Attilio Brugnoli Vídeos
pianista, compositor, musicólogo, profesor
- piano
- Reino de Italia
Última actualización
2024-05-11
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Andrea deve sostenere un provino con il pianoforte, così Laura cerca di rassicurarlo prima di uscire. Andrea si mette alla tastiera per allentare la tensione ed immagina il suo futuro. Regia: Diletta Salvo, Valerio Pampaglini Cast: Alessandro Grieco, Agnese Stella Sceneggiatura: Valerio Pampaglini DoP: Eleonora Baffigi Direttore di produzione: Federico Brugnoli Operatore: Lorenzo Donini Assistente operatore: Filippo Antenucci Data manager: Ignazio Di Gerlando Fotografo di scena: Federico Brugnoli Aiuto regia: Michele Montalto Assistente alla regia: Erika Cervone Segretario di edizione: Federico Fortini Referente Props/Costumi: Valerio Pampaglini Elettricista: Fabio Filomena Macchinista: Fabio Filomena Fonico di presa diretta: Marco Latella Microfonista: Ignazio Di Gerlando Montaggio: Ignazio Di Gerlando Colorist: Ignazio Di Gerlando
Brugnoli Amato Monti 2008 2012
Si è svolta stamattina l'Assemblea Generale dell'Unione Industriali della Provincia di Varese, al Centro Congressi Malpensa Fiere. Quest'anno il leit motiv dell'assemblea, illustrato da Giovanni Brugnoli, presidente Univa, è stato "Insieme per crescere nel mondo". Presentati due casi concreti di azienda: un grande gruppo internazionale, con oltre 5 mila dipendenti, e una piccola rete di imprese bresciana nata per reagire alla crisi nel 2008. Roberto Napoletano, direttore de "il Sole 24 ore" ha intervistato Vittorio Ori, presidente di Five for Foundry, una rete di imprese nata nel settore metalmeccanico per rispondere alla crisi, e Fabrizio D'Amato, Presidente Marie Tecnimont, società leader nell' engineering. Ha chiuso i lavori, Giorgio Squinzi, il nuovo presidente di Confindustria a cui Emma Marcegaglia ha passato il testimone settimana scorsa. L' amministratore unico di Mapei ha esortato il governo Monti ad assistere gli imprenditori. Squinzi ha elencato le urgenze italiane: ridurre i ritardati pagamenti dello Stato ai danni delle imprese, diminuire i costi immensi della pubblica amministrazione, rilanciare l'economia e restituire il potere d'acquisto agli italiani, ma soprattutto dare più credito alle imprese, perché come ha affermato il neo eletto presidente di Confindustria " il Paese prospera se si crea occupazione".
Arcangelo Corelli Savino Benvenuti Brugnoli Alessandro Scarlatti Scarlatti George Frideric Handel Bernardo Pasquini Sir Neville Marriner San Petronio Palazzo Pamphili 1653 1666 1667 1670 1675 1677 1681 1685 1687 1689 1690 1694 1702 1706 1707 1708 1713
Arcangelo Corelli, (1653–1713), born in Fusignano, near Imola, Italy, was a violinist and composer known chiefly for his influence on the development of violin style and for his 12 Concerti grossi, and sonatas, which established the concerto grosso as a popular medium of composition. Corelli’s mother, Santa Raffini, having been left a widow five weeks before his birth, named him after his deceased father, Arcangelo. There are no documented details on his first years of study. It is thought that his first teacher was the curate of San Savino, a village on the outskirts of Fusignano. Later, he went to Faenza and Lugo, where he received his first elements of musical theory. Between 1666 and 1667 he studied with Giovanni Benvenuti, violinist of the chapel of San Petronio in Bologna. Benvenuti taught him the first principles of the violin, and another violinist, Leonardo Brugnoli, furthered his education. In 1670 Corelli was initiated into the Philharmonic Academy of Bologna. After a four-year stay in Bologna, Corelli went to Rome. Reliable evidence on his activities is lacking for the first five years, but it is likely that he played the violin at the Tordinona Theatre. He was already third violinist in the orchestra of the chapel of San Luigi dei Francesi, Rome by 1675, and the following year he was second violinist. In 1677, he sent his first composition, Sonata for Violin and Lute, to Count Fabrizio Laderchi of Faenza. In 1681 his 12 Trio Sonatas for Two Violins and Cello, with Organ Basso Continuo, Opus 1, dedicated to Queen Christina of Sweden, who had a residence in Rome, were published. The following year he took the post of first violinist in the San Luigi dei Francesi orchestra, a position he held until 1685, the year in which his 12 Chamber Trio Sonatas for Two Violins, Violone and Violoncello or Harpsichord, Opus 2, were published. From September 