Julián Gayarre Videos
spanischer Tenor
Gedenken 2024 (Geburt: Julián Gayarre)
- Tenor
- Spanien
- Opernsänger, Bühnenschauspieler
Letzte Aktualisierung
2024-05-13
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El Orfeón Pamplonés realizó este viernes una ronda presanferminera en lugares emblemáticos de la ciudad, en los que interpretó obras populares y de la tierra, bajo la dirección de Igor Ijurra y Mari Paz Arizkun. El monumento a Julián Gayarre o la Plaza del Ayuntamiento, entre otros, fueron los emblemáticos escenarios donde el Orfeón Pamplonés cantó temas como el Vals de Astráin, con arreglos de Jesús Garísoain, la Jota ofrenda a San Fermín, de Joaquín Madurga, o Boga-Boga Mariñela, para voces masculinas. Vídeo: EFE Suscríbete a EL DEBATE en Youtube: (http•••) Todos los vídeos de EL DEBATE: (http•••) Twitter: (http•••) Instagram: (http•••) Facebook: (http•••) Telegram: (http•••) Visita (http•••)
El programa completo y muchas más historias en: (http•••) Gayarre fue la estrella más rutilante de la ópera en el siglo XIX. Equivalía a los Messi y Ronaldo de hoy. Su origen fue de lo más humilde. Sebastián Julián Gayarre nació en una modesta familia navarra. Trabajó de pastorcillo (imaginadlo cantando para controlar a las ovejas) y con solo 16 años se fue de vendedor de cintas a Pamplona. Una tarde pasó por delante una banda tocando música. Gayarre se fue detrás de ellos embobado. ¡Por supuesto perdió el empleo! Después trabajó como herrero. Golpeando el hierro al rojo cantaba jotas que quitaban "er zentío". Sus amigos le empujaron a que se presentara en el Orfeón pamplonés para estudiar canto. De ahí a despuntar solo había un paso y Julián lo dio. ¡Vaya si lo dio! Le llamaban "la voz sin rival". El propio Richard Wagner estaba alucinado con él. Hoy tenemos una placa que le recuerda en la Plaza de Oriente.
Julián Gayarre Cunningham 2013
Primecoin (signo: Ψ; código: XPM) es una criptomoneda que implementa un sistema de prueba de trabajo que busca cadenas de números primos. Primecoin, lanzada el 7 de julio de 2013 por el pirata informático anónimo y fundador de Peercoin, Sunny King, fue la primera criptomoneda en tener un sistema de prueba de trabajo con un uso práctico. Las criptomonedas anteriores, como Bitcoin, se extraían utilizando algoritmos que resolvían problemas matemáticos arbitrarios. cuyos resultados no tenían ningún valor o uso fuera de la minería de la criptomoneda en sí. Sin embargo, el algoritmo de Primecoin calculó cadenas de números primos (cadenas Cunningham y bi-twin), cuyos resultados se publicaron en el libro mayor público de su blockchain, disponibles para su uso por científicos, matemáticos y cualquier otra persona. El uso de un sistema de prueba de trabajo para calcular cadenas de números primos fue una innovación que produjo resultados útiles al tiempo que cumplía con los criterios para un sistema de prueba de trabajo: implicó un cálculo que fue difícil de realizar pero fácil de verificar, y la dificultad fue ajustable. #primecoin #xpm $ XPM (http•••)
José Oxilia Cara Julián Gayarre Verdi Moor Gauthier Walter Kirchhoff Teatro Liceo Teatro San Carlo Fenice Scala Teatro Solís 1814 1861 1877 1879 1884 1887 1889 1892 1899 1901 1902 1908 1916 1918 1919
José Oxilia +••.••(...)) was a Uruguayan tenor who enjoyed his heyday at the end of the 19th century. Born in Montevideo to Italian parents, Oxilia originally planned to become a doctor, per his father’s wishes. Upon his graduation from high school in 1877, the boy’s parents sent him to medical school in Milan. The sixteen-year-old was homesick but eventually discovered Milan’s artistic community. Oxilia began spending his monthly allowance on opera performances and was soon cutting class and spending his tuition money on voice lessons. When Oxilia’s father learned of his son’s deceit, he cut off his allowance. The young man was almost reduced to begging when he caught the attention of artist Cesare Tallone, who noticed his Bohemian appearance. Tallone began using Oxilia as a paid model and also suggested him to none other than Henri Matisse, who also paid the teen to pose for him. These modeling jobs allowed Oxilia to survive, although just barely, without his family’s financial assistance. Following his father’s death in 1879, Oxilia returned briefly to Montevideo to run the family business. He also continued his vocal studies but returned to Milan about a year later to work with tenor Felice Pozzo +••.