Alexander Wilhelm Gottschalg Vídeos
compositor alemán
- Alemania
- compositor
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2024-04-28
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Chopin Franz Liszt Liebling Alexander Siloti Emil Sauer Gottschalg Moriz Rosenthal Mele 1863 1905 1907
Alfred Reisenauer was a significant pupil of Franz Liszt. However, the fact that he left no acoustic recordings has meant that he has tended to be forgotten today. He was in fact one of the most important pianists of his time, acclaimed both as teacher and performer, achieving directorship of the Leipzig Conservatoire. The only remaining recorded documents of his playing are ten piano rolls recorded for the Welte system in 1905. This work is one of Liszt's arrangements of a Chopin Song (the "Chants Polonaises"), no.1 entitled "The Maiden's Wish". Reaisenauer signs off this roll as "Nach persönlichen Erinnerungen an Franz Liszt" (i.e. "From personal memory of [the playing of] Franz Liszt"), and is meant to show how Liszt performed this work. Some technical info: this roll was played back not on a real piano, but is a digitised playback on a sampled Steinway piano made from a digitally encoded transcription of the original roll (all the dynamics, articulation, pedalling, and so on is unchanged from the original roll, and there has been no "editing" of it). This is something I am experimenting with doing at the moment and I am quite pleased with this result in general. However, perhaps this roll needs slightly more work at me getting the sonorities right, as it still sounds slightly midi-ish to my ear at least. The roll also seems to display a large degree of the rhythmic "bumpiness" which plagues many Welte rolls. What is obvious is that the performance employs a great deal of rubato which is quite alien to modern approaches. A decent playback of a good quality roll on a well-conditioned piano would create a better impression than I have done here I feel, as the piano sonority and internal resonances would help to make sense of it. Finally, the picture used in this video is an interesting shot of Reisenauer. He is marked on the photo seated amongst some of Liszt's other pupils. Front row - Saul Liebling, Alexander Siloti (holding the Dante Symphony), Arthur Friedheim, Emil (not quite yet 'von') Sauer, Alfred Reisenauer. Alexander W. Gottschalg Back row - Moriz Rosenthal, Viktoria Drewing, Mele Paramanoff, Liszt, Friedheim's mother, Hugo Mansfeld (also with the Dante Symphony!)
Felix Mendelssohn Bartholdy Alexander Wilhelm Gottschalg 1980
Lied ohne Worte op. 62 no. 1 Felix Mendelssohn Bartholdy arr. Alexander Wilhelm Gottschalg Dick Sanderman Flentrop organ (1980/81) Schildkerk Rijssen - Netherlands
Alexander Wilhelm Gottschalg Johann Gottlob Töpfer Hippolyte Chelard Franz Liszt Knauf Urania 1827 1845 1847 1865 1867 1870 1908
Alexander Wilhelm Gottschalg +••.••(...)): Zwei kleine Präludien aus dem "Album für Orgelspieler" ("Töpfer-Album") 1867Alexander Wilhelm Gottschalg wurde 1827 in Mechelroda bei Mellingen in Thüringen geboren, studierte in Weimar bei Johann Gottlob Töpfer, dem Hoforganisten André Hippolyte Chelard und schließlich bei Franz Liszt. Von 1847 bis 1870 war er Kantor an der Kirche in Tiefurt bei Weimar, anschließend Hoforganist in Weimar und dort auch Seminarlehrer und "Großherzoglicher Orgelrevisor". Liszts Äußerung: "Wenn ich einmal selbst zur Legende geworden bin, wird Gottschalg mit mir fortleben" trug ihm den Beinamen "legendarischer Kantor" ein. Franz Liszt zog ihn bei seinen Orgelkompositionen stets zu Rate. Auch die sogenannten „Orgelconferenzen“, die an der Orgel in Denstedt, einem Nachbarort von Tiefurt stattfanden, gehen auf die gemeinsame Initiative von Gottschalg und Liszt zurück. Da er Liszt auch bei der Herausgabe von Kompositionen half, nannte dieser Gottschalg einmal seinen „Fahnen- und Fackelträger“. Ab 1865 gab Gottschalg zudem die damals weit verbreitete Musik-Zeitschrift "Urania" heraus. Er starb 1908 in Weimar. Das hier zu hörende kleine Orgelstück aus Gottschalgs Feder "für den praktischen Gebrauch" ist in der 1867 erschienenen Festgabe für Johann Gottlob Töpfer erschienen. Die Aufnahme entstand an der 1845 von Friedrich Knauf erbauten Orgel in Hochheim bei Gotha. Organist: Thorsten Pirkl Alexander Wilhelm Gottschalg was born in Mechelroda near Mellingen in Thuringia in 1827, studied in Weimar with Johann Gottlob Töpfer, the court organist André Hippolyte Chelard and finally with Franz Liszt. From 1847 to 1870 he was cantor at the church in Tiefurt near Weimar, then court organist in Weimar and there also seminar teacher and "grand ducal organ auditor". Liszt's statement: "Once I have become a legend myself, Gottschalg will live on with me" earned him the nickname "legendary cantor". Franz Liszt always consulted him on his organ compositions. The so-called “organ conferences” that took place at the organ in Denstedt, a neighboring town to Tiefurt, also go back to the joint initiative of Gottschalg and Liszt. Since he also helped Liszt with the publication of compositions, Gottschalg once called his “flag and torch bearer”. From 1865 Gottschalg also published the music magazine "Urania", which was widely used at the time. He died in Weimar in 1908. The small organ piece from Gottschalg's pen "for practical use" that can be heard here can be found in several organ collections of the time. The recording was made on the organ built by Friedrich Knauf in 1845 in Hochheim near Gotha.
Max Reger Martin Krause Krause Liszt Alexander Wilhelm Gottschalg Aki 1901 1902 2018
Max Reger II. (d-moll) orgonaszonátájának nyitótétele Mészáros Zsolt Máté orgonaművész előadásában. A koncertfelvétel a Művészetek Palotájában készült 2018. január 16-án. Max Reger 1901-ben komponált II. orgonaszonátáját Martin Krause-nak, a Lipcsei Liszt Társaság alapítójának ajánlotta. 1902-ben a Merseburgi dómban tartott ősbemutatón jelen volt a híres Liszt-tanítvány, Alexander Wilhelm Gottschalg is, aki mesterműnek titulálta a kompozíciót. Az nyitótételben (Improvisation) a szerző a rögtönzés és a szonátaforma elemeinek egyesítésére tesz kísérletet. MÉSZÁROS Zsolt Máté plays the opening movement (Improvisation) of May REGER's II. Organ Sonata in D minor, Op. 60 in the Palace of Arts, Budapest (Hungary). Recorded live on the 16th of January, 2018. Max Reger composed his second organ sonata in 1901 and offered his work for Martin Kause, the founder of the Liszt Society of Leipzig. The famous pupil of Liszt, Alexander Wilhelm Gottschalg heard the premier in the Merseburg Cathedral in 1902 and titled the compositions as masterwork. In the opening movement of the sonata (Improvisation) Reger combines the element of the sonata form and the improvisation. www.zsoltmatemeszaros.com (http•••)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): G...