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2024-05-05
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Philharmonia Quartet Altenberg Trio Munich Chamber Orchestra Chamber Orchestra Europe Scottish Chamber Orchestra Royal Liverpool Philharmonic City Birmingham Symphony Orchestra Camerata Salzburg Melbourne Symphony Orchestra Orchestra Victoria Australian Chamber Orchestra Chicago Symphony Orchestra Philharmonia Orchestra Royal Philharmonic Concert Orchestra Northern Sinfonia Irish Chamber Orchestra Haydn Gilmore Yehudi Menuhin Julian Rachlin Fried Oskar Back Hennessy Hamer Nara Kobe Nobuko Imai Li Kuo Chang Roosevelt Hopkins Purcell Barbirolli Tippett Wigmore Hall Bbc Proms Royal Festival Hall Purcell Room Sage Gateshead 2000 2001 2009 2011 2016
The Programme • Haydn: String Quartet in A major, op 20, no 6 • Janáček: String Quartet no 2 (“Intimate Letters”) Philharmonia Quartet Benjamin Marquise Gilmore (violin) Philharmonia concert master Benjamin Marquise Gilmore grew up in England and studied with Natalia Boyarskaya at the Yehudi Menuhin School and Pavel Vernikov at the Vienna Conservatory, as well as with Julian Rachlin, Miriam Fried, and members of the Artis quartet and Altenberg trio. His father was the musicologist Bob Gilmore and he is the grandson of conductor Lev Markiz. Benjamin was awarded first prize at the Oskar Back violin competition in Amsterdam, and was a prizewinner at the Joseph Joachim competition in Hannover and the Mozart competition in Salzburg As a soloist, he has performed with the Amsterdam Sinfonietta, the NDR Hannover, the Rotterdam Philharmonic and the Munich Chamber Orchestra. A member of the Chamber Orchestra of Europe since 2011, Benjamin was appointed leader of the Scottish Chamber Orchestra in 2016. He performed with the SCO as soloist and director on several occasions and has been involved in the SCO’s chamber music series at the Queen’s Hall in Edinburgh. He has also appeared as guest leader with the Royal Liverpool Philharmonic and City of Birmingham Symphony Orchestra, and as leader and director with the Camerata Salzburg. Rebecca Chan (violin) Philharmia associate leader Rebecca Chan was born in Melbourne and studied violin with Alice Waten at the Australian National Academy of Music and Sydney Conservatorium and with William Hennessy at Melbourne University, where she also completed degrees in Medicine and Arts. Rebecca has played as soloist with many of Australia’s major orchestras, including the Melbourne Symphony Orchestra; Adelaide, Tasmanian and Canberra Symphony Orchestras; Orchestra Victoria; Melbourne Chamber Orchestra; and the Australian Chamber Orchestra. She has been the winner of the string section, and Nelly Apt Scholarship in the ABC Young Performers Awards, the ANAM concerto competition and the Australian Concerto and Vocal Competition, and was a prizewinner at the International Citta di Brescia Violin Competition. As a chamber musician, Rebecca has toured Australia, Europe and Asia, and has played in numerous festivals around the world. She is a member of the Australia Piano Quartet and the Hamer Quartet (winners of the first prize, the audience prize and Musica Viva award in the 2009 Asia Pacific Chamber Music Competition). Yukiko Ogura Principal viola with the Philharmionia Yukiko Ogura was born in the beautiful and historic city of Nara in western Japan. Having studied the violin at Kyoto City University of the Arts, she won a position as a member of the Kobe City Chamber Orchestra, which specialises in string repertoire. Encouraged by Nobuko Imai, Yukiko became more interested in the viola, eventually giving up the violin completely in order to study with Mazumi Tanamura in Tokyo. She emigrated to the USA in 2000 and continued her studies there with Li-Kuo Chang at Roosevelt University in Chicago. She became the violist of the Eusia String Quartet, which subsequently won the gold medal at the Fischoff National Chamber Music Competition in 2001. In the same year, Yukiko was appointed a member of the Chicago Symphony Orchestra. Her passion for the chamber music repertoire has remained the mainspring of her life. Richard Birchall (cello) Philharmonia cellist Richard Birchall read Music at Cambridge University and studied as a postgraduate cellist at the Guildhall School of Music and Drama in London under Louise Hopkins. He later completed studies in film music composition at Goldsmiths College. Richard pursues a varied and colourful career as cellist, composer, arranger and orchestrator. As a member of the Philharmonia Orchestra he performs regularly in the great concert halls of the world. He has appeared as Guest Principal cello with the Philharmonia, Royal Philharmonic Concert Orchestra, Northern Sinfonia and Irish Chamber Orchestra, and as concertmaster of the London Cello Orchestra. Richard’s solo and chamber work has ranged from Wigmore Hall to the catwalk at London Fashion Week. He is a founder member of cello octet Cellophony – now firmly established as the UK's leading cello ensemble – and cellist of the Minerva Piano Trio. Richard's arrangements and compositions have been performed at the BBC Proms, Royal Festival Hall, Wigmore Hall, The Purcell Room, The Sage Gateshead and throughout the UK, and have been broadcast on BBC Radio 3, Classic FM and French and German national radio. Richard has completed numerous transcriptions for Cellophony’s core repertoire, and has produced commissioned arrangements for the Doric, Barbirolli, and Tippett quartets (including Psycho Suite, subsequently released on the Signum label), the London Cello Orchestra and the Ernest Read Symphony Orchestra.
