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Henri Tomasi Berger Philippe Gaubert Vincent Indy Indy Georges Caussade Paul Vidal Schumann Debussy Doll 1901 1921 1927 1941 1948 1952 1971 1976 2017 2018
00:00 - I. Réveil du Petit Soldat 00:38 - II. Poupée Triste: Andantino 01:15 - III. Berceuse Pour la Petite Cousine Arabe 01:49 - IV. Le Petit Cheval: Vif 02:20 - V. Le Clown et l'Ecuyère: Mouvement de Valse 02:57 - VI. Le Petit Jésus et sa Maman: Lent 03:30 - VII. Berger, Bergère: Andantino 04:00 - VIII. La Boite à Musique: Andantino 04:40 - IV. Concert des Petits Anges Musiciens: Andantino 05:13 - X. La Berceuse à Claudinet: Andante 05:54 - XI. Les Rois Mages: Largamento 06:25 - XII. Les Tambourinaires: Vif / Piano: Emilie Capulet Year of Recording: 2017-2018 / "Henri Tomasi was a French classical composer and conductor. He was born in Marseille on 17 August 1901 to a family who originated from Corsica. At the age of seven he entered the Conservatoire de Musique de Marseille, and during those early summers he stayed with his grandmother in Corsica, where he learned traditional Corsican songs. World War I delayed his entrance into the Paris Conservatoire, but in 1921 he eventually began his studies there. His teachers included Philippe Gaubert, Vincent d'Indy, Georges Caussade, and Paul Vidal. In 1927 he won the ‘Prix de Rome’. World War II marked a turning point in Tomasi’s fortunes. He began to achieve international recognition, when previously his reputation had been confined to his native France. He now became one of the foremost French composers of his day. He was drawn especially towards opera, composing twelve in all between 1941-1971. Yet, instrumental music also seemed to stir a passion. He wrote twenty concertos for some of the most eminent soloists around at the time. A car accident in 1952, in which he broke one of his legs, put an end to his conducting career four years later. He also had to contend with encroaching deafness. His remaining years were devoted to composition. He died in 1971. The wide-eyed innocence of childhood is the subject of Le Coin de Claudinet (1948), a suite of twelve pieces cast in the vein of Schumann’s Album for the Young, Debussy’s Children’s Corner and other such cycles. It was composed for his son’s fourth birthday, with each of the pieces lasting under a minute. The cameos depict such things as trumpet calls of tin soldiers, a sad song of a doll, a galloping toy horse and a musical box." (Stephen Greenback) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
He Luting Huang Tzu Alexander Tcherepnin Tcherepnin Claude Debussy 1900 1903 1934 1937 1976 1979 1984 1999 2000
Original BiliBili Upload: (http•••) Composer: He Lu-Ting +••.••(...) ) He Luting (traditional: 賀綠汀; simplified: 贺绿汀; pinyin: Hè Lùtīng; July 20, 1903 – April 27, 1999) was a Chinese composer of the early 20th century. He composed songs for Chinese films beginning in the 1930s, some of which remain popular. During the 1930s, He studied at the Shanghai Conservatory of Music under Huang Tzu and Russian composer Alexander Tcherepnin. Tcherepnin named him winner of a piano composition contest in 1934 for his work Buffalo Boy's Flute, which made him famous nationwide (牧童短笛). His best-known compositions are "Song of the Four Seasons" (四季歌) and "The Wandering Songstress" (天涯歌女, with lyrics by Tian Han), both composed for the 1937 film Street Angel and sung by Zhou Xuan. He Luting had a complicated relationship with the Chinese Communist Party. He became a member after moving to Shanghai, and during the Second Sino-Japanese War he wrote several songs for the "mass song movement", most famously the "Guerrillas' Song". After the Communist victory in the Civil War, he was appointed director of the Shanghai Conservatory of Music. But during the Cultural Revolution, He Luting became a target due to his associate with Western music and particularly his defense of Claude Debussy. He refused to confess despite being subjected to physical abuse and interrogation on public television. Alex Ross claimed that no composer had ever made a braver stand against totalitarianism. After the end of the Cultural Revolution in 1976, He Luting returned to his position as Director of the Shanghai Conservatory and was allowed to travel overseas, visiting Australia in 1979. In 1984 he retired from his position, retaining the title of honorary director. The main concert hall at the Shanghai Conservatory of Music is named after He. Instrumentation Solo Piano Performer: Shi Shu-Cheng, piano The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900 & 2000's (& some Baroque/Before) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to remove immediately the video accordingly. Your collaboration will be appreciated.
