Richard Carlton Videos
englischer Komponist
- Vereinigtes Königreich Großbritannien und Irland
- Komponist
Letzte Aktualisierung
2024-06-09
Aktualisieren
Storey Bauer Nichols Spence Kempinski Noor Alm 2003 2005 2017
For more videos, pls click the link below. Subscribe, like, share. Tnx! (http•••) ■ MALL OF THE EMIRATES: Mall of the Emirates is a shopping mall in Dubai. Developed and owned by Majid Al Futtaim Group, it opened in November 2005 and is located at interchange four on Sheikh Zayed road. The multi-level shopping mall currently features more than 630 retail outlets, 7900 parking spaces, over 100 restaurants and cafés, 80 luxury stores and 250 flagship stores. It has a total gross leasable area of 255,489m2. In November 2005, it was named the World's Leading New Shopping Mall at the World Travel Awards in London. In 2017, Forbes named Mall of the Emirates as one of the top five shopping malls in Dubai. The project was launched in October 2003 at an estimated cost of AED 800 million (US$218 million), and was scheduled to be completed in September 2005. The architecture in the three-storey complex combines Arabic and Mediterranean elements, with each level connected to a car park. The mall was designed by the American architectural firm F+A Architects. The main building contract was handled by Khansaheb, while the Ski Dubai contract was given to Pomagalski. The chair lifts in the snow park and the structural steel works were handled by Emirates Building System and the piling by Bauer. Shops at the mall include a Carrefour hypermarket, Centrepoint, Debenhams, Harvey Nichols, Home Centre, Jashanmal and Marks & Spence. The mall also hosts a number of family leisure offerings. These include the Magic Planet family entertainment area, a 20-screen VOX Cinema, Ski Dubai, and the 500-seat capacity Dubai Community Theatre and Arts Centre. Ski Dubai is a large indoor skiing facility at Mall of the Emirates, offering snowboarding, ski lessons, children's play area and cafe. It opened in November 2005 and houses the world's largest indoor snow park. It is operated by Majid Al Futtaim Leisure & Entertainment. The mall has over 100 restaurants and cafes including eight restaurants in the Fashion Dome: Two international food courts. Restaurants including St. Maxim's, Salmontini, Karam Beirut and Apres and Sezzam on the first floor, UAE's African-themed diner Tribes at the Fashion Dome, Häagen-Dazs café, 12 new dining options on Level 2 including Omina Baharat, 800 Degrees Neapolitana Pizzeria, Dean & Deluca, Eat Greek Kouzina, Din Tai Fung, Azkadenya, Texas De Brazil & Common Grounds. The Cheesecake Factory, American restaurant, Al Halabi – Lebanese restaurant, P.F Chang's – American Chinese restaurant, Miu Shanghai Tea House and Restaurant offers nosh from Japan, China, Thailand and Indonesia. YO! Sushi – conveyor belt sushi. ■ AL BARSHA 1: Al Barsha is a collection of sub-communities in Dubai, United Arab Emirates (UAE). Al Barsha is one of the newer residential developments, and is located in west Dubai, south of Al Sufouh. Al Barsha is bounded by E 11 (Sheikh Zayed Road) and E 311 (Sheikh Mohammad Bin Zayed Road). The busy residential and retail district of Al Barsha 1 is centered on prestigious fashion boutiques in the Mall of the Emirates, famous for its Ski Dubai artificial ski slope. The surrounding streets are packed with global restaurants serving curries, tapas, and seafood, while hotels and high-rise apartment buildings overlook Sheikh Zayed Road, with its easy metro connections to Media Cityand Dubai Marina. Familiar buildings and establishment include: Kempinski Hotel, Ibis Hotel, Citymax Hotel, Barsha Star Residence, Grand Excelsior Hotel, Carlton Al Barsha Hotel, Centro Barsha Hotel, Rose Park Hotel, MD Hotel, ASCANA 1 Lodging, Golden Tulip Hotel, Cosmopolitan Hotel, Novotel Hotel, Ibis Dubai Al Barsha, Al Zahra Hospital, Lulu Hypermarket and Day to Day Dept Store. ■ WALK ROUTE: Mall of the Emirates, 22nd St, Sheikh Zayed Rd, Al Barsha 1 Rd & Al Thowima St ■ MORE WALK TOUR VIDEOS: 1. Carrefour to Al Noor: (http•••) 2. Al Noor Tower to Carrefour: (http•••) 3. Carrefour Market to Waterfall: (http•••) 4. Waterfall to Business Bay MS: (http•••) 5. B.Bay MS to Burj Khalifa MS: (http•••) 6. Dubai Water Canal Boardwalk-Part 1: (http•••) 7. Dubai Water Canal Boardwalk-Part 2: (http•••) ■ REFERENCE: (http•••) (http•••) (http•••) ■ REMARKS: Please don't forget to like, share, subscribe and leave a comment to my channel and click on the notification bell for the latest video updates. Thanks!