Martina Koppelstetter Mathis Nitschke Helmuth Rilling Armin Jordan Goodwin Constantinos Carydis Gast Hänsel Suzuki Reich Guth Herzog Purcell Monteverdi Gioacchino Rossini Bach Hiller Schumann Britten Sibelius Bauer Münchener Biennale Festival Musica Stadttheater Klagenfurt Theater Ulm Tiroler Landestheater Théâtre Champs Élysées Theater Wien 2003 2007 2012 2015 2016 2017
Mezzosopran/Alt, Lied, Konzert, Oper: barocke und zeitgenössische Musik; experimentelles Musiktheater (Mathis Nitschke). Eigene Konzertreihe: kunst.salon auf wanderschaft (zusammen mit Monika Lichtenegger und Michel Watzinger): Musik und Literatur verbinden, neue Interpretationen und Kompositionen anregen. Mitglied der Gruppe 3Gesang (mit Ruth Geiersberger, Performance, und Georg Glasl, Zither): Verbindung von zeitgenössischer und bayr. Volksmusik Dozentin für Ariengestaltung am Masterstudiengang Musiktheater an der August -Everding-Akademie, München. Stimmbildnerin beim Münchner Mädchenchor Nach der Musikhochschule München nahm sie Engagements an verschiedenen Opernhäusern an, widmete sich aber auch gleichermaßen dem Konzert- und Liedgesang. Die Mezzosopranistin arbeitete mit Dirigenten wie Enoch zu Guttenberg, Helmuth Rilling, Armin Jordan, Alicja Mounk, Paul Goodwin und Constantinos Carydis und war Gast u.a. beim Rheingau-Musikfestival, den Internationalen Festwochen in Stuttgart, dem Osterklang Wien und dem International Festival of Music in Bath/England. Martina Koppelstetter ist eine gefragte Interpretin für zeitgenössische Musik. Sie war wiederholt Gast bei der Münchener Biennale für modernes Musiktheater und trat bei Konzerten der Reihe „das neue werk“ des NDR in Hamburg, beim A.Devantgart-Festival und bei „musica viva“ des BR in München auf, sowie bei den Tagen für Neue Musik in Darmstadt und Witten. Sie gastierte am Stadttheater Klagenfurt, Theater Ulm, Tiroler Landestheater und am Staatstheater am Gärtnerplatz, München, dem Sie von 2003 bis 2007 als Ensemblemitglied angehörte. Dort war sie u.a. als Dorabella, Hänsel, Suzuki, Orlofsky, Nancy und Frau Reich zu hören und arbeitete mit Regisseuren wie Claus Guth, Doris Dörrie und Katharina Wagner. In der Saison 2012/13 debutierte Martina Koppelstetter an der Opéra National de Montpellier mit „What next?“ von E. Carter und „Jetzt“ von Mathis Nitschke, sowie als „Fili“ in Händels „Acis and Galatea“ am Théâtre des Champs-Élysées, Paris, und dem Theater an der Wien. Im Sommer 2015 u.a. erarbeitete sie mit Mathis Nitschke dessen interaktive Kurzoper im öffentlichen Raum „Viola“ in der Titelrolle, im Rahmen des Festivals „pasing by“ in München. Eine Fortsetzung dieses Aufsehen erregenden Konzeptes bildete „Katharina“ im September 2016 im Rahmen von „München dezentral“. (katharina.mathis-nitschke.com). 2017 wird sie in nun die „Maya“ im gleichnamigen Werk des Komponisten verkörpern. Eine enge Zusammenarbeit verbindet die Künstlerin auch mit dem Ensemble für Alte und Neue Musik Così facciamo. Hier war sie als Herzog Polinesso in Händels „Ariodante“ und als Sorceress in „Dido & Aeneas“ von H. Purcell zu hören sowie als Messagiera und Proserpina in „L'Orfeo“ und als Ottavia in „L'incoronazione di Poppea“ von C. Monteverdi. Mit dieser Partie war sie zuletzt 2016 u.a. im Münchener Cuvilliéstheater zu erleben. Zu ihren Einspielungen zählen die „Petite Messe Solennelle“ von Gioacchino Rossini, die „h-moll-Messe“ von Bach, „Der kleine blaue Bergsee“ und „Peter Pan“ von Wilfried Hiller (Deutsche Grammophon) und eine Reihe von Liedaufnahmen mit Werken von R. Schumann, B. Britten, R. Spring und J. Sibelius beim HR und BR. Martina Koppelstetter arbeitet als Gesangspädagogin u.a. beim Münchner Mädchenchor und hat eine Dozentur für Ariengestaltung im Masterstudiengang Musiktheater an der Bayerischen Theaterakademie inne. Buchempfehlung: „Strudlhofstiege“ von Heimito von Dodoerer „Alles hat seine Zeit“ Ole Knausgard „Warum ich fühle, was du fühlst“ Joachim Bauer Kontakt: www.koppelstetter.com