Erik Satie Bach Domenico Scarlatti Dowland Jaroussky Vivaldi Thomas Dunford Claude Debussy Thomas Enhco Vassilena Serafimova Parish Alvars Gafner Chopin Vadym Kholodenko Maurice Ravel Gluck Geneviève Laurenceau Barrios Mangoré Thibaut Garcia Lucas Debargue Quatuor Anches Hantées Nda 1606 2002
Harpe, guitare, vibraphone, clarinette... Peu importe l'instrument, tous les morceaux de cette vidéo sont de réelles invitations à la détente et à la relaxation durant 1h40. #detente #musique #relaxation 00:00-3:53 • Erik Satie - Gnossienne n°5 (Guillaume Coppola) 3:53-8:39 • Bach - Prélude BWV 1006 a en Mi Majeur (Adélaïde Ferrière) 8:39-11:47 • Domenico Scarlatti - Sonate en la mineur K. 322 (Sébastien Llinares, Karine Gonzales) 11:47-16:06 • Dowland : Flow my tears (Jaroussky / Garcia) 16:06-20:02 • Vivaldi : Concerto pour luth en ré majeur - largo (Thomas Dunford) 20:02-22:39 • Debussy : La Fille aux cheveux de lin par Alexander Boldachev 22:39-25:48 • Erik Satie | Gymnopédie n°1 par Sébastien Llinares - Laura Rouy 25:48-28:36 • Saint-Saëns : Aquarium par Thomas Enhco et Vassilena Serafimova 28:41-35:42 • Parish-Alvars | Introduction, Cadenza et Rondo par Tjasha Gafner 35:42-38:33 • Claude Debussy : Bruyères (La Fresque) 38:33-43:28 • Chopin : Berceuse en ré bémol majeur par Vadym Kholodenko 43:28-50:52 • Maurice Ravel : Quatuor en fa majeur (extrait) par le Quatuor Anches hantées 50:52-1:17:42 • Mozart : Concerto pour clarinette et orchestre joué par Patrick Messina 1:17:42-1:21:06 • Gluck : mélodie d'Orphée et Eurydice, par Geneviève Laurenceau et Thomas Savy 1:21:06-1:25:53 • Barrios Mangoré : La Catedral, extraits (Thibaut Garcia) 1:25:53-1:30:23 • Bach : Aria des Variations Goldberg par le Quatuor Ardéo 1:30:23 • Domenico Scarlatti : Sonate en do majeur (allegro) K. 242 (Lucas Debargue) 1:34:41- 1:39:44 • Thomas Enhco : Eclipse (Enhco/Serafimova) Pour plus de contenu France Musique rendez-vous sur le site (http•••) Cliquez ici pour vous abonner : (http•••) Suivez nous sur : ► Facebook - (http•••) ► Twitter - (http•••) ► Instagram - (http•••)
Rosy Wertheim Bernard Zweers Sem Sem Dresden Debussy Ravel Stravinsky Louis Aubert Arthur Honegger Jacques Ibert André Jolivet Messiaen Karl Weigl Weigl 1888 1912 1929 1935 1937 1949
Rosy Wertheim +••.••(...)) Six morceaux : for piano 1. Marche (Allegro energico) - 00:00 2. Etude (Leggiero) - 02:28 3. Jeu d'Enfants (Allegretto) - 04:20 4. Berceuse Slave (Molto Cantando) - 05:17 5. Danse champêtre (Moderato) - 07:23 6. Petite Valse (Moderato) - 08:49 Marcel Worms, piano Rosy Wertheim was a Dutch composer. After gaining a piano teaching certificate in 1912 from the Koninklijke Nederlandse Toonkunstenaars Vereniging, she studied composition with Bernard Zweers and Sem Dresden. She also taught the piano and solfège at the Amsterdam Muzieklyceum. Deeply concerned about the social circumstances of the working classes, she gave piano lessons to poor children, conducted a children’s chorus in a working-class neighbourhood and financially supported a number of families. She also conducted the Jewish women’s chorus of the Religieus Socialistisch Verbond in Amsterdam. During World War I her song Neutraal was popular. She began her career writing mainly songs and choral works and after encountering the works of Debussy, Ravel and Stravinsky her music became increasingly Impressionistic. In 1929 she moved to Paris, where she studied with Louis Aubert. Until 1935 her home in Paris was a meeting-place for many composers, including Elsa Barraine, Arthur Honegger, Jacques Ibert, André Jolivet and Messiaen. After spending a year in Vienna, where she studied counterpoint with Karl Weigl, she went to the USA, where some of her works were performed by the Composers’ Forum Laboratory in New York. In 1937 she returned to Amsterdam but was forced to go into hiding during World War II because of her Jewish origins. Much of her chamber music is cheerful and neo-classical, and can be playful, as in ‘Cortège de marionettes’ from the Trois morceaux.
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