Ignacy Paderewski Videos
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2024-06-09
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Philharmonie Nationen Filharmonia Łódzka Silesian Philharmonic Nfm Wrocław Philharmonic Polish Baltic Philharmonic Filharmonia Wrocławska Opera Bałtycka Silesian Opera Elbphilharmonie Hamburg Shanghai Grand Theatre Bayreuth Pyotr Tchaikovsky Henryk Mikołaj Górecki Mikołaj Górecki Paderewski
Zapraszamy do wysłuchania fragmentu IV części V Symfonii e-moll op. 64 Piotra Czajkowskiego w wykonaniu Orkiestry Symfonicznej Filharmonii Śląskiej pod batutą Yaroslava Shemeta, który od 1 kwietnia pełnić będzie funkcję Dyrygenta - Kierownika Artystycznego tej Orkiestry. Odnoszący sukcesy w Polsce i na świecie ukraińsko-polski 25-letni dyrygent jest najmłodszym spośród artystów piastujących stanowisko kierownika artystycznego orkiestry filharmonicznej w naszym kraju. „Rozpoczynając z tym artystą wspólną drogę pełną wzajemnych inspiracji, stawiam na profesjonalizm, kreatywność i oryginalność” – uzasadnia wybór Adam Wesołowski, dyrektor Filharmonii Śląskiej im. Henryka Mikołaja Góreckiego. Shemet koncertował dotychczas w Niemczech, Austrii, Czechach, Chinach, Polsce i Ukrainie, z takimi zespołami jak Prague Symphony, Philharmonie der Nationen, NFM Filharmonia Wrocławska, Polska Filharmonia Bałtycka, Filharmonia Łódzka, Filharmonia Poznańska, Filharmonia Sudecka, Filharmonia Opolska, Sepia Ensemble, Youth Symphony Orchestra of Ukraine, Opera Bałtycka, Opera Śląska, Opera Narodowa w Odessie etc. Występował w Elbphilharmonie w Hamburgu, Shanghai Grand Theatre czy Harbin Opera House a także na festiwalach w Bayreuth, Monachium i Hong Kongu. Obecnie pełni także funkcję głównego dyrygenta Orkiestry Symfonicznej Filharmonii Narodowej we Lwowie INSO-Lviv, głównego dyrygenta Coloratura Opera Lab i Coloratura Opera Fest, jest także pierwszym gościnnym dyrygentem Neue Philharmonie Hamburg, a od ukończenia studiów – najmłodszym akademickim wykładowcą w Akademii Muzycznej im. I.J. Paderewskiego w Poznaniu w Instytucie Dyrygentury. Spektrum repertuaru Yaroslava Shemeta wykracza poza kanon muzyki symfonicznej i operowej. Specjalizuje się on także w wykonywaniu muzyki współczesnej, ma na swoim koncie ponad 40 prawykonań, w tym wiele z Orkiestrą Symfoniczną Filharmonii Śląskiej. / We invite you to listen to a fragment of the 4th part of Pyotr Tchaikovsky's Symphony No. 5 in E minor op. 64, played by the Silesian Philharmonic Symphony Orchestra under the baton of Yaroslav Shemet, who from 1st of April will be holding a position of the Conductor - Artistic Chief of the Orchestra. This 25-year-old Ukrainian -Polish conductor, enjoying success in Poland as well as worldwide, is the youngest artist ever entrusted with the position of artistic chief of a philharmonic orchestra in our country. ‘By starting a shared artistic journey with this artist, full of mutual inspirations, I prioritise professionalism, creativity, and originality,’ Adam Wesołowski, Director of the Henryk Mikołaj Górecki Silesian Philharmonic thus justifies this choice. So far, Shemet has performed in Germany, Austria, Czechia, China, Poland, and Ukraine, conducting such ensembles as the Prague Symphony, Philharmonie der Nationen, NFM Wrocław Philharmonic, Polish Baltic Philharmonic, Łódź Philharmonic, Poznań Philharmonic, Sudeten Philharmonic, Opole Philharmonic, Sepia Ensemble, Youth Symphony Orchestra of Ukraine, Baltic Opera, Silesian Opera, National Opera in Odessa, etc. He has performed in Elbphilharmonie in Hamburg, Shanghai Grand Theatre, or Harbin Opera House, as well as at festivals in Bayreuth, Munich, and Hong Kong. Currently, he also holds the position of the principal conductor of the National Philharmonic Symphony Orchestra in Lviv INSO-Lviv, the principal conductor of Coloratura Opera Lab and Coloratura Opera Fest; he is also the first guest conductor of Neue Philharmonie Hamburg, and since his graduation - the youngest academic lecturer at the I.J. Paderewski Academy of Music in Poznań in the Institute of Conducting. The range of Yaroslav Shemet’s repertoire goes beyond the canons of symphonic and operatic music. He also specialises in contemporary music, boasting over 40 first performances, including many with the Silesian Philharmonic Symphony Orchestra.