Santos Jorge Jerónimo Buchanan National Theatre Panama National Symphony Orchestra 1897 1903 1906 1941 2012
Turn on Youtube subtitles for English or another subtitle. "Himno Istmeño" (English: "Isthmian Hymn") is the national anthem of Panama (Spanish: Himno Nacional de Panamá). The music was composed by Santos A. Jorge, and the lyrics were written by Jeronimo de la Ossa. It is also known by its incipit, "Alcanzamos por fin la victoria" ("At last we reached victory"). The song is directed to the average, working-class Panamanian, with such lyrics as "Ahead the shovel and pick; At work without any more dilation". About Panama Government : Unitary presidential constitutional republic • President : Laurentino Cortizo • Vice President : Jose Gabriel Carrizo Official languages : Spanish Time Zone : UTC−5 (EST) Population : 4,379,039 Capital : Panama City Dialing code : +507 Driving side : right Currency : • Balboa (PAB) • United States dollar (USD) Area of Country : 75,417 km2 +••.••(...) sq mi) • Water (%) : 2.9 Ethnic Groups: 65.0% Mestizo (mixed White and Indigenous) 12.3% Indigenous 9.2% Black 6.8% Mulatto (mixed White and Black) 6.7% White Majority Religion: 91.5% Christianity —63.2% Roman Catholic —25.0% Protestant —3.3% Other Christian 7.6% No religion 0.9% Other History about the national anthem : In 1897, Spanish-born musician Santos Jorge composed the "Himno Istmeño", which was initially a student song but reached levels of popularity among the population. Jorge had composed the official music for the anthem, but it had no lyrics, so he told his friend Jerónimo Ossa to write lyrics for it. However, this song is not the same as the one currently performed, since it underwent some changes. No records are found of how or by whom the changes were made to the original anthem. Upon independence from Colombia in 1903, William I. Buchanan, the United States' first ambassador and minister plenipotentiary to Panama, was to present credentials to the Provisional Junta of Government, and there was no anthem to perform, as required by usual protocol. Jorge suggested that his anthem be used for such an occasion, which was accepted, since the song was supported by the general public. Jorge asked his friend Jerónimo Ossa to write lyrics, to which he agreed and wrote the lyrics for the Panamanian national anthem. In 1906, the National Assembly adopted the anthem in accordance with Law 39 and provisionally, since it was decided to hold a contest to choose a new composition. The Panamanian people chose it again. Later, in the 1941 Constitution, an article was included that definitively adopted the National Anthem as a symbol of the nation. In 2012, the National Anthem was recorded digitally for the first time, since there was no digital version of it. The new recording was made at the National Theatre of Panama with the National Symphony Orchestra [es], the Musica Viva Choir and the Polyphonic Choir of Panama, under the direction of Maestro Jorge Ledezma. It was made available to the general public to be downloaded free of charge. Source : Text : Wikipedia (en.wikipedia.org/wiki/Himno_Istme%C3%B1o) Song : Ian Berwick (youtube.com/watch?v=q98udmYA1u0) Video : 8K UHD World (youtube.com/watch?v=k3dMHSUg4Qg)