David Blake William Blake Verena Gunz Gunz Elisabeth Jansson Hines Keel Keel Watson David Thomas Philip Smith 2015 2016
ICARUS - AN OPERA (2015) - PART 1 Music by David Blake Words by Keith Warner UYMP - (http•••) William Blake: “The Mental Traveller” I TRAVEL’D THROUGH A LAND OF MEN A LAND OF MEN AND WOMEN TOO AND HEARD AND SAW SUCH DREADFUL THINGS AS COLD EARTH WANDERERS NEVER KNEW Commissioned by the Cantiere Internazionale D'Arte, Montepulciano, Tuscany First performance on 15th July 2016 in the Teatro Poliziano, Montepulciano Conductor - Roland Böer Director - Michael Barry Design - Julia Müer Lighting - John Bishop Costumes - Barbara Häusl Assistant Director - Leonara Scheib Repetiteur - Fiona MacSherry Assistant Conductor - Domenica Giannone JOURNALIST - Verena Gunz SCULPTRESS - Elisabeth Jansson HOSTAGE - Richard Berkeley-Steele MAN ONE - Elliott Carlton Hines MAN TWO - Keel Watson WITNESS 1 - Katherine Crompton 2 - Hollie-Anne Bangham 3 - Rebecca Barry 4 - David Thomas 5 - Philip Smith 6 - Florian Plock Royal Northern College of Music Chamber Ensemble
Johann Sebastian Bach Siegel Kaufman Stapp Robert Bloom Farrow Bach Aria Group 1914 1946 1948 1996
A Time for Bach, a film commissioned by William H. Scheide, ((http•••) the founding Artistic Director, resident scholar, and patron of the Bach Aria Group. Written by Marc Siegel and photographed by Boris Kaufman, with Baroque sequences drawn by Philip Stapp, the film was produced, directed, and edited by Paul Falkenberg in 1948. An original is archived at MoMA. (Please have patience with the wobbly beginning of this rare copy.) An excerpt from chapter one of A Time for Bach: The Story of the Bach Aria Group +••.••(...)) is printed below. The entire chapter is available on RobertandSaraLambertBloom.com ((http•••) Just as the war was ending, a young scholar-musician born in Philadelphia on January 6, 1914, raised in his ancestral home in Titusville, Pennsylvania, and who had immersed himself in the study of the music of J.S. Bach since the mid-1930s, had the idea that he could do something to help. The twentieth century has received spiritual shocks that make the tranquil experience of the nineteenth seem ridiculous. No more cataclysmic shattering of a world could be imagined. And yet the protagonists of music, that small minority for whom music has presumably become the serious matter of their lives, continue to propagate this shattered world as though it still existed unimpaired, Mr. Scheide wrote in 1946 in an unpublished article, "The Need for a New Music," that shows both his unwillingness to stand idly by and his faith in the power of a certain kind of music. Nearly simultaneously with the founding the Bach Aria Group, William Scheide commissioned a short film through which he announced the mission and revealed the inner workings of the Group under his direction. A Time for Bach was written by Marc Siegel and photographed by Boris Kaufman, with Baroque sequences drawn by Philip Stapp; it was produced, directed, and edited by Paul Falkenberg, all respected professionals of the day. With the Group's newly gathered musicians making what was probably their first and last acting appearances (in alphabetical order: Julius Baker, flute; Robert Bloom, oboe; Jean Carlton, soprano; Norman Farrow, bass-baritone; Bernard Greenhouse, cello; Robert Harmon, tenor; Sergius Kagen, piano; Margaret Tobias, alto; Maurice Wilk, violin), the twenty-minute film begins with fanciful composites of eighteenth-century engravings animated by Stapp while Bach's great C Major Fugue is heard, performed by the organist Carl Weinrich. Overlaid scrolls the written message: Few periods in history could be more different in mood than the time of Bach and our own. The joy of living of baroque culture and a transcendent religious faith characterize Bach's life and work. It is a far cry from the harshness and furious tempo of the world in which we live. Many creative forces, however, challenge our time, trying to reconcile its contradictory elements. Within this context, the film traces the rehearsal work of the BAG, a unique ensemble of vocalists and instrumentalists, first organized in 1946 by William H. Scheide. In reintroducing the little-known arias from Bach's more than 200 extant cantatas, the Group has offered to radio, record, and concert audiences a new Bach--gay and buoyant yet spiritual and deeply moving. The Group's work represents an attempt to bridge two centuries and to bring to the present day something of the strength, the inspiration, and the peace of mind of Johann Sebastian Bach. Cut to the harshness and furious tempo of postwar America. With a snare drum tapping out a frantic cadence, the audio sharply shifts from the magnificent organ work to a screaming factory whistle while the camera pans down the Empire State Building, the still fresh American icon whose record height stood until the building of the World Trade Center decades later, and then traces up an industrial smoke stack. Ordinary people are shown hurrying amid symbols of both the mundane and the extraordinary events of their daily lives---a telephone, a tornado, an army tank; pipelines and protesters; a wrecking ball, and Babe Ruth running the bases; marathon dancing; trains and apartment buildings and mills; crowded masses during travel, rest, and work. The drum's incessant beating accompanies the text of the film's breathless chant: Run, run, run (to get your bread)...(to get it all)...(or you'll be dead). But then, symbolically, blinds, doors, and windows are opened to the sounds of Bach's serene oboe obbligato from the aria from Cantata 82: "Ich habe genug" ("It is enough"). The camera pans across men and women at work on sculptures and drawings, pursuing academics, the literary and medical arts, the acts of voting and working together as citizens, capturing the sense of enlightenment and renewal for which the country was striving after the war.
Aldo Parisot Carlton Fernando Valenti Ward Bach Graziani Debussy 1960
Camera Three, ca. 1960. A CBS network arts & culture television show. James Macandrew, host Aldo Parisot, cello Carlton Sprague Smith, scholar and commentator Fernando Valenti, harpsichord Ward Davenny, piano Music of Bach, Graziani, and Debussy visit www.AldoParisot.com
oder
- Zeitleiste: Komponisten (Europa).
- Indizes (in alphabetischer Reihenfolge): C...