Georg Wolfgang Druckenmüller Vídeos
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2024-05-05
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Thomas Lupo Johann Joachim Quantz Carl Philipp Emanuel Bach Bach Rolle Nicolaus Zangius William Brade Praetorius Matthew Locke Georg Wolfgang Druckenmüller Hieronymus Kradenthaller Galliard 1608 1619 1640
Thomas Lupo - „Fantasia“ Juliane Laake, Ensemble Art d’Echo CD bestellbar unter: (http•••) iTunes: (http•••) Denkt man an Brandenburg-Preußen und Musik, fallen einem zunächst Namen wie Friedrich II., Johann Joachim Quantz oder Carl Philipp Emanuel Bach ein. Sie alle stehen für Musik des 18. Jahrhunderts. Davor scheint Brandenburg-Preußen musikalisches Niemandsland gewesen zu sein – dieser so landläufigen Fehleinschätzung entgegenzutreten sowie die besondere Rolle der Gambe bzw. Gambisten dabei auszuleuchten, ist das zentrale Anliegen der vorliegenden Einspielung von Juliane Laake und ihrem Ensemble Art d’Echo. Nicolaus Zangius und William Brade wirkten als brandenburgische Hofkapellmeister unter Kurfürst Johann Sigismund (reg. 1608–1619); in dieser Zeit agierten Walter Rowe, Ambrosius Scherle, Bartholomäus Praetorius und Adam Jarzebsky als Hofmusiker. Unter Kurfürst Georg Wilhelm (reg. 1619–1640) sank die Kapelle während des Dreißigjährigen Krieges zur Bedeutungslosigkeit herab, bis Friedrich Wilhelm, später „der Große Kurfürst“ genannt, sie reorganisierte und zu neuer Blüte führte. Im 17. Jahrhundert galt die Gambe in den Niederlanden als englisches Instrument (genau wie die Laute als französisches) – da Friedrich Wilhelm in den Niederlanden aufwuchs und durch deren Vorbild geprägt wurde, ist es nicht verwunderlich, dass der Berliner Hof zu einem Zentrum der besten (englisch geprägten) Gambisten der damaligen Zeit wurde, etwa für Dietrich Stoeffken oder nach wie vor Walter Rowe. Friedrich Wilhelm spielte selbst Gambe und kannte das gängige Repertoire für dieses Instrument bestens, so sicherlich auch die hier eingespielten, teils in der Königlichen Bibliothek verwahrten Werke von Thomas Lupo, Matthew Locke, Georg Wolfgang Druckenmüller und Hieronymus Kradenthaller. Fünf der auf dieser CD enthaltenen Werke erfahren hier ihre Ersteinspielung. Komplette Tracklist des Albums „Golden Age in Brandenburg“ [01-04] William Brade - Suite in G-Dur [05] Nicolaus Zangius - Vater unser im Himmelreich [06-07] Bartholomäus Praetorius - Paduana & Galliard no. 1 in d-Moll [08-11] Dietrich Stoeffken - Suite in d-Moll [12] Adam Jarzebsky - La Berlinesa [13] Thomas Lupo - Fantasia [14] Adam Jarzebsky - La Königsberga [15] Walter Rowe - Coranto in d-Moll [16-19] Matthew Locke - Suite V in d-Moll [20-24] Georg Wolfgang Druckenmüller - Suite II in G-Dur [25-29] Ambrosius Scherle - Suite in g-Moll [30-34] Hieronymus Kradenthaller - Suite I in d-Moll Weitere Titel von querstand – dem Klassiklabel der Verlagsgruppe Kamprad finden Sie in unserer Playlist:_(http•••) Weitere Informationen zum Programm der Verlagsgruppe Kamprad finden Sie unter: (http•••) (http•••)
Druckenmüller Bach Buxtehude Daniel Erich Alberti Heil 1721 2011
Tracklist below. Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Brilliant Classics Spotify: (http•••) Brilliant Classics Facebook: (http•••) While J.S. Bach, along with Buxtehude, has long been considered the father of Baroque organ music in northern Germany, organ music connoisseurs today have started to look beyond the established canon of this time to the great composer’s contemporaries. Particularly interesting are three German composers who were also active around the same time as Bach: Erich, Saxer and Druckenmüller, whose complete works (as discovered in manuscript form) feature on this release. All three were unusual in that they came from provincial areas of Germany rather than being based in a thriving cultural centre like Hamburg or Lübeck. Druckenmüller – just two years younger than Bach – was highly unusual in publishing completely original Concertos for organ solo, in contrast to Bach’s settings of established chorale tunes that were the norm. The Concertos – all fast–slow–fast – are written in the style that was fast becoming the established one in Germany, the Italian Style. Slightly younger was Georg Saxer, whose style was starting to reflect the new galant Rococo. His Preludes, followed by a long Fugue, reflect new tensions with dominant seventh chords that seem to hang in the air, creating moments of suspense. Daniel Erich – more of Buxtehude’s time than Bach’s – wrote chorale preludes, of which only four survive. They reveal a composer full of expressivity and elegance in the way he embellishes the theme, whether in the soprano or the pedal. His original compositions show a remarkable originality as well as knowledge of the idiomatic writing of the time. Italian organist Manuel Tomadin’s passion for these undiscovered composers comes across clearly in this release. He has specially chosen a Baroque organ by Arp Schnitger, the most important organ builder of the period, who worked closely with both Saxer and Druckenmüller during his life, making this a wonderfully authentic recording. This new recording features the magnificent Schnitger organ of the St. Michael Church in Zwolle, the Netherlands. It was built in 1721 by Arp Schnitger and his sons, and after careful restoration over the last decades by Flentrop the organ is restored in its full glory, one of the finest examples of the Golden Age of organ building, the Baroque. The works on this recording are derived from the Husumer Orgelbuch (Husum organ book), a collection of organ works by North German major and minor masters. Presented are substantial Preludes by Georg Wilhelm Saxer, Choralvorspiele by Daniel Erich and two Concertos by Wolfgang Druckenmüller, written in the Italian style, as original compositions and not as transcriptions of Italian Concerti grossi, as was the custom of that period. Manuel Tomadin is one of the foremost Italian organists, a scholar, teacher and passionate musician. He won the Grand Prix of the Schnitger Organ Competition of Alkmaar in 2011, and recorded several CD’s for Brilliant Classics, among which the complete keyboard works by Alberti (BC95161). He wrote the excellent liner notes for the booklet, which also contains all information on the organ. 00:00:00 Christum wir sollen loben schon 00:02:48 Es ist das Heil uns kommen her 00:05:10 Allein zu dir, Herr Jesu Christ 00:10:00 Praeludium et Ciaccona in D Major: I. Praeludium 00:12:30 Praeludium et Ciaccona in D Major: II. Ciaccona 00:18:53 Concerto in A Major: I. Allegro 00:22:03 Concerto in A Major: II. Siciliana 00:23:23 Concerto in A Major: III. Vivace 00:26:35 Concerto in F Major: I. Allegro 00:28:36 Concerto in F Major: II. Adagio 00:30:10 Concerto in F Major: III. Vivace 00:32:41 Concerto in D Major: I. Allegro 00:35:54 Concerto in D Major: II. Largo 00:37:48 Concerto in D Major: III. Vivace 00:39:14 Concerto in G Major: I. Allegro 00:42:19 Concerto in G Major: II. Adagio 00:44:00 Concerto in G Major: III. Allegro 00:45:52 Praeludium in D Major 00:54:43 Praeludium in B-Flat Major 01:00:20 Praeludium in F Major 01:06:51 Praeludium in D Major 01:13:17 Praeludium in E Minor Artist Manuel Tomadin (organ)
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): D...