz Liszt Chopin Lev Oborin Szpinalski Etkin Moszkowska Persimfans 1904 1910 1922 1924 1927 1928 1929 1935 1951 1959 1961 2010
Grigory Ginzburg transcription of "Largo al factotum" from "Il barbiere de Siviglia (The Barber of Seville)" by Rossini. Recorded in 1951. ~ Grigory Romanovich Ginzburg +••.••(...)) Russian pianist, born into a family with no musical traditions. However, his parents insisted that their three sons become acquainted with the basics of music and play piano at least on an amateur level. Grigory, the youngest child, displayed the greatest interest in music. He initially started to study with his mother, and then in his native Nizhny Novgorod with Sofia Barabeichik, sister of the pianist and conductor Issay Dobrowen. Tales of the remarkably talented boy reached Alexander Goldenweiser in Moscow. In 1910, the Ginzburgs introduced their son to Goldenweiser, who immediately decided to teach him music and piano playing. After the death of Grigori's father, Goldenweiser became a surrogate father to the boy. Goldenweiser placed particular emphasis on the development of basic technique. He worked Ginzburg through Hanon's exercises, teaching how to transpose them to any chosen key, play complicated rhythms, tempos and contrasting dynamics. Ginzburg was accepted to the Moscow Conservatoire at the age of twelve, to the so-called lower course, but soon became a full-time student in Alexander Goldenweiser's class. Goldenweiser was Ginzburg's only teacher during the entire course of his musical education. Ginzburg was still a student when he made his debut in 1922, playing Franz Liszt's Piano Concerto No. 1 in E flat major with the renowned Moscow 'Persimfans' orchestra. In spring 1924 Ginzburg graduated from the Conservatoire earning a gold medal, which meant his name was engraved on a white marble plate that listed the best graduates of the Conservatoire. During 1924 - 1928, Ginzburg undertook post-graduate studies at the Conservatoire under the supervision of Goldenweiser, and started his teaching career as an assistant. 1927 brought him great success when he took 4th place at the 1st International Chopin Competition in Warsaw; Lev Oborin being the first prize winner, Stanislaw Szpinalski the second and Rosa Etkin-Moszkowska the third. He was among the favourites of the Warsaw audience who believed he should have been awarded 1st Prize. He joined the staff of the Moscow Conservatoire in 1929 and was appointed full professor in 1935. He devoted considerable energy to educational matters; he was the President of All-Russian Union of Music Teachers, was instrumental in establishing a conservatoire in Nizhny Novgorod the early 1950s and played a vital role in improving the quality of pianos in use throughout the USSR when Steinway began to make appearance. Ginzburg abhorred the Soviet communist system and yet, for much of his life and unlike some of his peers, he miraculously remained unscathed. However, by April 1959, the bureaucracy in Moscow Conservatoire, being in the hands of communist civil servants, had become so intolerable that Ginzburg tendered his resignation. His only option seemed to start extensive concert tours the get away from Moscow but as he embarked upon this new phase in his career he suffered a heart attack. He made a remarkable recovery but when he recommenced his travels it was with the knowledge that he had developed an inoperable cancer. Undaunted, he continued, his final triumph being a sensational tour of Yugoslavia in May 1961. He died in Moscow, December 1961. ~~~ This post is dedicated to my colleague, Ms. Asma Pardi, passing away today, 20 January 2010, at a very young age. ~~~
