Joaquín Nin-Culmell Videos
US-amerikanischer Komponist und Pianist kubanischer Abstammung
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2024-06-21
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Rubio Navarro Villarroel Joaquín Nin Joaquín Nin Culmell Muñoz Martí Querol Matilde Salvador Stille Franz Gruber 2020
Studium Vocale, Cor de Cambra - VALENCIA director: Daniel Rubio Navarro Programa Alabada sea la Purísima .. .. Juan Bta. Comes Ave Maria .. .. T. L. de Victoria No la debemos dormir .. .. Anónimo Dadme albricias .. .. Anónimo Ajonetes .. .. Arr.: Daniel Rubio La Virgen va caminando .. .. Arr.: H. Villarroel El Niño perdido .. .. Joaquín Nin Culmell Villancico de la Vera de Cáceres .. Arr.: Fco. García Muñoz Chiquirriquitín .. .. Arr.: Oriol Martí La llet calenteta .. .. Arr.: Miquel Querol Nadala dels codonys .. .. Matilde Salvador Nadala del desert .. .. Matilde Salvador Adeste fideles .. .. Arr.: J. Reading Stille Nacht .. .. Franz Gruber
Joaquim Nin Joaquim Nin Culmell Bartlet 2000
Coral Reyes Bartlet José Híjar Polo, Director Concierto de Navidad Iglesia de la Peña de Francia, Puerto de la Cruz 19 de diciembre de 2000 www.reyesbartlet.com
Joaquín Nin Joaquín Nin Culmell Torre Luis Milán David Hertzberg 1908 1917 1945 1947 1962 1994 2004
Rey De La Torre +••.••(...)) performs the "Six Variations on a Theme of Luis Milán," composed in 1945 by Joaquín Nin-Culmell +••.••(...)). I created this video from the LP (depicted in the video above), "Recital - Rey De La Torre, Classic Guitarist," released on the Epic label, serial number BC 1151, in 1962. Images in this video are from the LP and the LP jacket, except for the images of Nin-Culmell and the 1962 Billboard magazine advertisement for this LP. Rey De La Torre premiered this opus in New York on November 10, 1947. "David Hertzberg"
Eugénie Vallin Wolfgang Amadeus Mozart Claude Debussy Albert Roussel Joaquín Nin Joaquín Nin Culmell Reynaldo Hahn Hahn Tales Hoffmann Lecocq Massé Chabrier Georges Thill Bellini Donizetti Salle Gaveau Opéra Comique Teatro Colón Scala Alhambra San Francisco Opera 1886 1911 1912 1914 1916 1917 1920 1934 1937 1944 1946 1953 1961
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Ninon Vallin--soprano Orchestra 1944 / "Eugénie "Ninon" Vallin (September 1886[1] – 22 November 1961) was a French soprano who achieved considerable popularity in opera, operetta and classical song recitals during an international career that lasted for more than four decades. Eugénie Vallin was born at Montalieu-Vercieu, a small town about 30 miles east of Lyon. She studied at the Lyon Conservatoire and later in Paris. At first she had no intention of performing opera, preparing herself for a career on the concert platform. In 1911 she was chosen by Claude Debussy to sing the part of the celestial voice in the first performance of his Le martyre de Saint Sébastien. She continued her association with Debussy, giving the première of his Trois poèmes de Stéphane Mallarmé in 1914 at the Salle Gaveau in Paris, accompanied by the composer. She also worked extensively with other contemporary composers, including Albert Roussel, Joaquín Nin-Culmell, and Reynaldo Hahn; the latter two accompanied her in recordings of their own works. She was first persuaded to sing opera in 1912, appearing in a number of roles at the Opéra-Comique, including Micaëla (in Carmen), Mimì (in La bohème), Clara in Les cadeaux de Noël, and the title role in Louise. She went on to make her début at the Teatro Colón, as Marguerite (in Faust) in 1916, returning there regularly over the next 20 years. She made other débuts at Milan's La Scala (in 1916), Rome (1917), the Paris Opéra, as Thaïs, (1920) and San Francisco opera (1934). The range of roles which she undertook was unusually varied in their vocal requirements: Manon, Charlotte (in Werther), Juliette (in Roméo et Juliette), Marguerite (in Faust), Mignon, Zerlina (in Don Giovanni) and Mélisande. She also sang the trio of heroines in The Tales of Hoffmann. Vallin had a great affection for French operetta, and performed works by Lecocq, Massé, and Chabrier; she even ventured into music hall during the 1930s, singing at the Alhambra in Paris. Such was her popularity in her native country that she also appeared in a 1937 film, La fille de la Madelon. Vallin worked with most of the leading French singers of her era, including the renowned tenor Georges Thill, whom she disliked. Her voice was that of a good-sized lyric soprano, well balanced but strongest in its middle and lower registers; but, at her peak, she was also capable of singing high coloratura, as recordings of arias by Bellini and Donizetti illustrate. Her tone was cool and clear, with exemplary enunciation. Louise, Charlotte and Manon became her signature roles. Her performances were described by the critic André Tubeuf as the "epitome of good singing but also of good taste". Sound technique supported both her versatility and the durability of her career; as late as 1946, when she was 60, she sang the Countess (in Le nozze di Figaro) and she continued singing and recording into the 1950s. Between 1953-59, she was a guest professor at the Conservatory in Montevideo. Death She died in 1961, aged 75, at La Sauvagère, her estate at Millery, near Lyon.[citation needed]"; wikipedia
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