1687 until November 1690, Corelli was musical director at the Palazzo Pamphili, where he both performed in and conducted important musical events. Corelli was particularly skilled as a conductor and may be considered one of the pioneers of modern orchestral direction. He was frequently called upon to organize and conduct special musical performances. Perhaps the most outstanding of these was the one sponsored by Queen Christina for the British ambassador, who had been sent to Rome by King James II of England to attend the coronation of Pope Innocent XII. For this entertainment, Corelli conducted an orchestra of 150 strings. In 1689 he directed the performance of the oratorio Santa Beatrice d’Este by Giovanni Lulier, called del violino, also with a large number of players (39 violins, 10 violas, 17 cellos, and additional instruments to make a total of more than 80 musicians). The same year, he entered the service of Cardinal Pietro Ottoboni, in which he spent the rest of his life. In 1689 Corelli’s 12 Church Trio Sonatas for Two Violins and Archlute, with Organ Basso Continuo, Opus 3, dedicated to Francesco II, duke of Modena (he had been the Modenesi Count, 1689–1690), was published; and in 1694 his 12 Chamber Trio Sonatas for Two Violins and Violone or Harpsichord, Opus 4, intended for the academy of Cardinal Ottoboni, also appeared. He then went to Naples in 1702 where he probably played in the presence of the king and performed a composition by the Italian composer Alessandro Scarlatti. There is no exact documentation for this event; however, it is known that he met George Frideric Handel, who was in Rome between 1707 and 1708. In 1706, together with the Italian composer Bernardo Pasquini and Scarlatti, he was received into the Arcadia Academy and conducted a concert for the occasion. Arcangelo Corelli did not live to see the publication of his Opus 6, consisting of 12 concerti grossi, which was published in Amsterdam, Netherlands the year following his death. Concerto grosso in D, Op.6, No.4: Adagio – Allegro Performed by the Academy of St. Martin in the Fields Chamber Orchestra Sir Neville Marriner, Conductor
Giuseppe Torelli Butterfield Newman Brugnoli Laurenti Giacomo Antonio Perti Giuseppe Corsi Celano Santa Maria Francesco Antonio Pistocchi Francesco Manfredini San Petronio 1658 1684 1687 1698 1699 1701 1709 1972 1974 2001 2010 2014
Giuseppe Torelli Concerto grosso for two violins Op.8 No.5 in G Major Croatian Baroque Ensemble Adrian Butterfield & Laura Vadjon - violins october 24 2010. Croatian music institute, Zagreb, Croatia www.hrba.hr hrba hgz #crobaroque #hrba #artofsoundandvision Giuseppe Torelli (22 April 1658, Verona – 8 February 1709, Bologna) was an Italian violist, violinist, teacher, and composer. Torelli is most remembered for contributing to the development of the instrumental concerto (Newman 1972, p. 142), especially concerti grossi and the solo concerto, for strings and continuo, as well as being the most prolific Baroque composer for trumpets (Tarr 1974). Torelli was born in Verona. It is not known with whom he studied violin though it has been speculated that he was a pupil of Leonardo Brugnoli or Bartolomeo Laurenti, but it is certain that he studied composition with Giacomo Antonio Perti (Schnoebelen and Vanscheeuwijk 2001). On 27 June 1684, at the age of 26, he became a member of the Accademia Filarmonica as suonatore di violino (Schnoebelen and Vanscheeuwijk 2001). On 1687 Giuseppe Corsi da Celano, played Torelli's music, from Op. 3, in Parma at the Sanctuary of Santa Maria della Steccata.(Ciliberti and Tribuzio 2014) By 1698 he was maestro di concerto at the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach, where he conducted the orchestra for Le pazzie d'amore e dell'interesse, an idea drammatica composed by the maestro di cappella, and the castrato Francesco Antonio Pistocchi, before leaving for Vienna in December 1699. He returned to Bologna sometime before February 1701, when he is listed as a violinist in the newly re-formed cappella musicale at San Petronio, directed by his former composition teacher Perti (Schnoebelen and Vanscheeuwijk 2001). He died in Bologna in 1709, where his manuscripts are conserved in the San Petronio archives. Giuseppe's brother, Felice Torelli, was a Bolognese painter of modest reputation, who went on to be a founding member of the Accademia Clementina. The most notable amongst Giuseppe's many pupils was Francesco Manfredini.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): B...