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2024-05-02
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Konstantin Eiges Shostakovich Prokofiev Khachaturian Vissarion Schebalin Gavriil Popov Boris Yoffe Egon Petri Anatoly Alexandrov Alexandrov Nikolai Zhilyayev Gnessin Bolshoi 1905 1927 1930 1933 1935 1939 1948 1949 1958 1959 1974 1980 1992
Eduard Syomin - Piano Oleg Eiges +••.••(...)) was a Russian/Soviet Composer. In 1948 he was targeted by the state campaign against formalism, in the course of which the composers Shostakovich, Prokofiev, Khachaturian, Schebalin and Gavriil Popov were denounced for their formalistic and anti-progressive tendencies. Eiges was branded a formalist because of his 10th symphony and was temporarily no longer allowed to teach. In the newspaper Uralsky Rabotschij it was said: The meeting of the composers' association Sverdlovsk had found Eiges to be “guilty” of having stuck to a “formalistic position alien to Soviet art”. Later symphonies found their way to a larger audience and were performed at the Moscow Autumn. Nevertheless, there are very few surviving recordings of Eiges; Boris Yoffe counts him among those who were muted in the Soviet era of Socialist Realism. His father was the composer Konstantin Eiges. After studying piano, Oleg Eiges began performing as a pianist in 1927 and received further training from Egon Petri at the Berlin University of Music. He worked at the Bolshoi Theater and studied composition at the Moscow Conservatory with Genrich Litinski, Vissarion Schebalin, Anatoly Alexandrov and Nikolai Zhilyayev. After military service in the Red Army +••.••(...)) and an aspirantur at the Moscow Conservatory, he became a university teacher himself and taught at the conservatories in what was then Sverdlovsk +••.••(...)) and Gorky +••.••(...)) and at the Gnessin Institute in Moscow (1959) –1974). Eiges composed an opera, 15 symphonies (1930–1980), 5 symphonic poems, concertos, chamber music and numerous works for piano. / Please support this channel (http•••)
Scriabin Samuel Feinberg Alexander Goldenweiser Nikolai Zhilyayev Beethoven Bach Chopin Schumann Sofronitsky Ginzburg Neuhaus 1890 1911 1920 1922 1923 1924 1925 1931 1932 1936 1948 1951 1962 1970
Some important pupils of Alexander Goldenweiser--Samuel Feinberg Recorded live Moscow Conservatory January 22, 1948 Born: May 26, 1890 - Odessa, Russia Died: October 22, 1962 - Moscow, Russia The eminent Russian pianist, pedagogue and composer, Samuel [Samuil] Feinberg, was born in Odessa and raised in Moscow. From an early age he exhibited an extraordinary talent on the piano. He enrolled in the Moscow Conservatory and studied piano with Alexander Goldenweiser. During his student years he took instruction in composition privately with Nikolai Zhilyayev. After his 1911 graduation from the Conservatory, Samuel Feinberg launched a career as a piano soloist while writing music on the side. Before he was sent off to war, Feinberg met Scriabin, who praised his pianism. His active participation in the Russian military ended abruptly when he became gravely ill and had to spend the remainder of the war recuperating in Moscow. In 1922, Samuel Feinberg joined the faculty at the Moscow Conservatory, holding this post until his death. After this appointment, he revived his career as a pianist, gave piano recitals in Russia in programmes emphasising new Russian music, and toured Europe in the late 1920's. He performed all Beethoven's piano sonatas and the complete set of Bach's Well-Tempered Clavier, as well as Chopin and Schumann. His interpretations of the keyboard works of Bach, Beethoven, Chopin, Scriabin, and others were startlingly original - he typically offered quite a different approach to each composer's music. When his composition teacher, Zhilyayev, who had also become his music editor, was arrested during Stalin's reign of terror, Samuel Feinberg had to rein in the progressive music style he had evolved in works like the Sixth (1923) and Seventh +••.••(...)) piano sonatas and the First Piano Concerto +••.••(...)). After 1936, his music became more conservative, though it retained a subtlety of expression and often divulged a penchant for imaginative contrapuntal techniques. He felt it wise not to seek publication of some of his more progressive works, like the Seventh Sonata, which would not appear in print until the 1970's. In 1951 Samuel Feinberg's health declined from as the result of a heart ailment, but he remained active as a pianist and composer for his remaining days. He died in Moscow, largely an obscure figure in a global sense, however his reputation within Russia placed him among the piano giants of his age - Sofronitsky, Goldenweiser, Ginzburg, and Neuhaus. Samuel Feinberg was better known in his day as a pianist than a composer, but it is as a composer that he is known to posterity. He produced a substantial output of piano, vocal, and chamber works, but was generally reluctant to promote his compositions in the many concerts he gave. His early music is conservative in outlook, but he later became experimental in the use of serial techniques, only to return to a more traditional though individual style later on. His piano music was influenced mainly by Chopin and Scriabin in its fluidity and enhanced tonality. He also transcribed some of Bach's organ works to piano.
