Joachim Röntgen Videos
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2024-05-02
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Cecilia Zilliacus Zilliacus Kristiina Poska Johannes Brahms Röntgen Malmö Symphony Orchestra 2022
Provided to YouTube by NAXOS of America Violin Concerto in D Major, Op. 77: I. Allegro non troppo · Cecilia Zilliacus · Kristiina Poska · Malmö Symphony Orchestra Brahms, Maier & Röntgen: Violin Concertos ℗ 2022 dB Productions Released on: 2022-02-04 Artist: Cecilia Zilliacus Conductor: Kristiina Poska Orchestra: Malmö Symphony Orchestra Composer: Johannes Brahms Auto-generated by YouTube.
Cecilia Zilliacus Zilliacus Amanda Maier Röntgen Röntgen Forsberg 1853 1874 1894 2017
The 18th century Fiscer violin that belonged to Swedish violinist and composer Amanda Maier-Röntgen +••.••(...)) was brought to Stockholm by Amanda Maier's great great grand-daughter Maaike Thiadens in May 2017. This is Swedish violinist Cecilia Zilliacus's first meeting with the violin at the Royal College of Music, Stockholm. Amanda Maier probably got it from her German father, and used it during her studies in Stockholm and regularly in her early career until 1874. More about the history of this instrument can be read in the booklet of the CD mentioned below. This Fiscer violin was used for a bonus track on the CD "Amanda Maier - Volume 2" (dBCD182) that we recorded in June, with worldwide release on October 6th 2017. At the end of the clip there is also an excerpt from Amanda Maier's Piece No. 8 for violin and piano, recorded by Cecilia Zilliacus in Västerås Concert Hall together with pianist Bengt Forsberg. Special thanks to: Amanda Maier's great grand-son Reinier Thiadens Sr. for lending us the Fiscer violin, and Maaike Thiadens for bringing it to Stockholm and making this recording possible. •••@••• www.db-productions.se
Julius Röntgen Klengel Ferdinand David Moritz Hauptmann Carl Reinecke Franz Lachner Johannes Brahms Amanda Maier Edvard Grieg Carl Nielsen Percy Grainger Carl Flesch Bronisław Hubermann Pablo Casals Gewandhaus Concertgebouw Thomanerchor Leipzig 1230 1810 1829 1831 1854 1855 1864 1870 1873 1874 1877 1888 1894 1897 1913 1924 1929 1930 1932 1940 1976 2005
00:00 - I. Lento e mesto 04:50 - II. Un poco agitato 08:10 - III. Fantasia: Lento, improvisando 12:30 - IV. Allegro / Bassoon: Peter Gaasterland Piano: Ariane Karres Year of Recording: 2005 / Copyright remark: This video has been published under the permission of Accolade Musikverlag, Germany (the score of which is featured in this video). This score is available for purchase at several online sheet music retailers, such as TrevCo Music or Accolade Notenversand. / "Julius Röntgen was born on 9 May 1855 in Leipzig and grew up in a musical household. His mother Pauline (1831–1888), a gifted pianist, was a descendant of the famous Klengel musical dynasty in Leipzig, while his father, the violinist Engelbert Röntgen (1829–1897) who was born in the Dutch city of Deventer, was leader of the Gewandhaus Orchestra. Julius, who never went to school, received a thorough education from private tutors and began to learn the piano at the age of four. Following musical tuition from his mother and his grandfather Moritz Klengel, Julius had violin lessons from his father and Ferdinand David (1810–1873). Among his theory and composition teachers were Moritz Hauptmann, cantor of the Thomanerchor in Leipzig, Carl Reinecke and later Franz Lachner in Munich. Julius wrote his first composition, a violin duo, in 1864 at the age of eight. A meeting with Brahms in the spring of 1874 had a decisive influence on his compositional style, but Röntgen’s admiration for Brahms later brought with it accusations of second-rate imitation of the older composer’s music, a stigma which stayed with him for a long time. In 1877 Julius Röntgen decided to take up the post of a piano teacher in Amsterdam. He remained in that city until his death and became one of the most important personalities in Dutch musical life, not only as a teacher, pianist and conductor, but as a co-founder of the Amsterdam Conservatory, whose director he was from 1913 to 1924, as the promoter of concert series and as a driving force behind the design and construction of the Concertgebouw building. After the early death of his first wife Amanda Maier (1854–1894), a Swedish violinist and composer, in 1897 Röntgen married his piano pupil Abrahamine van der Hoeven (1870–1940). Five of his sons became successful musicians with whom he made countless concert appearances. His fifth son, Frants, was to become an architect. Among Röntgen’s friends were the composers Edvard Grieg, (after whose death he was not only the executor of Grieg’s musical estate but the author of a biography of the composer), Johannes Brahms (who used the main theme of the first movement of Röntgen’s Wind Serenade, Op. 14, in his Symphony No. 2), Carl Nielsen and Percy Grainger. Julius Röntgen was also a soloist and an in-demand piano accompanist of Carl Flesch, Bronisław Hubermann, Joseph Joachim and Pablo Casals. A few months before the composer’s death, on 13 September 1932, Casals paid his longtime friend a final visit and Röntgen dedicated one of his last works to him. Julius Rontgen’s musical output comprises around 650 works, written in almost every genre. At first his music was deeply rooted in the romanticism of the nineteenth century but in later years Röntgen developed his own individual style. Latterly he experimented with bitonality, was influenced by elements of Afro-American music and wrote incidental music for several folkloristic films by the Dutch director Dirk Jan van der Veen. It was not until a few years before his death that Julius Röntgen received the public recognition that was earlier denied him. The University of Edinburgh conferred an honorary doctorate on him in 1930 and shortly afterwards his native city of Amsterdam honoured him with a ceremonial gala concert in the Concertgebouw in which Röntgen was the soloist in performances of his last two piano concertos." (NAXOS) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Julius Engelbert Röntgen Carl Flesch Pablo Casals Johannes Brahms Edvard Grieg Percy Grainger Donald Tovey Niels Gade 1855 1884 1932
Julius Engelbert Röntgen (9 May 1855 – 13 September 1932) was a German-Dutch composer and well known pianist, highly sought after as an accompanist. working for the great violinist Carl Flesch, the singer Johannes Messchaert, and the cello player Pablo Casals. He was close friends with, amongst others Johannes Brahms, Edvard Grieg, Percy Grainger, Sir Donald Tovey and Niels Gade. His exchange of letters with especially Brahms and Grieg give an excellent insight in the musical climate of the day. Please support my channel: (http•••) Phantasie in A minor for Violin & Piano, Op. 24 (1884) 1. Un poco allegretto - Allegro (0:00) 2. Allegretto tranquillo (12:31) Christoph Schickedanz, violin and Ernst Breidenbach, piano
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