••(...)). Oxilia made his stage debut on November 21, 1884 in the secondary role of Laerzio in Thomas’ Amleto at Barcelona’s Teatro Liceo. During that season, the young tenor sang other comprimario roles including Arturo in Lucia di Lammermoor, Rambaldo in Roberto il Diavolo and Tebaldo in I Capuleti ed i Montecchi. A highlight of the season was Oxilia’s assumption of his first leading role, subbing for an ailing Julián Gayarre as Fernando in La Favorita. Important debuts at other European companies, including Madrid’s Teatro Reale, Bologna’s Teatro Comunale, the Teatro San Carlo in Naples and Venice’s La Fenice followed. Oxilia’s repertoire grew rapidly and the roles grew heavier, with leads in such operas as La Gioconda, Aïda, Luisa Miller, Mefistofele, Carmen, L’Africana and Lohengrin. In August of 1887, the tenor, now calling himself Giuseppe Oxilia, essayed the title role in Verdi’s Otello at Brescia’s Teatro Grande, a part that he would perform in Parma, Venice and Bologna the following year. He also sang the Moor at La Scala in February of 1889, a production that proved disastrous for the tenor. During the first performance, Oxilia began to lose his voice and barely made it to the end of the opera. Another tenor filled in for the rest of the performances. For a fledgling tenor barely out of his mid-twenties, it may have been a case of too much, too soon. The following year, Oxilia returned to South America for the first time in a decade for a series of appearances at major theaters, including Montevideo’s Teatro Solís. The tenor’s countrymen welcomed him with open arms and his performances were much heralded events. However, he left Montevideo in 1892, never to perform there again. Back in Italy, Oxilia found himself relegated to mainly provincial theaters. By the early 1900s, Oxilia no longer possessed the vocal stamina to last through an entire opera and at the age of 43, he retired from the stage. After his retirement, Oxilia supported himself as a teacher and counted soprano Eva Gauthier and tenor Walter Kirchhoff among his pupils. Argentinian journalist José de Soiza Reilly interviewed Oxilia at his home in 1908 and found him living in poverty. Oxilia’s health began to fail due to diabetes and an infection caused the amputation of his left arm in 1916. He sold off the mementoes of his career and sailed with his family back to Montevideo in 1918. Once in his homeland, things rapidly deteriorated for the former opera star. In a fit of depression, Oxilia attempted suicide, flinging himself to an old well. Nearly blind, he could not see that the well was being used as a dumping ground and fell several feet into a heap of refuse. Oxilia fractured his right leg, necessitating the amputation of the limb. Unbeknownst to the tenor, the city of Montevideo had just voted to provide him with a pension. Sadly, it was too late. On May 18, 1919, just a few weeks shy of his 58th birthday, José Oxilia died, broken, destitute and forgotten. José Oxilia is a tragic example of misguided talent. His repertoire of over 30 roles contained many dramatic parts which were taken on before the voice had fully developed. Oxilia’s recordings, made for Edison, G&T and Fonotipia in 1901 and 1902, reveal that, even though he was only in his early 40s, his voice was simply worn out. Although the tenor’s health issues may have led to this sad decline, taking on such a punishing repertoire at too early an age certainly contributed. Despite his vocal shortcomings, Oxilia’s eloquent phasing remains intact, making for some fascinating listening. Here, Oxilia sings "Parigi o cara" (as a solo) from Verdi's La Traviata. This recording was made for G&T in Milan in April of 1902.
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- Zeitleiste: Lyrische Sänger (Europa).
- Indizes (in alphabetischer Reihenfolge): G...