Maxim Rysanov Bach Mischa Maisky Nicola Benedetti Vilde Frang Janine Jansen Boris Brovtsyn Alexander Sitkovetsky Sitkovetsky Sergei Krylov Henkel Yusupov Leonard Elschenbroich Kelemen Dobrinka Tabakova Lionel Tertis Valentino Bucchi Richard Dubugnon Leonid Desyatnikov Giya Kancheli Penderecki Vasks Heilbron Martinu Last Night Proms Salzburg Festival Vale Glamorgan Festival Lithuanian Chamber Orchestra London Mozart Players Scottish Ensemble Russian National Orchestra Orquesta Sinfónica Castilla León National Symphony Orchestra Detmold Chamber Orchestra Southbank Sinfonia Budapest Festival Orchestra Sofia Philharmonic Bbc National Orchestra Wales Orchestre Philharmonique Strasbourg Hong Kong Sinfonietta Scottish Chamber Orchestra 1780 2013 2014 2016
Buy Maxim's CDs here: (http•••) Official website: (http•••) Facebook: (http•••) Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worlds most vibrant and charismatic musicians. He is principally known for his performances as a violist, guest of the crème of international music scene such as BBC Last Night of the Proms, Verbier, Great Mountain, Tran Siberian and Edinburgh Festival, Salzburg Festival among others. After having completed a conducting fellowship at The GSMD he started to combine his viola performance with a career as a conductor. Conducting engagements include the Spanish Radio Orchestra, Basel Symphony Orchestra, Lithuanian Chamber Orchestra, Riga Sinfonietta, London Mozart Players, Baltic Neopolis, Scottish Ensemble, Russian National Orchestra, and Moscow Musica Viva, Kiev Soloists, Orquesta Sinfónica de Castilla y León, Georgian National Symphony Orchestra, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Detmold Chamber Orchestra, Dala Sinfonietta, Southbank Sinfonia, Danubia Symphony as well as conducting at festivals in Dubrovnik, Utrecht, Boswil , Surrey Hills, Budapest Festival Orchestra, and the finale of the Beijing Viola Festival, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Royal College of Music String Orchestra, Lviv Philharmonic, Detmold Chamber Orchestra, Lepaje Symphony Orchestra and the Pforzheim Stadtsorchester. As a conductor Maxim worked with such soloists as Mischa Maisky, Nicola Benedetti, Vilde Frang, Janine Jansen, Boris Brovtsyn, Alexander Sitkovetsky, Sergei Krylov, Susanna Yoko Henkel, Kristina Blaumane, Ashley Wass, Benjamin Yusupov, Leonard Elschenbroich, Dora Kokas and Kelemen Quartet among others. Maxim featured as both conductor and soloist on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. Maxim has long been recognised by the international music scene and his list of prizes affirm that status. These include the Classic FM Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award, as well as the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim is a keen promoter of new music. Recently he conducted the Russian premier of the Piano Concerto by Benjamin Yusupov. His enthusiasm for new music has generated collaborations, which have extended the viola repertoire. This includes world premieres by Dobrinka Tabakova, Richard Dubugnon and Sergei Akhunov. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli, Artyom Vassiliev and Elena Langer. In 2014 Maxim presented the Penderecki's double concerto in a Russian premiere. In 2016 he premieres a new viola concerto by Peteris Vasks that was co-commissioned by the BBC National Orchestra of Wales, the Vale of Glamorgan Festival and the Orchestre Philharmonique de Strasbourg. Further performances include Turku Philharmonic, Riga Sinfonietta, Hong Kong Sinfonietta, Scottish Chamber Orchestra, Wurttemburgisches Kammerorchester Heilbron and the Lithuanian Chamber Orchestra. Maxim's commercial CD have continually gained awards including Gramophone Editor's Choice and ECHO, ICMA, Gramophone and Grammy nominations as well as reaching the top of the iTunes charts in the USA. His recent recording of the Martinu Rhapsody – Concerto was shortlisted for the Gramophone Award. He is delighted to have a Giuseppe Guadagnini viola (1780) on extended loan from the Elise Mathilde Foundation.