Samuil Feinberg Scriabin Zhilyayev 1915 1916 1928 1932 1936 1946 1962
Unfortunately I made a couple of really glaring errors (especially towards the end), but I hope the music still shines through. Piano: Anthony Jakob Samuil Feinberg was a prolific pianist-composer of the Soviet era, although, even in his lifetime, he has been better known as a virtuoso pianist with his compositions receiving very little public attention. The obscurity of his output may perhaps be due to his reclusive nature and his strong conviction against any form of self-promotion. Harmonic and formal innovations are evident in his earlier works, and developed throughout the 1920s, but he was still considered to be one of the more conservative members of the Soviet Association of Contemporary Music. His early compositions show a strong influence of mid-period Scriabin, and can be described as conforming more to the late romantic than modernist aesthetic. His works are intense and extremely virtuosic, preferring a sound world of angst and pessimism. Feinberg's confidence in his compositions was knocked heavily by the première of his Piano Concerto No. 1 (1932) which was lambasted by proletariat music groups, who labelled him as "élitist" and "anti-people". His editor and former teacher, Zhilyayev, became a victim to Stalin's purges in 1936, later dying in prison. From the '30s onwards, Feinberg was no longer permitted to leave the USSR and avoided performing his earlier works in public. As a result his 7th (1928) and 8th (1936) Sonatas were left unpublished until after his death. In his later life, like many other Soviet composers, Feinberg turned to a more conservative and diatonic style in line with Soviet Realism. Although he never became a member of the Soviet party, his "aura" as a respected public figure gave him some protection against persecution by the Soviet authorities. In 1946, for his Piano Concerto No. 2, he was awarded the State Stalin Prize for musical composition, showing a complete rehabilitation within Soviet society. He remained a renowned pianist and respected professor until his death in 1962. His Sonata No. 2 (1916) was composed just a year after his return from the Polish front after contracting typhoid disease. The composition is one of his more lyrical contributions, with a simple melodic line flowing through increasingly complex textures. The work shows significant more depth and vision than his First Sonata (1915), and can be seen as the genesis of his original voice as a composer.
Bach Samuel Feinberg Alexander Goldenweiser Nikolai Zhilyayev Scriabin Beethoven Chopin Schumann Sofronitsky Ginzburg Neuhaus 1890 1911 1920 1922 1923 1924 1925 1931 1932 1936 1951 1962 1970
A wondrous performance. Listen to how Feinberg shapes the fugal subject. Some important pupils of Alexander Goldenweiser--Samuel Feinberg Born: May 26, 1890 - Odessa, Russia Died: October 22, 1962 - Moscow, Russia The eminent Russian pianist, pedagogue and composer, Samuel [Samuil] Feinberg, was born in Odessa and raised in Moscow. From an early age he exhibited an extraordinary talent on the piano. He enrolled in the Moscow Conservatory and studied piano with Alexander Goldenweiser. During his student years he took instruction in composition privately with Nikolai Zhilyayev. After his 1911 graduation from the Conservatory, Samuel Feinberg launched a career as a piano soloist while writing music on the side. Before he was sent off to war, Feinberg met Scriabin, who praised his pianism. His active participation in the Russian military ended abruptly when he became gravely ill and had to spend the remainder of the war recuperating in Moscow. In 1922, Samuel Feinberg joined the faculty at the Moscow Conservatory, holding this post until his death. After this appointment, he revived his career as a pianist, gave piano recitals in Russia in programmes emphasising new Russian music, and toured Europe in the late 1920's. He performed all Beethoven's piano sonatas and the complete set of Bach's Well-Tempered Clavier, as well as Chopin and Schumann. His interpretations of the keyboard works of Bach, Beethoven, Chopin, Scriabin, and others were startlingly original - he typically offered quite a different approach to each composer's music. When his composition teacher, Zhilyayev, who had also become his music editor, was arrested during Stalin's reign of terror, Samuel Feinberg had to rein in the progressive music style he had evolved in works like the Sixth (1923) and Seventh +••.••(...)) piano sonatas and the First Piano Concerto +••.••(...)). After 1936, his music became more conservative, though it retained a subtlety of expression and often divulged a penchant for imaginative contrapuntal techniques. He felt it wise not to seek publication of some of his more progressive works, like the Seventh Sonata, which would not appear in print until the 1970's. In 1951 Samuel Feinberg's health declined from as the result of a heart ailment, but he remained active as a pianist and composer for his remaining days. He died in Moscow, largely an obscure figure in a global sense, however his reputation within Russia placed him among the piano giants of his age - Sofronitsky, Goldenweiser, Ginzburg, and Neuhaus. Samuel Feinberg was better known in his day as a pianist than a composer, but it is as a composer that he is known to posterity. He produced a substantial output of piano, vocal, and chamber works, but was generally reluctant to promote his compositions in the many concerts he gave. His early music is conservative in outlook, but he later became experimental in the use of serial techniques, only to return to a more traditional though individual style later on. His piano music was influenced mainly by Chopin and Scriabin in its fluidity and enhanced tonality. He also transcribed some of Bach's organ works to piano.
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