Chopin Bauer Harold Bauer Paderewski Gorski August Manns Saint Saens Vieuxtemps Kreisler 1873 1900 1920 1925 1940 1942
Bauer describes Chopin as a "composer of extraordinary genius." Unfortunately, Bauer left only four recordings of Chopin's music. Harold Bauer was born in London in 1873.Coming from a musical family,his aunt gave him his first piano lessons and his father became his first violin teacher. Thus it was that the violin became the instrument upon which Bauer concentrated his musical studies. His teachers were Adolf Politzer and later at Paderewski's suggestion, Gorski. He made his debut as a violinist at the age of ten amd by the age of twenty, his repertoire included the Mendelssohn,Beethoven and Mozart violin concertos. In his autobiography,"Harold Bauer:My Book," Bauer describes a program where he and his sister, who was the pianist of the family,presented a joint concert under the direction of the conductor August Manns at the Crystal Palace in London. She played the Saint Saens G minor concerto while her brother was asked to play the Vieuxtemps'Fantasia Appassionata which was considered to be an important composition for violin in those days. (Interestingly, the Saint Saens concerto became part of Bauer's repertoire after he switched instruments from violin to piano.He made a piano roll of the first movement in th 1920's,first recording the solo part and then recording the orchestral reduction on the ssme roll.) There is no doubt that Harold Bauer was a very fine violinist. But by the age of twenty, he realized that he would never be able to match the the playing of such violinists as Thibaud,Henri Marteau and the young Kreisler. He writes,"the truth,as far as my career was concerned,is that I could not hold a candle to to any of these great violinists,and I knew it--nevertheless. my ambitionn was by no means dampened ,although I was bitterly disappointed." It was about this time that Bauer was introduced to Paderewski. Bauer writes,"The great pianist expressed interest,inviting me to go and play for him the following day.I did so and also played something on the piano. He pulled my hair,saying 'You must become a pianist--you have such beautiful hair.'He ought to know,I thought,contemplating his yellow mane with respectful awe." But by this time,Bauer had already made up his mind that he would never have a great career as a violinist.While continuing to give violin recitals he began to concentrate more and more upon upon the piano as his chosen instrument. Paderewski would,when his busy schedule permitted.listen to Bauer as a pianist. And when Paderewski was preparing a concerto for performance, Bauer often played the orchestral reduction on a second piano.Paderewski gave Bauer advise and perhaps coached him,but he never gave Bauer lessons in the traditional sense of the word. It seems that Bauer was pretty much self taught as far as the piano was concerned. By 1900 ,Bauer had established as a pianist and as they say, the rest is history. Bauer retired from the concert stage in the mid 1940's.(He made his last recordings in 1942). Bauer writes in the Coda of his book,"Peace is over my soul. I have retired from public life. I am never going to practice the piano anymore. Gone is the searing ambition to succeed,gone the qualms of stage fright, gone the resentment against critics who failed to discover genius in everything I did and whose writings could not be used for propaganda;gone also the tedium of travel. the hideous fatique of submitting to journalistic interviews--and finally,God be praised,gone the feeling that I must pile up enough money to live in idle luxury whenever I chose to quit. The wars and taxes have taken care of the last item and I am still working,my interests being now entirely bound up by with matters of musical education." After retiring, Bauer taught at the Manhattan School of Music in New York and the Julius Hartt School of Music. He died on March 12,1951 at the age of 77 in Miami, Florida. Harold Bauer-- a great pianist, a superb musician and a sincere human being.
Ignacy Jan Paderewski Ernest Schelling John Barbirolli New York Philharmonic Symphony Orchestra 1860 1939 1941
Ignacy Jan PADEREWSKI +••.••(...)) Polished Fantasy op. 19 Ernest Schelling, piano New York Philharmonic Symphony Orchestra / John Barbirolli NYC, 5 January 1939 (Schelling died in December that year) From acetates, restricted sound.
Schumann Jerzy Swoboda Swoboda Ignacy Jan Paderewski 2014
R. Schumann- Piano Concerto a moll op.54 Jekaterina Drzewiecka- piano Jerzy Swoboda- conductor Ignacy Jan Paderewski State Philharmonic Orchestra Bydgoszcz, 2014
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