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2024-05-04
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Folkoperan Mikaeli Norrlandsoperan Fisk Lindström Persson Wiktor Sundqvist Sundqvist Marit Strindlund Emil Eliasson Eliasson Winkler Frankenberg Svensson Bland Folkoperans Orkester 2019 2022
Patrik Svenssons Augustprisade berättelse Ålevangeliet om världens mest gåtfulla fisk framförs som nyskrivet oratorium för solister, kör och orkester på Folkoperan. Stina Oscarson har skrivit librettot, musiken komponeras av Emmy Lindström och Folkoperans konstnärliga chef Tobias Theorell regisserar. Läs mer: (http•••) Ensemble Baryton: Olle Persson Tenor: Wiktor Sundqvist Mezzosopran: Linnea Andreassen Instrumentalist på EWI: Emil Jonason Gästande körer: Mikaeli kammarkör/ Lilla kören Folkoperans orkester Team Musikalisk ledning: Marit Strindlund Dirigenter: Marit Strindlund/Emil Eliasson Regi: Tobias Theorell Scenografi och kostym: Ulla Kassius Video: Johannes Ferm Winkler Ljus: Åsa Frankenberg Mask och peruk: Therésia Frisk Upphovsmakare Musik: Emmy Lindström Libretto: Stina Oscarson utifrån Patrik Svenssons verk Ålevangeliet Patrik Svensson, 2019, utgiven på Albert Bonniers Förlag. Ålevangeliet är en samproduktion med Riksteatern, Norrlandsoperan och Malmö Live. Spelas på Folkoperan i Stockholm 27 april – 15 maj. Under hösten 2022 går den på turné till bland annat Malmö, Jönköping, Umeå och Falun.
Johann Michael Bach Bach Johann Pachelbel Frankenberg
Score available at: partitura.org/index.php/johann-michael-bach-allein-gott-der-hoh-sei-ehr/ Manuscript Mus Ms 30439 owned by the Staatsbibliothek in Berlin is, despite the bad shape it is in, an interesting manucript. Not only does it contain the piece by Henricus Radeker I published two days ago, it also contains a segment with 14 chorale preludes of unnamed composers. Two or three are definitely by Johann Pachelbel and one of them is by Johann Michale Bach. But for now the composers of the other ones are unknown to me. I’ll publish the pieces by the unknown composers is the coming weeks in the hope that perhaps a user of this site can help me identify the composer of those pieces. But I start with the piece by Johann Michael Bach. The chorale prelude on “Allein Gott in der Höh sei Ehr” can also be found in the Frankenberg manuscript (owned by the Nederlands Muziekinstituut) and is there contributed to Johann Michael Bach. Interesting is that the version from the manuscript from Berlin differs is lots of details from the version in the Frankenberg manuscript. I have a feeling the Berlin version is the older one. And the Frankenberg version probably tells us a lot about the performance practice of these kind of pieces. The Frankenberg version looks like it has also written in al the little embelishment a player from might have added spontanuously while playing the Berlin version. The Frankenberg version can be found here. The recording was done on the sample set of the Müller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. I refrained from adding embellishments from myself, safe for the occasional trill. Both manuscripts prescribe the use of a Rückpositiv and an Oberwerk. So that’s what I did. Because the plenum on the Borstwerk isn’t as strong as on the Hoofdwerk or Rugwerk, I used the reeds of the Hoofdwerk instead of the read of the pedal. Registration: BW: Praestant 8′, Octaaf 4′, Nasard 3′, Nachthoorn 2′, Mixtuur, Schalmei 8′, HW: Trompet 16′, Trompet 8′ Rw: Praestant 8′, Octaaf 4′, Ped: Praestant 16′, Octaaf 8′, Holfluit 8′, Octaaf 4′, Holfluit 2′ Ped+Hw
Ortrun Wenkel Frankenberg Richard Strauss Schaeffer Schack Ruhe Seele Johannes Brahms
Ortrun Wenkel beim Liederabend Frankenberg – Ederberglandhalle. Lieder von Richard Strauss. Pianist Burkhard Schaeffer. „Morgen!“ (John Henry Mackay) „Die Nacht“ (Hermann v. Gilen) „Schlechtes Wetter“ „HAT GESAGT – BLEIBT´S NICHT DABEI“ aus „des Knaben Wunderhorn“ „Allerseelen“ (Hermann v. Gilm) Heimkehr (A.F.von Schack) „Ruhe meine Seele“ (Karl Henckell) „Heimliche Aufforderung“ (John Henry Mackay) 1. Zugabe „Brauner Bursche führt zum Tanze“ aus den Zigeunerliedern von Johannes Brahms op. 103
Festival Oude Muziek Utrecht Tivolivredenburg Johann Kaspar Kerll Johann Heinrich Schmelzer Lorenz Duftschmid Frankenberg Täubl Ney 2014
Johann Kaspar Kerll - Battalia Sultan Murad IV (Sah Murad) - Türki Beray-i Feth-i Bagdad Neva Peshrev Kadri Çelebi - Neva Agir Semai Sultan Bajazed II - Neva Semai Johann Heinrich Schmelzer - Arie Viennese Ali Sirugani/Sultan Mustaf II - Evc Ilahi Anonieme Turkse componist/Anonymous Turkisch composer - Pisrev-i Sancak Armonico Tributo Austria: Lorenz Duftschmid, viola da gamba en muzikale leiding / viola da gamba and conductor Herbert Gaisböck, Hannes Rux, trompet / trumpet Peter Frankenberg, hobo / oboe Michael Oman, blokfluit / recorder Brigitte Täubl, Andreas Pilger, viool / violin Laura Johnson, viola da braccio Dane Roberts, violone Thomas C. Boysen, barokgitaar en theorbe / baroque guitar en theorbo Ewald Donhoffer, klavecimbel / harpsichord Murat Coskun, percussie / percussion Ensemble Kudsi Erguner: Kudsi Erguner, ney en muzikale leiding / ney and conductor Bora Uymaz, zang / vocals Hakan Güngör, kanun Derya Turkan, kemençe Murat Aydemir, tanbur Enver Mete Aslan, ud Michalis Cholevas, yayli tanbur Alexandros Papadimitrakis, lavta Thomas Höft, spreker / narrator Live vanaf Festival Oude Muziek Utrecht, TivoliVredenburg. Live from Utrecht Early Music Festival, TivoliVredenburg. Kijk voor meer concerten op / for more information: (http•••) (http•••) (http•••)
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