Jacob Wilhelm Lustig Videos
niederländischer Komponist, Organist und Musiktheoretiker
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2024-05-01
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Hubbard Ralph Kirkpatrick Scarlatti Landowski Landowska Bach Froberger Couperin Handel Antonio Soler Jacob Wilhelm Lustig Galuppi 1616 1660 1667 1668 1685 1706 1725 1729 1750 1759 1773 1783 1785 1796 1879 1911 1942 1959 1984
Music played with Garritan Virtual Orchestra Harpsichord. The harpsichord along with the pipe organ were the predominant keyboard instruments until the piano was introduced, The piano gained increasing popularity. In the late 19th Century it was difficult to find a harpsichord and performances became rare. A renaissance for the harpsichord began in the early to mid 20th Century in Boston by builders Frank Hubbard, whose workshop still exist, William Dowd and Martin Skowroneck in Bremen, Germany. Ralph Kirkpatrick from Boston, 1911-1984, revived the music of Scarlatti and traveled around Europe and America performing on the harpsichord and developed a catalog of Scarlatti's harpsichord pieces. Wanda Landowski, 1879-1959 contributed to the instrument's 20th Century resurgence with many performances. Landowska performed Bach's Goldberg variations at the Town Hall in New York on February 21, 1942 introducing the harpsichord to many people. Recordings of Kirkpatrick and Landowska playing can be found on You Tube. Since then, the activity has increased with more harpsichord builders, performers and composers writing for the instrument. We are in a harpsichord renaissance. There was a large volume of music composed for the harpsichord in the Baroque Period. Composers who composed for the harpsichord from the Baroque included: J.S Bach 1685-1750 Johann Froberger 1616-1667 A. Scarlatti 1660-1725 F. Couperin 1668-1773 George Friedrich Handel 1685-1759 Antonio Soler 1729-1783 Jacob Wilhelm Lustig 1706-1796 Baldassar Galuppi 1706-1785 Performances of their harpsichord music can be found on You Tube. There is an extensive literature of music for the harpsichord, especially from the Baroque Period. Harpsichords come in different styles, each with a distinct sound, Flemish, French Italian, German, Neapolitan, Sicilian and English. Two very good resources for harpsichord music and information ; 1. Gravicembalo You Tube channel and Facebook page 2. Sala del Cembalo- The Harpsichord Archive can be found in Google. 139 hours of music with many composers. It features harpsichordist Fernando DeLuca's recordings of many Baroque composers.
Jacob Wilhelm Lustig Rondeau Bolton Johann Mattheson Telemann Groningen Bach 1706 1734 1796
World Première Recording: JW Lustig, Sonata 1 in C Minor Movements: 1) Ouverture: 00:01 2) Vivement: 8:09 3) Allemande: 10:46 4) Courante: 16:49 5) Lentement (Sarabande): 20:18 6) Rondeau: 24:20 7) Menuet: 28:27 7a) Double 1: 29:36 7b): Double 2: 31:43 David Bolton, author of: 1) How to Memorize Music – A Practical Approach for Non-Geniuses (http•••) 2) How to overcome Stage Fright − The ultimate Guide for performing Musicians (http•••) 3) Play it with Feeling! - Expressing Emotion in Musical Performance (http•••) All available at Amazon.com About Jacob Wilhelm Lustig In 1734, Jacob Wilhelm Lustig published his "Six Sonates pour le Clavecin". It was printed by Gerhard Fredrik Witvogel, an organist and publisher of German origin. Lustig was born in Hamburg, Germany, where he studied under Johann Mattheson; he was also a student of GF Telemann. Unable to find a suitable position in Hamburg, he applied for, and was given, a position as organist at the Martinkerk in Groningen (Netherlands). He remained in the Netherlands for the rest of his life, dying in Groningen at the ripe old age of 89. Though called "Sonatas", some of these works would be more accurately described as "suites"− the very first one being a good example of that genre, as it contains movements such as an opening Overture, Allemande, Courante, Sarabande and Menuet. Naturally, any suite composed around the 1730s invites the inevitable comparison with the infinitely better-known suites and partitas of JS Bach, and no-one will be surprised when I say that Lustig certainly did not have Bach's level of genius. That being said: Lustig was an amazingly able composer, and this first "Sonata" bears ample witness to that fact. Considering the fine music that this major work presents (its total duration is over 30 minutes!), it is remarkable that up to now, it had (to my knowledge) never been recorded. May it receive the attention is so richly deserves! About this Channel: I call it "The Digital Harpsichordist" because all of the recordings I will place here have been played not on a harpsichord, but rather, on a digital keyboard using harpsichord samples from a number of fine instruments. Enjoy! P.S. You might want to join my Facebook Group: "The Digital Harpsichordist": (http•••) PPS: The harpsichord samples used in this recording are available for free at: (http•••)
Jacob Wilhelm Lustig Bolton Johann Mattheson Telemann Groningen Bach 1706 1734 1796
World Première Recording: JW Lustig, Sonata 2 in E-flat Major Movements: 1) Prélude (Lentement/Reveillé): 00:03 2) avec Vivacité: 04:38 3) Affectueusement: 09:07 4) Promptement 11:43 David Bolton, author of: 1) How to Memorize Music – A Practical Approach for Non-Geniuses (http•••) 2) How to overcome Stage Fright − The ultimate Guide for performing Musicians (http•••) 3) Play it with Feeling! - Expressing Emotion in Musical Performance (http•••) All available at Amazon.com About Jacob Wilhelm Lustig In 1734, Jacob Wilhelm Lustig published his "Six Sonates pour le Clavecin". It was printed by Gerhard Fredrik Witvogel, an organist and publisher of German origin. Lustig was born in Hamburg, Germany, where he studied under Johann Mattheson; he was also a student of GF Telemann. Unable to find a suitable position in Hamburg, he applied for, and was given, a position as organist at the Martinkerk in Groningen (Netherlands). He remained in the Netherlands for the rest of his life, dying in Groningen at the ripe old age of 89. Though called "Sonatas", some of these works would be more accurately described as "suites" (numbers 1 and 4, for example). Naturally, any suite composed around the 1730s invites the inevitable comparison with the infinitely better-known suites and partitas of JS Bach, and no-one will be surprised when I say that Lustig certainly did not have Bach's level of genius. That being said: Lustig was an amazingly able composer, and his six sonatas bear ample witness to that fact. May they receive the attention they so richly deserves! About this Channel: I call it "The Digital Harpsichordist" because all of the recordings I will place here have been played not on a harpsichord, but rather, on a digital keyboard using harpsichord samples from a number of fine instruments. Enjoy! P.S. You might want to join my Facebook Group: "The Digital Harpsichordist": (http•••) PPS: The harpsichord samples used in this recording are available for free at: (http•••)
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