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Johann Sebastian Bach Pau Casals Christian Ferdinand Abel 1717 1720 1723
#J.S.Bach#CelloSuite1#TESEO#DoubleBass Johann Sebastian Bach's Suites for Solo Cello are known to be among the best known and most virtuosic works ever written for cello, and it is generally believed that it was Pau Casals who gave them fame. They were written between 1717 and 1723 presumably for one of the cellists who at the time worked at the court of Köthen, but there are also reasons to suppose that the last suites were conceived independently, perhaps for instruments other than the cello. They were probably composed in the period 1717–1723, when Bach was kapellmeister in Köthen; the uniformity and coherence of these works suggests that they may have been conceived together or consequentially, presumably for one of Köthen's cellists, such as Christian Bernhard Linigke or Christian Ferdinand Abel, much better known as a gambler. It is impossible to establish an exact and precise chronology of the suites, there is no certain data regarding the order in which they were conceived and / or whether they were written before or after the Sonatas and Partis for solo violin. In any case, scholars - based on a comparative analysis of the styles of these different works - believe that the cello suites were written first, dating them before 1720, the year indicated on the cover of Johann Sebastian Bach's autographed copy of the Sonatas and matches for solo violin. These works are particularly significant in the history of stringed instruments: while until the time of Bach it was customary for the cello to play accompaniment parts and the more melodic parts in the same register were entrusted to instruments of the viola da gamba family, in these suites, as in parts of Brandenburg concerts, the cello is entrusted with a part alone. Bach can be considered an innovator who favors the supplanting of the viola da gamba, but some also suppose that it is likely that Bach would have done this because he found it difficult to give virtuosic parts to the viola da gamba. [12] In fact, Prince Leopold of Anhalt-Köthen, with whom he worked at that time, was a gambler and played Bach's works, but he was not a particular virtuoso, so it could have been difficult to give the viola da gamba complicated parts, so Bach, not having the ability to write complex parts for the viola da gamba, he would have written more ambitious works for the cello. Played by Francesco Tesei Abbonati a questo canale per accedere ai vantaggi: (http•••) (http•••)
(http•••) — Presentation Slides, PDFs, Source Code and other presenter materials are available at: (http•••) — Concepts have arrived. They will change the way we think about programming. Implementations are available in GCC and Clang. Many fundamental concepts are in the standard committee’s working paper and the next generation of the STL depends critically on concepts. After briefly introducing concepts, I consider their role in design. What makes a good/useful concept? How do you design good concepts and use them well? From a language-technical point of view, concepts are a way of constraining template arguments. From a design perspective, they are a focus comparable to user-defined types (classes): The intent is for a concept to represent a fundamental concept in an applications domain (hence the name “concept”). I will mention technical issues recently resolved or currently being resolved in the committee, but my primarily focus is not concepts as a language mechanism but as a support for the development of good software. — Bjarne Stroustrup MD, MorganStanley C++: history, design, use, standardization, future; performance, reliability; software developer education; | distributed systems | Bio: www.stroustrup.com/bio.html — Videos Filmed & Edited by Bash Films: (http•••) *-----* Register Now For CppCon 2022: (http•••) *-----*
BRITISH PARAMOUNT NEWSREEL (REUTERS) To license this film, visit (http•••) Violinist Yehudi Menuhin marries. Full Description: SLATE INFORMATION: Celebrities Say 'I Will' Famous Violinist, Yehudi Menuhin, Marries. ENGLAND: London: Caxton Hill: EXT Gen. view Caxton Hill Registery Office. Semi view Menhuin & sister Hepzebah out of car. Back view Menhuin into Caxton Hall. Semi view Nola Nicholas, bride, out of car pan into Hall. INT Bride & groom down stairs. Semi view signing register. CU Menhuin helps bride up from seat. Semi view crowd outside. Long view bride & groom leaving Hall. S ide view & semi view Menhiun & bride posing on top of steps. U.S. Secy. of Interior, Harold Ickes, on Honeymoon in London Paddington Station: Long view Ickes & bride, Jane Dahlman, along platform. Semi views (2) & CU of Ickes & bride posing..on platform. Yehudi Menuhin (violinist); Harold L.Ickes (US Politician) Background: Violinist Yehudi Menuhin marries. FILM ID: VLVA9WKCAVOQ5LWL0YMOHBUJ3ZYKM To license this film, visit (http•••) Archive: Reuters Archive managed by: British Pathé
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