Rté National Symphony Orchestra National Symphony Orchestra Copland Barber Gershwin Andrew Litton Berlioz Stravinsky Delius Brahms Gluck Khachaturian Tchaikovsky Mussorgsky Ravel Nolan Rodgers Hammerstein Rózsa Dragon Zimmer Bernstein Rota Carl Davis Steiner Schubert Strauss II Strauss I Tinney 1919 2014
4 July 2014, 8pm Spirit of America Copland An Outdoor Overture (10') Barber Adagio for Strings (8') Gershwin Rhapsody in Blue (full orchestra version) (16') Dvorák Symphony No. 9, Op. 95, From the New World (40') RTÉ National Symphony Orchestra Andrew Litton, soloist/director & conductor Tickets: €12, €20, €26, €32, €35 (Concessions €10, €18, €23.40, €28.80, €31.50). 11 July 2014, 8pm Sonic Spectacular Berlioz Roman Carnival Overture (10') Stravinsky The Firebird Suite (1919) Introduction, Dance of the Firebird, Variation of the Firebird (5') Larchet By the Waters of Moyle (9') Delius On Hearing the First Cuckoo in Spring (4') Barry Dances With Wolves, Main Theme (3') Williams The Empire Strikes Back, Main Theme (5') Brahms Hungarian Dances, No. 1 in G minor, No. 3 in F (5') Dvorák Slavonic Dance, Op. 46 No. 8 in G minor (3') Gluck 'Dance of the Blessed Spirits' (Orfeo ed Euridice) (6') Khachaturian Spartacus Suite No. 2, Adagio (9') Tchaikovsky Festival Coronation March (5') Mussorgsky (arr. Ravel) 'The Great Gate of Kiev' (Pictures at an Exhibition) (5') RTÉ National Symphony Orchestra Andrew Mogrelia, conductor Presented by Liz Nolan, RTÉ lyric fm Tickets: €12, €20, €26, €32, €35 (Concessions €10, €18, €23.40, €28.80, €31.50). 18 July 2014, 8pm Hollywood Greats A Journey through the Movies Rodgers & Hammerstein South Pacific Overture (5.40) Young Around the World in 80 Days (3) Davis The World at War (5.25) Rózsa El Cid (3.30) Dun Crouching Tiger Hidden Dragon (5.30) Ricketts (arr. Arnold). 'Colonel Bogey March' from Bridge on the River Kwai (3.20) Badelt Pirates of the Caribbean (5.30) Zimmer Gladiator Suite (6) Bernstein (arr. Peress) West Side Story (4') Kander New York, New York (3) Rota Romeo and Juliet (3.40) Carl Davis Pride and Prejudice (3.50) Davis Napoleon (3.45) Vangelis Chariots of Fire (3.30) Barry Out of Africa (4) Steiner Casablanca (7) Young The Quiet Man Suite (8.30) RTÉ National Symphony Orchestra Presented by Aedín Gormley, RTÉ lyric fm Carl Davis, conductor Tickets: €15, €25, €32, €40 (Concessions €13.50, €22.50, €28.80, €36). 25 July 2014, 8pm Viennese Delights Schubert Symphony No. 8 in B minor, 'Unfinished' (23') Mozart Piano Concerto No. 21 in C, 'Elvira Madigan' (29') J Strauss II Die Fledermaus Overture (9') J Strauss II Pizzicato Polka (3') J Strauss II Perpetuum Mobile (3') J Strauss II Thunder and Lightning Polka (3') J Strauss II Emperor Waltz (11') J Strauss I Radetzky March (3') RTÉ National Symphony Orchestra Hugh Tinney, piano David Brophy, conductor Tickets: €12, €20, €26, €32, €35 (Concessions €10, €18, €23.40, €28.80, €31.50).
Barber Brahms Mussorgsky Saint Saens Massenet Tchaikovsky Rachmaninoff Vivaldi Corelli Bach Gounod Alessandro Marcello Liszt Mendelssohn Giuseppe Lanzetta Grieg Beethoven Schubert Mahler Sibelius
Buy the MP3 album on the Official Halidon Music Store: (http•••) Listen to our playlist on Spotify: (http•••) Order “50 Masterpieces of Classical Music” (3CDs) on Amazon: USA: (http•••) IT: (http•••) FR: (http•••) DE: (http•••) ES: (http•••) UK: (http•••) These recordings are available for sync licensing in web video productions, corporate videos, films, ads and music compilations. For further information and licensing please contact •••@••• The HalidonMusic Sync Licensing platform is now live at (http•••) Subscribe to our newsletter and get a 50% discount on the Halidon Music Store: (http•••) If you like what we do and would like to support us, you can now buy us a coffee: (http•••) Donations will go towards keeping the YouTube channel going and