Charles Neustedt Vídeos
compositor
- Francia
Última actualización
2024-05-03
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Charles Neustedt Sullivan 1838 1908
The French composer Charles Neustedt +••.••(...)) seems to have written a few popular gavottes, tyroliennes and operatic fantasies, but I cannot find much information on his life. Probably born in Saumur, he was a sometime 'professor' at the Couvent des Oiseaux and College Rollin. The first of these institutions was a famous Parisian gaol of the French revolution, which was turned into a convent in 1824. The second was a private college in the Rue Lhomond. I guess he may have been what we would now call a peripatetic music teacher. He was obviously well regarded, as I have seen several works by other composers dedicated to him. In 1879, he took over the Flaxland piano manufacturing business for a few years. This piece - 'The Gondolier's Song' - comes from a set of Feuillets d'Album (album leaves). It is mildly Gounodian in style. Actually, set to words, it would not have been out of place in Gilbert & Sullivan's 'The Gondoliers' - especially the slightly syncopated middle section. Thumbnail image from Piqsels ( (http•••) ). / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Charles Neustedt 1824 1838 1842 1872 1873 1879 1908
The French composer Charles Neustedt +••.••(...)) seems to have written a few popular gavottes, tyroliennes and operatic fantasies, but I cannot find much information on his life. Probably born in Saumur, he was a sometime 'professor' at the Couvent des Oiseaux and College Rollin. The first of these institutions was a famous Parisian gaol of the French revolution, which was turned into a convent in 1824. The second was a private college in the Rue Lhomond. I guess he may have been what we would now call a peripatetic music teacher. He was obviously well regarded, as I have seen several works by other composers dedicated to him. In 1879 he took over the Flaxland piano manufacturing business for a few years. This attractive piece, from 1872, was dedicated to one of his pupils. The piece is headed by a charming quotation from the French poet François Coppée +••.••(...)): "Marquise, vous souvenez-vous Du menuet que nous dansâmes? Il était discret, noble et doux Comme l'accord de nos deux âmes." This translates as: "Marquise, do you remember We danced the minuet? It was quiet, noble and sweet Like the meeting of our two souls." There is a slight mystery here. The piece was published in 1872, but the poem was not published (in 'Le Cahier rouge') until 1873. Saint-Saëns made two vocal settings also before 1873, so I assume that the poem was published singly before the book, or appeared in a journal. Thumbnail image by OpenClipart-Vectors from Pixabay ( (http•••) ). / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Charles Neustedt 1824 1838 1908
From 6 Feuillets d'Album' / The French composer Charles Neustedt +••.••(...)) seems to have written a few popular gavottes, tyroliennes and operatic fantasies, but I cannot find much information on his life. The score used for this video indicates that he was 'professor' at the Couvent des Oiseaux and College Rollin. The first of these institutions was a famous Parisian gaol of the French revolution, which was turned into a convent in 1824. The second was a private college in the Rue Lhomond. I guess he may have been what we would now call a peripatetic music teacher. He was obviously well regarded, as I have seen several works by other composers dedicated to him. This piece comes from the same set as ' Le Chant du Gondolier', which I have recorded previously. Thumbnail image from Piqsels ( (http•••) ). / / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
Gregoir Henri Herz Adrien François Servais François Servais Liszt Charles Neustedt 1817 1838 1865 1908
Phillip Sear plays - 'Intimate thought' - the first of 3 'Légendes' from 1865 by the Belgian pianist and composer Jacques Grégoir +••.••(...)). / Jacques (sometimes Joseph) Grégoir (sometimes Gregoir) was born in Antwerp, and following early lessons with his father, became a child prodigy, who went at age 11 to study in Paris with Henri Herz. After later studies in Germany he returned to Antwerp and had a successful career as concert pianist, teacher and composer. He was well-known for his collaborations with the Belgian cellist Adrien-François Servais, with whom he wrote some duos. Like Liszt, he wrote a large-scale orchestral work based on the Faust story. His piano studies were used in conservatoires in France and Belgium, and he even invented a dummy keyboard with variable touch for practising. This piece was dedicated to the pianist Charles Neustedt +••.••(...)). The piece is maybe Mendelssohnian overall, but has touches of Lisztian sentiment. / Played by Phillip Sear (http•••) (Email: •••@••• WhatsApp: (http•••) )
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- cronología: Compositores (Europa).
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