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Tchaikovsky Meek Modest Tchaikovsky Usatov 1847 1883 1884 1885 1913 1940
Tchaikovsky: Six Romances, Op. 57 (1884) V. Death (Смерть) Moderato (F major) Tchaikovsky's Six Romances (Шесть романсов), Op. 57 (TH 105 ; ČW 275-280), were mostly written between September and November 1884, except for No. 1 which is from an earlier date. Instrumentation: Scored for high voice (Nos. 1, 5), medium voice (Nos. 3, 4), baritone (No. 2) or low voice (No. 6), with piano accompaniment. Tchaikovsky made minor changes to the texts of the poems used in On the Golden Cornfields (No. 2), Do Not Ask! (No. 3), Sleep! (No. 4), and more significant changes in Only You Alone (No. 6). Movements: V. Death (Смерть) Moderato (F major) If the roses fall silently If the stars fade in the sky The waves crash on the rocks, The ray of dawn on the clouds goes out, It's death, death. This is death, but without a painful struggle; This is death, captivating beauty, Promises a delightful rest, The best gift of all-good nature. She, the teacher of the divine, Learn, people, to die, So that with a meek and solemn smile, So that with a meek and solemn smile, Meekly meet your end. Dmitry Merezhkovsky, from an untitled poem (by 1883). Composition: The earliest of the romances to be written was Tell Me, What in the Shade of the Branches? (No. 1). In a letter to Pyotr Jurgenson of 1/13 December 1884 (see below). the composer expressed his surprise at this discovery of this romance, which it seems he had forgotten about. The exact time and place of its composition are uncertain. On the Golden Cornfields (No. 2) and Do Not Ask (No. 3) were composed at Pleshcheyevo in late September 1884. Before the rough draft of No. 2 in the composer's notebook is the date "Pleshcheyevo, 26 Sept 1884". Do Not Ask (No. 3) was composed next, and its text was probably chosen by Tchaikovsky after he read Goethe's novel The Apprenticeship of Wilhelm Meister("God, how marvellous this is..."), which he found in Nadezhda von Meck's library at Pleshcheyevo [4]. The remaining three romances were written in Paris between 19 November/1 December (the date of his arrival) and 1/13 December 1884, when Tchaikovsky wrote to Pyotr Jurgenson: "I was very surprised to learn that Komissarzhevsky has my romance. Incidentally, I already have another five. Congratulations to you on my new opus". Writing to Modest Tchaikovsky from Paris on 3/15 December 1884, the composer reported: "I cannot say that I am bored from idleness. I managed here to devise the main revisions to Vakula, and to write three new romances, and one church number". Publication: The romances were published by Jurgenson in April 1885, and in 1940 they were included in volume 45 of Tchaikovsky's Complete Collected Works, edited by Ivan Shishov and Nikolay Shemanin. Autographs: Tchaikovsky's manuscript scores of Nos. 2 to 6 are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 143). The autograph of No. 1 is lost. Dedication: Each romance is dedicated to a different person: V. Dmitry Usatov (1847–1913), tenor who premiered the role of Andrey in Mazepa.
Wolfgang Amadeus Mozart Mackenzie 1789
Find the article, “Wolfgang Amadeus Mozart's Freemason Magic Flute” here: (http•••) Johann Wolfgang von Goethe stated, "It is enough that the crowd would find pleasure in seeing the spectacle; at the same time, its high significance will not escape the initiates." Kenneth Mackenzie's The Royal Masonic Cyclopaedia on the term "Baphomet", "More cannot be said here without improperly revealing what we are bound to hele, conceal, and never reveal." Find the Cylopaedia here: (http•••) reative=390957&creativeASIN=1564594203&linkCode=as2&tag=athisdea-20&linkId=U LWYKEP5EFKIACSR ~~~~~~~~~~~~~~ Worldview and Science Examiner: (http•••) True Freethinker: (http•••) Facebook: (http•••) Twitter: (http•••) Flickr: (http•••) Google+ (http•••)
Maio Pinheiro Vargas Guilherme Claudio Monteverdi Lasso Cara Gabriel Fauré Giovanni Gastoldi
Nos dias 28 e 29 de maio, o Coral Jovem do Estado apresenta o programa Renascimento: Amorosos no Theatro São Pedro. O programa duplo propõe, a partir de madrigais e obras polifônicas renascentistas, fazer alusão à gênese da música coral, expandindo o conceito do renascimento para a atualidade. Coral Jovem do Estado Tiago Pinheiro, regente Marília Vargas, preparação vocal e regência Sin Ae Lee, piano e preparação Guilherme de Camargo, teorba JOSQUIN DES PRES Mille Regretz [2 min 20] CLÁUDIO MONTEVERDI Lamento della ninfa [6 min 30] ORLANDO DI LASSO Matona, mia cara [3 min] KING HENRY VIII OF ENGLAND Pastime With Good Company [2 min 50] ANÔNIMO (séc. XVI) Gaudete Christus est Natus [3 min] GABRIEL FAURÉ Madrigal, Op.35 [3 min] CLAUDIO MONTEVERDI Dolcissimo Usignolo [3 min 40] JULIANA RIPKE Vida de Dentro [4 min 10] GIOVANNI GASTOLDI Ove Ne Vai [2 min] GIU CASTRO / GOETHE Distante Amor [arr. coletivo] [3 min 30] #concerto #coral #coro
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