Cathy Berberian Videos
US-amerikanische Sängerin und avantgardistische Komponistin
Gedenken 2025 (Geburt: Cathy Berberian)
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2024-05-18
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Luciano Berio Cathy Berberian 1964
Luciano Berio - Folk Songs To Cathy for mezzo-soprano and 7 players (1964) Cathy Berberian, mezzo-soprano The Juilliard Ensemble, Luciano Berio
Cathy Berberian 1925 1975 1983
Cathy Berberian, mezzo-soprano +••.••(...)) sings 'Michelle' (McCartney - Lennon ) from the LP "Beatles Arias for special fans" (1975) Playlist: (http•••)
Cathy Berberian Monteverdi Nikolaus Harnoncourt
Disclaimer - I own nothing What other singer sang Monteverdi perfectly and ALSO got name dropped by Steely Dan? I don't necessarily endorse the following remark, but I think it's, uh, interesting: "I don't think that today's singers should just concentrate on pure sound - they're beautiful voices that don't mean anything, since sopranos have an almost cow-like mentality. They don't think about what they're singing. When these singers' voices give out, they'll just be poor old cows." - Cathy Berberian Monteverdi: "Lettera Amorosa," Dir. Nikolaus Harnoncourt
Luciano Berio Varga Griffiths Niels Hansen Hansen Edwards Hicks Cathy Berberian Thomas Little Antonio Pappano Heinz Holliger Christoph Eschenbach Shcherbakov Stabile Orchestre Paris 1952 1958 1960 1961 1964 1965 1968 1969 1985 1989 1993 2002 2003 2004 2007 2009 2010 2011 2012 2013
The first 1,000 people to use the link will get a 1 month free trial of Skillshare: (http•••) Support the channel: (http•••) 0:00 Introduction 0:13 I: Maturing Under Mussolini 3:52 II: Welcome to America 12:23 III: Berio, Postmodernist 24:43 IV: The Sequenzas 33:46 V: The Height of Fame 40:24 VI: The Art of Transcription 43:22 VII: Later Years This was requested by Thijmen Krijgsman, MyPurpleTeeth, Brad Wheeler, Alan Hlozek, Parsa Mostaghim, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at (http•••) Sources: “Two Interviews” by Luciano Berio, with Rossana Dalmonte & Bálint Varga, ed. David Osmond-Smith (Marion Boyars, 1985) “Modern Music and After” by Paul Griffiths (Oxford, 2010) “‘Sequenza VII’ by Luciano Berio: Background, Analysis and Performance Suggestions” by Carrie Vecchione (DMA diss., LSU, 1993): (http•••) “Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s ‘Sequenza I’ for Solo Flute” by Irna Priore from “Berio's Sequenzas: Essays on Performance, Composition and Analysis” ed. Janet Halfyard & David Osmond-Smith (Ashgate, 2007): (http•••) “Luciano Berio’s ‘Sequenza V’ Analyzed Along the Lines of Four Analytical Dimensions Proposed by the Composer” by Niels Hansen (JMM: The Journal of Music and Meaning, vol. 9, Winter 2010): (http•••) “Berio’s Early Use of Serial Techniques: An Analysis of ‘Chamber Music’” by Nicholas Jurkowski (MM thesis, Bowling Green, 2009): (http•••) “Luciano Berio’s ‘Sequenza III:’ The Use of Vocal Gesture and the Genre of the Mad Scene” by Patti Edwards (DMA dissertation, UNT, 2004): (http•••) “A Polyphonic Mode of Listening: Luciano Berio’s ‘Sequenza XI’ for Guitar” by Mark David Porcaro (MA thesis, UNC-CH, 2003): (http•••) “Luciano Berio’s ‘Naturale:’ A Story Combining Folk Music and Art Music” by Leonardo Piermartiri (DMA dissertation, UM College Park, 2013): (http•••) “Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s ‘Sinfonia’” by John Flinn (PhD dissertation, University of Cincinnati, 2011): (http•••) “Text, Music, and Meaning in the Third Movement of Luciano Berio's ‘Sinfonia’” by Michael Hicks (Perspectives of New Music, Vol. 20, No. 1/2, P. 199–224): (http•••) “Transforming the Past: Luciano Berio's Appropriation of Folk Materials and Idioms in ‘Folk Songs’ (1964)” by Jamison Fritts (MM thesis, University of Louisville, 2010): (http•••) “Keep Going: Narrative Continuity in Luciano Berio’s ‘Sinfonia’” by Matthew Heap (PhD dissertation, University of Pittsburgh, 2012): (http•••) Bruce Duffie interview: (http•••) Berio biography by Daniele Vergni: (http•••) (http•••) TRAILS info: (http•••) NYT article: (http•••) / Music: - Luciano Berio: Epifanie (1961), performed by Cathy Berberian and the RAI Orchestra of Rome conducted by Luciano Berio [original upload: NsgbqmXL-8s] - Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette - Vladimir Ussachevsky: Sonic Contours (1952) [original upload: l0ygrFPCUfw] - Luciano Berio: Thema—Omaggio a Joyce (1958–9) [original upload: jV_76OZSsqo] - Luciano Berio: Sinfonia, Mvt. III: “In ruhig fliessender Bewegung” (1968), performed by the Swingle Singers and the Orchestra of the Academy of Santa Cecilia conducted by Antonio Pappano [original upload: 9YU-V2C4ryU] - Luciano Berio: Visage (1960) [original upload: yYofPZlfVuc] - Luciano Berio: Circles (1960), performed by Wonjung Kim, Rachel Brandwein, Piero Guimaraes, and Josh Perry [original upload: xCRBy-hi8n0] - Luciano Berio: Sequenza XIV (2002), performed by Darrett Adkins [original upload: nyTAZ4qqXpg] - Luciano Berio: Sequenza VII (1969), performed by Heinz Holliger [original upload: npLqXW-Qlg0] - Luciano Berio: Sequenza III (1965), performed by Cathy Berberian [original upload: 1hxjCIANddU] - Luciano Berio: Rendering (1989), performed by the Orchestre de Paris conducted by Christoph Eschenbach [original upload: NQB5bFTwHfI] Pictures of the Studio di Fonologia Musicale courtesy: - Mikhail Shcherbakov - Flickr: Museum of musical instruments in Milano Castle, 40-50s sound studio, CC BY-SA 2.0, (http•••) - Stefano Stabile - Own work, CC BY-SA 3.0, (http•••) / Contact Information: •••@••• (http•••) (http•••) / All images and audio in this video are for educational purposes only, and are therefore protected under fair use statutes.
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- Zeitleiste: Komponisten (Nordamerika). Lyrische Sänger (Nordamerika). Interpreten (Nordamerika).
- Indizes (in alphabetischer Reihenfolge): B...