Charles Macpherson Vídeos
músico británico
- órgano
- Reino Unido de Gran Bretaña e Irlanda
- organista
Última actualización
2024-04-28
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Hadley Harrell Charles Macpherson Coleman 2000 2008
Hadley Caliman - tenor sax, Thomas Marriott - trumpet, Dave Siklua - guitar, Chris Gestrin - organ, Morgan Childs - drums at The Cellar in October 2008 In 10 years The Cellar Restaurant and Jazz Club has established itself as not only the top jazz venue in Vancouver, but as one of the top jazz clubs in the world. In an ambitious undertaking, club owner Cory Weeds bought the establishment in the summer of 2000 and quickly turned it into the premier jazz venue in Vancouver. The focus of the club was to promote Vancouver and Canadian jazz musicians. The room has seen visits by every major player from the Vancouver Scene and across Canada. In addition Weeds has brought in many of the major names on the international scene to the club either with their own band or more often then not, to join forces with the best that the Vancouver jazz community has to offer. Some of these international musicians to perform include David 'Fathead' Newman, Tom Harrell, Charles MacPherson, Benny Golson, Dr. Lonnie Smith, Ed Thigpen, Kenny Garrett, Les McCann, Scott Hamilton, Joey Defrancesco, George Coleman and Eric Alexander. The Cellar Restaurant / Jazz Club is often compared to the legendary New York nightspot, The Village Vanguard for its vibe and acoustics.
Cleveland Pops Orchestra Sarah Jane McMahon Macpherson 1993 2019
Tickets: 216-231-1111 Online: (http•••) NOW, THAT’S ITALIAN! ─ Sat., April 13, 2019 ─ 8:00 P.M. ─ Severance Hall From pop to opera to romantic Neapolitan ballads, Italian music has topped the charts for centuries. The Cleveland Pops presents a night of popular Italian selections ─ familiar to everyone and beloved by all. Including: Come Back to Sorrento, Selections from La Boheme, La Traviata, Lucia di Lammermoor, Cinema Paradiso, The Godfather, Romeo and Juliet (A Time for Us) & More! Featuring everyone’s favorite arias and songs, with soprano Sarah Jane McMahon and tenor Ryan MacPherson. The Cleveland Pops with Carl Topilow presents the highest quality symphonic pops music to entertain and enrich a wide and diverse audience; and provides educational programs to develop an enduring appreciation of music. The Pops is a non-profit 501c3 and was founded in 1993 to bring the best of symphonic pops music to Cleveland and Northeast Ohio, while working to expand that audience through youth education and public concerts. The 65 piece orchestra performs five subscription concerts each year in world-renowned Severance Hall, an annual holiday performance and a New Years Eve concert and dance. For the past eleven years, the orchestra has also performed an annual "Salute to Our Armed Forces" concert prior to the Memorial Day Holiday. The Cleveland Pops has also performed a variety of concerts throughout Ohio, from outdoor performances and inaugural concerts to nationally televised specials. Actual Music, the orchestra’s principle education program, conducts in-school courses for children from pre-K to second grade, introducing underprivileged students to music rudiments, dance, vocal and instrument music performance. The program, now in its fourth year, serves over 400 underprivileged students in the region, and is growing rapidly each year. Cleveland Pops serves over 29,354 people though its concerts and outreach annually. More still are reached through broadcasts and web views. Learn more: www.clevelandpops.com
Lister Harrell Charles Macpherson Coleman 2000 2009
Cory Weeds Quintet featuring Jim Rotondi on trumpet, Cory Weeds on tenor saxophone, Ross Taggart on piano, Ken Lister on bass and Jesse Cahill on drums kicking off their Canadian tour at The Cellar on September 17th, 2009. In 10 years The Cellar Restaurant and Jazz Club has established itself as not only the top jazz venue in Vancouver, but as one of the top jazz clubs in the world. In an ambitious undertaking, club owner Cory Weeds bought the establishment in the summer of 2000 and quickly turned it into the premier jazz venue in Vancouver. The focus of the club was to promote Vancouver and Canadian jazz musicians. The room has seen visits by every major player from the Vancouver Scene and across Canada. In addition Weeds has brought in many of the major names on the international scene to the club either with their own band or more often then not, to join forces with the best that the Vancouver jazz community has to offer. Some of these international musicians to perform include David 'Fathead' Newman, Tom Harrell, Charles MacPherson, Benny Golson, Dr. Lonnie Smith, Ed Thigpen, Kenny Garrett, Les McCann, Scott Hamilton, Joey Defrancesco, George Coleman and Eric Alexander. The Cellar Restaurant / Jazz Club is often compared to the legendary New York nightspot, The Village Vanguard for its vibe and acoustics.
Johannes Brahms Johann Sebastian Bach Beethoven Bülow William Shakespeare Schlegel Gärtner Macpherson Everson Nielsen Kansas City Chorale 1564 1616 1736 1744 1767 1788 1796 1803 1805 1833 1845 1857 1860 1867 1897
Johannes Brahms (7 May 1833 – 3 April 1897) was a German composer and pianist of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. 4 Songs, Op. 17 (1860) for female choir, 2 horns and harp. 1. Es tönt ein voller Harfenklang Poco Adagio, con molto espressione (C major) - Friedrich Ruperti (1805–1867) 2. Lied von Shakespeare Andante (E-flat major) (4:00) August Wilhelm Schlegel (1767–1845), after William Shakespeare +••.••(...)) 3. Der Gärtner Allegretto (E-flat major) (5:35) Joseph von Eichendorff (1788–1857) 4. Gesang aus Fingal Andante (C minor) (8:30) Johann Gottfried Herder +••.••(...)), after James Macpherson (1736–1796) as Ossian Dan Everson & Steve Multer, horns Erik C. Nielsen, harp Kansas City Chorale conducted by Charles Bruffy These four choral songs have the paradoxical distinction of both beginning the excellent line of secular part songs by Brahms and being completely unique within that output. Written for three-part women’s chorus throughout (except for a brief four-part a cappella passage in the middle section of No. 4), the choral style does anticipate somewhat that of the later a cappella part songs for mixed chorus (Opp. 42, 62, 93a, and 104). Op. 17, however, is set apart not only by being accompanied, but by the nature of that accompaniment: the exceedingly romantic combination of two horns and harp. The latter was an instrument to which Brahms would rarely again turn (only in the German Requiem, Op. 45 and in the Nänie, Op. 82, and in none of the symphonies). He remarked that he was not particularly fond of the instrument when it had to go and “make an effect.” In contrast, he always wrote effectively for horns, despite refusing to compose for the new valve instrument. The highly diverse texts lend themselves well to this combination. The harp’s characteristic arpeggios are prominent in Nos. 1 and 3. Both of these songs use the horns sparingly. No 1 restricts itself to one horn in a very specific role. Nos. 2 and 4 exploit the characteristic natural horn harmonies, known as “horn fifths,” to great effect. In these two songs, the harp is mostly restricted to block chords. The choral writing is relatively simple. Multi-voice counterpoint is kept at a minimum, the three parts singing mostly in block harmonies.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): M...