Mikhail Rudy Videos
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2024-05-02
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Delsarte Fogg Witt George Berg Berg Signac Pellet Rothschild Hofer Krasner Pollock Straus 1653 1754 1894 1945 1969 1995 2007 2011 2018 2020 2021
Join curator Elizabeth Rudy for a preview of the upcoming exhibition, “States of Play: Prints from Rembrandt to Picasso,” to open at the Harvard Art Museums in September 2021. Joined in conversation with print curator and scholar Jerry Cohn, they will take an informative look at the iterative nature of printmaking as they explore the variable meaning of a “print state” from the 17th-21st centuries. Multiple states, or versions, of individual prints illuminate the artists’ creative processes and even the lives of prints beyond those of their creators. Director Martha Tedeschi, herself a former curator of prints and drawings at the Art Institute of Chicago, offers welcoming remarks. TAKE A CLOSER LOOK: + Take a virtual tour of "States of Play:" (http•••) + Exhibition—”States of Play: Prints from Rembrandt to Delsarte”: (http•••) + Giuseppe Longhi, Italian, “Bonaparte Crossing the Alps,” 19th century. Etching on off-white laid paper. Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1148NA: (http•••) + Marco Alvise Pitteri, Italian, “Carlo Goldoni,” 1754. Engraving on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Henry George Berg Bequest Fund, Gift in gratitude to John Coolidge, M21453: (http•••) + Paul Signac, printed by Auguste Clot, edited by Gustave Pellet, French, “La Bouée (Port of St. Tropez),” 1894. Color lithograph on off-white wove paper, annotated by Signac. Harvard Art Museums/Fogg Museum, Gift of Robert and Margaret Rothschild, 2011.509: (http•••) + Rembrandt Harmensz. van Rijn, Dutch, “Christ Crucified between the Two Thieves,” 1653. Drypoint on off-white antique laid paper. Harvard Art Museums/Fogg Museum, Gift of Mr. and Mrs. Philip Hofer, M12864: (http•••) + Louis Delsarte, American, “Unity (mylar/separation 1),” 1995. Ink on mylar. Harvard Art Museums/Fogg Museum, Gift of Brandywine Workshop and Archives, Philadelphia, Pennsylvania, 2018.33.6.1. Estate of Louis Delsarte: (http•••) + Lee Krasner, American, “Long Lines for Lee Krasner,” 1969. Portfolio of 9 lithographs on white wove paper. Harvard Art Museums/Fogg Museum, Walter A. Compton, Jr., Bequest Fund, M24398-M24400. Pollock-Krasner Foundation / Artists Rights Society (ARS), NY. (http•••) + André Racz, American, “Perseus beheading Medusa IV,” 1945. Softground etching, engraving, and aquatint with gauffrage on white, wove paper. Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman, 2007.67. 1945 Estate of Andre Racz. (http•••) / Speakers: + Elizabeth Rudy, Carl A. Weyerhaeuser Associate Curator of Prints; + Marjorie (Jerry) Cohn, Carl A. Weyerhaeuser Curator of Prints, Emerita. In a long career at the Harvard Art Museums, she was also director of the Center for Conservation and Technical Studies (now the Straus Center), and twice served as acting director of the museums; + Martha Tedeschi, Elizabeth and John Moors Cabot Director of the Harvard Art Museums. This conversation was made possible by our generous supporters; an international community of art lovers who generously support the Harvard Art Museums’ mission to promote knowledge about and appreciation of art through exhibitions, teaching, research, professional training, and public education. Learn more (http•••) Recorded October 7, 2020. President and Fellows of Harvard College. For questions related to permission for commercial use of this video, please contact the Department of Digital Imaging and Visual Resources at •••@•••.
Terry Plumeri Bunch Maupin Harden Lotus 1904 1969 1971 1974 1975 1976 2006
``He Who Lives in Many Places, reissued in 2006, comes from an earlier session still, a 1971 recording that didn't see initial release until 1976 and features an equally impressive line-up of Abercrombie, Herbie Hancock, Eric Gravatt and Michael Smith. Smith will be the least-known of the bunch, but at the time of this recording he was an astutely intuitive drummer who would ultimately play with a laundry list of well-known artists before his career tragically cut short in 2006 at the age of fifty-nine. He Who Lives' five tracks are Plumeri's, but despite their compositional substance, there's plenty of freedom to go around. There are unmistakable reference points. Smith's persistent high hat at the start of "Underwater" is similar to Miles Davis' "Shhh/Peaceful" on In a Silent Way (Columbia, 1969), but things soon open up, more akin to Weather Report's 1971 eponymous Columbia debut. And while Plumeri's expressively singing Arco is a defining element, he's equally strong when he puts down the bow and hooks Smith hand-in-glove, creating a firm but pliant foundation for solos by Abercrombie and Hancock. Abercrombie's voice was already unmistakable by this time, [...] Here he demonstrates the unique lyricism soon to emerge more audibly with a string of consistently outstanding albums on ECM. He Who Lives's ethereal approach to free play would have been a perfect candidate for ECM. Even when things turn decidedly propulsive on the irregular funk of "Timeworn" and fiery free-bop of "Bees," Plumeri's overall musical landscape might have easily coexisted alongside Bennie Maupin's The Jewel in the Lotus (ECM, 1974). He Who Lives in Many Places is an album that could very well have become a classic had it received widespread distribution and promotion. It's ripe with stylistic references to other recordings of its era, but with Plumeri's singular Arco voice pushing the envelope of his instrument, it's an album possessing its own distinct complexion, acknowledging the best albums of its time without being the least bit imitative.`` Terry Plumeri – He Who Lives In Many Places Label: Airborne Records – ARC1 Format: Vinyl, LP, Album Country: US Released: 1975 Genre: Jazz Style: Modal, Free Improvisation, Fusion Tracklist A1 Underwater 0:00 A2 He Who Lives In Many Places 9:56 A3 Timeworn 12:51 B1 Dayspring America 19:04 B2 Bees 24:57 B3 Soft Colored Lightstream 34:49 Credits Acoustic Guitar – Paul Martin (53) (tracks: B3) Artwork [Cover Drawing] – Daphne-Harden Bass, Composed By – Terry Plumeri Coordinator [Consulting] – Tony Taylor Drums – Michael Smith Electric Piano, Piano – Herbie Hancock Engineer [Remix] – Bill McElroy (tracks: A3, B1, B2) Guitar – John Abercrombie Liner Notes – PSTrupp Percussion – Eric Gravatt Producer – Michael Bialek, Michael Smith (9), Terry Plumeri Recorded By – Kurt Wittig (tracks: B3), Rudy Van Gelder (tracks: A1-B2) #vinylrip
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- Zeitleiste: Interpreten (Europa).
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