Bernhard Henrik Crusell Vídeos
clarinetista y compositor finlandés
Conmemoraciones 2025 (Nacimiento: Bernhard Henrik Crusell)
- clarinete
- ópera
- Suecia
- compositor, clarinetista, autobiógrafo, traductor
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2024-05-11
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Franz Adolf Berwald Bernhard Crusell Hirschfeld Liszt 1440 1796 1819 1821 1850 1868
Franz Adolf Berwald (23 July 1796 – 3 April 1868) was a Swedish Romantic composer. He made his living as an orthopedist and later as the manager of a saw mill and glass factory, and became more appreciated as a composer after his death than he had been in his lifetime. Please support my channel: (http•••) Quartet for Piano, clarinet, horn and bassoon in E-flat major, Op. 1 (1819) 1. Adagio: Allegro ma non troppo - Allegro assai - Tempo I (0:00) 2. Adagio (11:28) 3. Allegro - Più Allegro (14:40) Joakim Kallhed, piano and the Arion Wind Quintet Details by Edition Silvertrust: Berwald's three movement Quartet for Piano, Clarinet, horn and Bassoon dates from 1819. It was premiered in Stockholm in 1821 with three virtuoso wind players--Bernhard Crusell on clarinet, Johann Hirschfeld on Horn and Franz Preumayer on Bassoon. It was not well received and in fact was attacked by the Swedish critics who could not understand what they considered an unnecessarily original style. Though fairly typical of the emerging German Romantic style, it was considered avant garde cacophony in conservative Sweden which was far behind musical tastes in Germany and Austria. The Quartet is one of the few works for this combination from the early 19th century. It opens with a short Adagio introduction which leads to an upbeat and bustling Allegro ma non troppo. The middle movement, an Adagio is rather sedate. The finale, Allegro, begins attacca begins as a light hearted rondo but is interspersed with march–like episodes. Sometime during the 1850’s, a German music critic is reputed to have asked Franz Berwald +••.••(...)) if he was still a composer. Berwald stared at him coldly and replied, “No, I am a glass blower.” This was neither a joke nor a sarcastic put-down of the critic by a bitter man whose music had been spurned in his own country and whose career in music had met with failure after failure. Berwald had in fact, at that time, actually been a glass blower! He had become involved with this successful business, and not his first, in order to make a living, something he could not do as a musician. Liszt, whom Berwald befriended in the 1850’s, told him, “You have true originality, but you will not be a success in your own lifetime.” Sadly, this prediction proved true. Berwald’s music remained unplayed and for the most part—especially in his native Sweden—unappreciated. Now, nearly a century and half after his death, he has been hailed by critics all over the world as a great Swedish composer. Born in Stockholm in 1796, Berwald was taught the violin by his father, a German who had settled in Sweden and was a member of the court orchestra. Berwald followed in his footsteps.
Börjesson Frid Per Ulrik Stenhammar Stenhammar Bernhard Crusell Davids Berens Gustaf Mankell Mankell August Söderman Gunnar Wennerberg Kalmar Ett Lund 1771 1775 1780 1800 1812 1813 1817 1818 1826 1829 1832 1834 1838 1841 1875 1876 1880 1901 1903 1904 1910 2021
Medverkande: Maria Forsström – mezzosopran Jan H Börjesson – orgel Program: Trons frid (ur Ahnfelts sånger) Musik: Per Ulrik Stenhammar (1829—1875) Text: Lina Sandell (1832—1903) Kyrko-Aria Musik: Per Ulrik Stenhammar (1829—1875) Text: Lukasevangeliet 3:22 Herrans vägar (ur Ahnfelts sånger) Musik: Bernhard Crusell (1775—1838) Text: Carl Olof Rosenius (1780—1841) Davids 137de Psalm Musik: Herman Berens (1826—1880) Text: Psaltaren 137 Kyrkoaria – Det är en kostelig ting Musik: Gustaf Mankell (1812—1880) Text: Psaltaren 92 Kyrkoaria – Hjerteliga kär hafver jag dig Musik: Gustaf Mankell (1812—1880) Text: Psaltaren 18 Hymn Musik: August Söderman (1832—1876) Text: Ernst Wallmark (1834—1910) Psalm 137 (ur Davids Psalmer) Musik: Gunnar Wennerberg (1817—1901) Text: Psaltaren 137 Psalm 139 (ur Davids Psalmer) Musik: Gunnar Wennerberg (1817—1901) Text: Psaltaren 139 Lovoffer Musik: Jacob Axel Josephson (1818—1880) Text: Carl Axel Torén (1813—1904) Inspelad i Kalmar domkyrka i januari 2021 Inspelning och redigering: Scenteknik Kalmar Sedan några år bedrivs ett musikaliskt samarbete mellan domkyrkorna i Kalmar, Västerås och Lund. Några av våra inspelade konserter kommer därför att presenteras gemensamt och göras tillgängliga på respektive kyrkas sociala medier. Denna konsert med mezzosopranen Maria Forsström och Kalmar domkyrkas organist Jan H Börjesson är premiär för detta katedralsamarbete. Just denna serie firar "Musikens år" - Kungl. Musikaliska Akademien 250 år - och fokuserar på den svenska musiken från akademiens bildande 1771 och fram till vår tids musik.
Eric Hoeprich Bernhard Henrik Crusell Michael Alexander Willens 2006
Provided to YouTube by NAXOS of America Clarinet Concerto No. 1 in E-Flat Major, Op. 1: I. Allegro · Eric Hoeprich Crusell, B.H.: Clarinet Concertos Nos. 1-3 ℗ 2006 Ars Produktion Released on: 2006-01-01 Artist: Eric Hoeprich Conductor: Michael Alexander Willens Orchestra: Kolner Akademie Composer: Bernhard Henrik Crusell Auto-generated by YouTube.
Gérard Korsten Korsten Crusell 2018
Provided to YouTube by Kontor New Media GmbH Clarinet Concerto No. 2 in F Minor, Op. 5: I. Allegro · Uppsala Chamber Orchestra, Gérard Korsten & Per Billman Clarinet Concertos ℗ Brilliant Classics Released on: 2018-08-31 Conductor: Gérard Korsten Soloist: Per Billman Orchestra: Uppsala Chamber Orchestra Composer: Bernhard Hendrik Crusell Music Publisher: Brilliant Classics Auto-generated by YouTube.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): C...