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Kanen Breen Leonard Bernstein Brett Weymark O Connor Connor Aitken Handel Sullivan Stephen Sondheim Sydney Opera House Pacific Opera Sydney Youth Orchestra
Book: www.sydneyoperahouse.com or www.sydneyphilharmonia.com.au/bernstein-candide Saturday 29 September at 8pm Sunday 30 September at 1pm Concert Hall, Sydney Opera House Brett Weymark conductor Mitchell Butel director Caroline O'Connor The Old Lady Alexander Lewis Candide Kanen Breen Maximilian Annie Aitken Cunegonde Phil Scott Pangloss Also featuring Nick Jones, Adam Player and members of Pacific Opera Symphony Chorus Festival Chorus Sydney Youth Orchestra Bernstein’s musical comedy is a wickedly tuneful romp for the best of all possible worlds. Our gormless hero Candide and his fiancée Cunegonde are raised by the philosophical windbag Professor Pangloss to believe that all is for the best in this best of all possible worlds. Disaster, separation, disease, unpleasant journeys and attempted burning at the stake soon follow, until, thoroughly disillusioned, all the characters reunite at home and resolve to make some sense of life. Think of it as the fun-house mirror version of Handel’s Saul, one where tragedy is played as farce – with a happy ending, of course. From its rollicking overture to its string of affectionate parodies of opera, Gilbert and Sullivan, tango and Broadway glitz, Candide is a delight from start to finish – one that might just make you think. While the overture and showpieces like the bravura ‘Glitter and Be Gay’ have become concert-hall fixtures, the complete Candide is rarely mounted. If there’s one thing that drives Bernstein’s work, it’s the belief that while we might be ‘neither pure, nor wise, nor good, we'll do the best we know. Pre-concert talk: Held 45 minutes prior to the performance in the Northern Foyer, presented in association with Fine Music FM and Sydney Opera House. Book by Hugh Wheeler Based on the satire by Voltaire Lyrics by Richard Wilbur With additional lyrics by Stephen Sondheim, John LaTouche, Dorothy Parker, Lilliam Hellman and Leonard Bernstein Orchestration by Leonard Bernstein and Hershy Kay Musical continuity and additional orchestration by John Mauceri
Franz Liszt Weber Verbruggen Beethoven Camille Saint Saëns Stravinsky Kuzmin Blankenheim Richard Wagner Hector Berlioz Edvard Grieg Alexander Borodin Czerny Wollongong Symphony Orchestra Sydney Youth Orchestra 1811 1886 2007
Diego Idarraga's piano recital at the Art Gallery of NSW, in the first instalment he performs Sonetto 104 by Petrarch. Check out all our You Tube Channels AIMtvSydney - (http•••) AIMtvStage - (http•••) AIMtvTestimonials - (http•••) AIMtvDramaticArt - (http•••) Our Website - (http•••) AIMtv on our Website - (http•••) Facebook - (http•••) Twitter - (http•••) Instagram - (http•••) Linkedin - (http•••) Google Plus - (http•••) AIM To study music at AIM is all about having a fun, professional, academic experience, that helps set you up for a diverse lifelong career in the music industry, from performing to studio work, teaching, publishing, entertainment management, music business and a whole lot more, all connected as part of the AIM learning experience. The best thing you can from here do is to come along to an OPEN Day or check out our website at (http•••) DIEGO IDARRAGA He was born in Bogota, Colombia, He started to play the piano at the age of 17 under the tutelage of Colombian teacher Piedad Rosas, then with Dr. Sergei Sitchkov,. After finishing his bachelor in music in his homeland, he studied with Ludmilla Weber, and Antonio Carbonell. Diego has played as soloist and as a member of chamber ensembles in many important auditoriums in Bogota such as Leon de Greiff Auditorium, National Museum Auditorium/ He was semi-finalist in the Southern Highlands International Piano Competition at Bowral in 2007, and has played Soloist Recitals at the Wollongong Conservatorium Auditorium, Salvation Army's Auditorium, Wesley Uniting Church at Wollongong as well as at St. Andrew's Cathedral and the Art Gallery of New South Wales and the Verbruggen Hall at the Sydney Conservatorium of Music in Sydney. His orchestral experience includes the performance of Beethoven's Choral Fantasy in with his University's Symphonic Orchestra, Saint-saens' "Carnival of the Animals" with the Wollongong Symphony Orchestra and Stravinsky's "Petrushka" with the Sydney Youth Orchestra. He has participated in masterclasses with re known pianists such as Mark Setltzer, Leonid Kuzmin, Walter Blankenheim. He is currently a piano teacher at the Australian Institute of Music's Open Academy and at Lane Cove Music and Cultural Center and is doing a Masters in Piano Performance at the Australian Institute of Music with Brenda Jones. Sonetto 104 del Petrarca from Années de pèlerinage (Years of Pilgrimage) Second Year: Italy Franz Liszt +••.••(...)) Liszt became renowned throughout Europe during the 19th century for his great skill as a performer. He was said by his contemporaries to have been the most technically advanced pianist of his age and perhaps the greatest pianist of all time.[4] He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner, Hector Berlioz, Camille Saint-Saëns, Edvard Grieg and Alexander Borodin. His pianistic lineage comes directly from Beethoven, who taught Czerny (composer of numerous unvaluable technical exercises for the piano) his most influential piano teacher.
Berlioz Sydney Youth Orchestra 2022
The Sydney Youth Orchestra perform Berlioz Symphonie Fantastique Op.14, conducted by Max McBride. April 9 2022 Verbrugghen Hall Syndey Conversatorium of Music
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