Gaetano Latilla Vídeos
compositor
- ópera
- Italia
Última actualización
2024-05-02
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Gaetano Latilla Fabio Biondi Europa Galante 1711 1753 1765 1788
00:01 - Allegro 02:11 - Mezza voce andantino 04:30 - Presto From the CD "Il Diario di Chiara" Music from La Pietà in Venice in the 18th Century G. Latilla was active at the Pietà from 1753 - 1765 Europa Galante Fabio Biondi Note 1 Music
Roberta Invernizzi Gaetano Latilla Handel Vivaldi Bonitatibus Hallenberg Prina Galli Giovanni Antonini
These new videos wich I will call "Thebarroque's favourite Arias & Performers" will be uploaded once in a week and available on HD and will display pictures of the artists :D Enjoy! This time, my favourite soprano in the whole world: Roberta Invernizzi Gaetano Latilla: La finta cameriera Do you like Roberta Invernizzi? then sign the petition for the release of her Handel-Vivaldi album! (http•••) IMPORTANT TO READ: Are you a truly Fan of Handel's operas? Would you like to hear Roberta Invernizzi singing Agilea in Handel's Teseo? Then I suggest you to read carefully this petition: (http•••) For a recording of Handel's Teseo with the colaboration of Invernizzi, Bonitatibus, Hallenberg, Prina, Basso, Galli, Senn under the conduction of Giovanni Antonini! :D
Campana Roberta Invernizzi Thirion Vallet Gaetano Latilla Handel Vivaldi Bonitatibus Hallenberg Prina Galli Giovanni Antonini
Roberta Invernizzi, Pierre Thirion Vallet Gaetano Latilla: La finta cameriera Do you like Roberta Invernizzi? then sign the petition for the release of her Handel-Vivaldi album! (http•••) IMPORTANT TO READ: Are you a truly Fan of Handel's operas? Would you like to hear Roberta Invernizzi singing Agilea in Handel's Teseo? Then I suggest you to read carefully this petition: (http•••) For a recording of Handel's Teseo with the colaboration of Invernizzi, Bonitatibus, Hallenberg, Prina, Basso, Galli, Senn under the conduction of Giovanni Antonini! :D
Joseph Riepel Mozart Weiss William Boyce Gaetano Latilla Domenico Scarlatti Haydn Johann Baptist Vanhal Domenico Gallo Giovanni Benedetto Platti Leonardo Vinci Giovanni Battista Pergolesi Giovanni Paisiello Johann Gottlieb Naumann Georg Benda Benda 2010
The eighteenth-century music theorist Joseph Riepel adopted the term "fonte" (Italian for fountain or spring) for a pattern that composers used often: a two-stage descending sequence in which the first stage is in the minor mode and the second stage, a whole step lower, is in the major mode. Composers found this schema especially useful at or near the beginning of the second part of binary-form movements, both instrumental (e.g. dance movements) and vocal (e.g. the A-section of da-capo arias); but we also find it frequently in other contexts, such as the modulatory passage in sonata-form expositions. Robert Gjerdingen incorporated the Fonte into his theory of galant schemata; see Music in the Galant Style, chapter 4; also Gjerdingen's video (http•••) and his article "Mozart's Obviously Corrupt Minuet," in Music Analysis 29 +••.••(...)–81. Michael Weiss has shown that composers continued to rely on the Fonte in the nineteenth century: (http•••) For more on the Fonte see Open Music Theory: (http•••) This compilation of examples of the Fonte consists of music by William Boyce, Gaetano Latilla, Mozart, King Frederick the Great, Domenico Scarlatti, Haydn, Johann Baptist Vanhal, Domenico Gallo, Giovanni Benedetto Platti, Leonardo Vinci, Giovanni Battista Pergolesi, Giovanni Paisiello, Johann Gottlieb Naumann, and Georg Benda. Other examples of the Fonte include . . . Mozart, Divertimento for String Trio, K. 563, I: (http•••) Rossini, Il barbiere di Siviglia, overture: (http•••) Bach, Toccata, Adagio, and Fugue in C, BWV 564: (http•••) (this example contributed by Václav Hřebec) Mozart, Missa solemnis, K. 337, Credo: (http•••)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): L...