Stéphanie Félicité Ducrest de Saint-Aubin de Genlis Videos
französische Schriftstellerin (1746-1830)
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2024-05-21
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Alessio Prati Piccinni Lyons Mme Genlis Petrucci Giuliani Concert Spirituel Théâtre Italien 1745 1750 1768 1774 1776 1779 1782 1783 1784 1786 1788 1807
★ Follow music ► (http•••) Composer: Alessio Prati +••.••(...)) Work: Concerto in Mi bemolle maggiore per pianoforte ed archi Performers: AntoneIIa Cristiano (pianoforte); l SoIisti Partenopei Drawing: François Nicolas Barthélemy Dequevauviller (1745-c.1807) - L'Assemblée au Concert Image in high resolution: (http•••) Further info: (http•••) Listen free: (http•••) / Alessio Prati (Ferrara, 19 July 1750 - Ferrara, 17 January 1788) Italian composer. He studied with Pietro Marzola, maestro di cappella of Ferrara Cathedral. At Piccinni's suggestion, he began studies in Naples in 1768. In 1774–5 he spent ten months in Rome studying counterpoint with Abate Speranza. He then moved to France where he apparently taught singing and the harpsichord in Marseilles for two years; he may also have lived in Lyons where his first set of sonatas was published. Later he entered the service of the Duke of Penthièvre in Paris. His music was heard at the Concert Spirituel in 1776 and his first opera, L'école de la jeunesse, met with success at the Théâtre Italien in 1779. The published score is dedicated to the writer Mme de Genlis, governess of the children of the Duke of Chartres, Penthièvre's son-in-law. These are probably the ‘princes’ that Prati is said to have taught, among them the future king, Louis-Philippe. Grand Duke Pavel Petrovich, in Paris in 1782, encouraged Prati to come to St Petersburg later that year. Prati gave three concerts there in March 1783, including his oratorio Giuseppe riconosciuto, returning to Italy by way of Vienna (a mass MS in Ferrara is dated ‘Vienna 1783’). Back in Ferrara in 1784 he failed to succeed Marzola, although about 1786 he became coadjutor to the new maestro Petrucci. His successful opera seria Ifigenia in Aulide (1784, Florence) propelled him into a remarkable career as a composer of opera seria. During the next two years he composed four more operas for Florence, Munich, Naples and Venice, two of them with the prima donna Cecilia Giuliani, with whom he was romantically involved. His untimely death brought to an end an extraordinarily promising career.
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