funding new recording sessions with our amazing team of artists. Thank you! 30 Most Beautiful Pieces of Classical Music Tracklist: 0:00:00 Barber - Adagio for Strings - Orquesta Reino de Aragón, Ricardo Casero 0:08:18 Brahms - Piano Concerto No. 1, Op. 15: II. Adagio - Metamorphose String Orchestra, Pavel Lyubomudrov, Denis Linnik 0:21:18 Mussorgsky - Pictures at an Exhibition: No. 2, Il vecchio castello - Metamorphose String Orchestra, Pavel Lyubomudrov 0:26:12 Saint-Saens - The Carnival of the Animals: XIII, The Swan - Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov 0:29:35 Massenet - "Thaïs, DO 24, Act II: "Méditation"" - Arr. for Cello and Orchestra (Live) - Nike Hutchisson, Metamorphose String Orchestra, Pavel Lyubomudrov 0:35:36 Tchaikovsky - Swan Lake, Op. 20: Scene by a Lake - Metamorphose String Orchestra, Pavel Lyubomudrov 0:38:08 Rachmaninoff - 14 Romances, Op. 34: No. 14, Vocalise - Nike Hutchisson, Metamorphose String Orchestra, Pavel Lyubomudrov 0:43:10 Vivaldi - Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto (Live) - Metamorphose String Orchestra, Pavel Lyubomudrov, Andrey Baranov 0:46:26 Corelli - Concerto Grosso No. 1 in D Major, Op. 6: III. Largo - Kiev Chamber Orchestra, Liviu Buiuc 0:50:23 Bach - Orchestral Suite No. 3 in D Major, BWV 1068: II. Air on the G String - Orquesta Reino de Aragón, Ricardo Casero 0:55:41 Bach-Gounod - Ave Maria, CG 89° - Metamorphose String Orchestra, Pavel Lyubomudrov 1:00:25 Bach/Marcello - Concerto No. 3 (After Alessandro Marcello's Concerto for Oboe and Strings) in D Minor, BWV 974: II. Adagio - Vadim Chaimovich 1:05:13 Liszt - Consolations, S. 172: No. 3 in D-Flat Major (Live) - Vadim Chaimovich 1:09:59 Mendelssohn - Songs Without Words, Book 1, Op. 19b: No. 2 in A Minor - Vadim Chaimovich 1:12:31 Faurè - Pavane, Op. 50 - Orquesta Reino de Aragón, Ricardo Casero 1:19:08 Tchaikovsky - The Nutcracker Suite, Op. 71a: No. 2a, March of the Toy Soldiers - Metamorphose String Orchestra, Pavel Lyubomudrov 1:21:36 Mozart - Symphony No. 29 in A Major, K. 201: I. Allegro moderato - Orchestra da Camera Fiorentina, Giuseppe Lanzetta 1:28:50 Mozart - Divertimento in D major, K. 136 "Salzburg Symphony No. 1": I. Allegro - Metamorphose String Orchestra, Pavel Lyubomudrov 1:31:50 Mozart - Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito - Orchestra da Camera Fiorentina, Giuseppe Lanzetta 1:37:19 Mozart - Lucio Silla, K. 135: Ouverture. I. Molto allegro - Orchestra da Camera Fiorentina, Giuseppe Lanzetta 1:41:04 Bach - Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro - Metamorphose String Orchestra, Pavel Lyubomudrov 1:46:52 Grieg - Holberg Suite, Op. 40: I. Praeludium - Metamorphose String Orchestra, Pavel Lyubomudrov 1:49:37 Beethoven - Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Metamorphose String Orchestra, Pavel Lyubomudrov 1:57:56 Beethoven - Coriolan Overture, Op. 62 - Metamorphose String Orchestra, Pavel Lyubomudrov 2:05:55 Beethoven - Symphony No. 9 "Choral": II. Scherzo. Molto vivace - Orquesta Reino de Aragón, Ricardo Casero 2:20:12 Beethoven - Symphony No. 7 in A Major, Op. 92: II. Allegretto - Orchestra da Camera Fiorentina, Giuseppe Lanzetta 2:29:13 Mozart - Requiem, K. 626: Introitus. Requiem - Orchestra da Camera Fiorentina, Harmonia Cantata, Giuseppe Lanzetta, Cecilia Cazzaato 2:34:37 Schubert (arr. Mahler) - String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto - Metamorphose String Orchestra, Pavel Lyubomudrov 2:48:35 Tchaikovsky - String Quartet No. 1, Op. 11: II. Andante Cantabile (Arr. for String Orchestra) - Metamorphose String Orchestra, Pavel Lyubomudrov 2:55:10 Sibelius - Andante Festivo - Metamorphose String Orchestra, Pavel Lyubomudrov #classicalmusic
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