Girolamo Diruta Vídeos
compositor, organista, musicólogo, teórico de la música
Conmemoraciones 2024 (Nacimiento: Girolamo Diruta)
- órgano
- música clásica
- Italia
Última actualización
2024-05-01
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A walking tour in Deruta , region Umbria, central Italy, province of Perugia, a town of about 9.400 inhabitants known as a center of refined maiolica manufacture, its ceramics, which are exported worldwide/ ????????????° ???????????????????????????????????? ???????????????????? (http•••)/ // ???????????????????????????????????? ???????? ???????????????????????????? ???????????? ????????????????????????????!/ A donation is always welcome! - (http•••) Become a fan on Patreon! - (http•••) ️ Offer me a Coffee! - (http•••) ️ / [???????????? *????????????????????????????????????* ???????? ???????????? ????????-???????????????????????? ????????????????????????????????????????????]/ Click on the "???????????????????????????????? "→ "????????????????????????????????????/????????" → "????????????????????????????" buttons in the lower part of the video to modify the subtitles font size, colours, opacity or to translate them in other languages!/ // ???????????????? ????????????????????????????** ???????????? ???????????????????????????? The most probable origin of the toponym is the Latin *díruta*, past participle of diruere, that is: demolished, ruined and landslide, steep. From these last meanings the name Déruta seems to have originated from when the city was founded by the Perugians fleeing following the fire of Perugia, final act of the Bellum Perusinum (41-40 BC), There are numerous testimonies of a residential presence in Roman times, all confirmed by characteristic architectural remains, such as capitals, amphorae and epigraphs, still visible today in the atrium of the Town Hall. From the discovery of a fragment of a decorative plate from the 7th century, we can trace the presence of a flourishing and operational village already in the early Middle Ages............................................................................................................................................................................................................................................................................................................................... [???????????????????????????????? ???????????????????????????? ???????????? ???????????????????????????? ???????? ???????????? ???????????????????????? ????????????????????????????????/????????-???????????????????????? ????????????????????????????????????!] / ???????????? ???????? ???????????? ???????????????? (http•••) / ???????????????????????????????? / [** ️ ???????????????????????????????????????? ???????????????????????????????????????????? ???????? ???????????????????????????????????? ️/ ] / 0:00 - [Drone intro] 2:30 - [Walking tour begins / Gate St.Angelo] 6:35 - [Piazza dei Consili️] 10:50 - [...a flower coloured alley...] 13:50 - [The Town Hall & Pinacoteca️] 16:50 - [Artisans showing the creation of the famous Deruta ceramics] 20:00 - [...back to walking...] 20:10 - [???????????????????? ????????????????????????????] 25:30 - [Beautiful charming part] 29:10 - [Public Gardens & Panorama] 37:30 - [Church of St.Antonio Abate - *closed*️] 43:00 - [Founder of the city Museum,Francesco Briganti memorial] 43:50 - [Cloister of St.Francesco's Church️] 47:25 - [Church of St.Francesco - *tour inside*️] 50:10 - [...back in the old main square...] 53:55 - [Very cute underpassage] 57:10 - [Motorcycle Parade!] 1:02:30 - [The local Priest in St.Rita's celebration] x:xx - [???????????????????? ????????????????????????????] x:xx - [️10 minutes of Ambient Sounds️] // - ???????? ???????????????????????????????????? -/ ???????????????????????? - (http•••) ???????????????????? - (http•••) ???????????????????????????? ???????????????????? - (http•••)/ - ???????????????????????????????????????????? -/ ???????????????????????????????? ???????????? - (http•••) ???????????????????????? ???????????????????? - (http•••) ???????????????????????????????? ???????????????????????????? - (http•••) ???????????????????????????????? - (http•••) ???????????????????????????????? ???????????????????????????????? ???????????? - (http•••) (As an amazon affiliate, by using these links you can support my channel) / #italy #walkingtour #deruta #umbria #travel #walking #walk #drone #4k #walks #tour #rome #tours #random #europe
Erdélyi Bálint Bakfark Monteverdi Diruta Benkő Mária László Tomkins Ars Musica
Ars Musica - Az erdélyi udvar zenéje. Music in the Courts of Transylvania (Hungary): Bálint Bakfark, Monteverdi, Diruta, deMonté, anonym, folk. Előadók / Performers: Benkő Dániel (lant, lute), Zádori Mária (ének, singer), Kobzos Kiss Tamás (koboz - 8 string lute, singer), Zászkaliczky Tamás (orgona, organ), Abreau Historikus Táncegyüttes (dance) - Széll Rita (koreográfia, coreography), Ars Renata (vezető-leader Virágh László), Camerata Hungarica (vezető-leader Czidra László), Tomkins Énekegyüttes/Singers (vezető-leader Dobra János). Hang házilag feljavítva - Sound restored by home made.
Andrea Gabrieli Gabrieli Cristo Colombo Monk Urbano Claudio Merulo Annibale Padovano Adrian Willaert Cipriano Rore Gioseffo Zarlino Cavazzoni Jacques Buus Girolamo Parabosco Nono Diruta 1490 1532 1533 1535 1558 1565 1584 1585 1586 1590 1593 1596
L'ORGANO NELLA VENEZIA DEL XVI SECOLO 06 - Andrea Gabrieli (c.1533-1585) - Ricercar del Primo Tono (Ricercari per ogni sorte di Stromenti da Tasti, Libro III, 1596) Massimiliano Raschietti Organo del Duomo del SS. Corpo di Cristo di Valvasone +••.••(...)) - Autor: Vincenzo Colombo Tastiera di 47 tasti (fa -1 / fa 4) senza i primi due diesis. Pedaliera a leggio di 20 tasti (fa -1 / re 2) senza i primi due diesis, costantemente collegata alla tastiera. Temperamento mesotonico, diapason: 1 tono sopra il la di 440 Hz. Pressione: 48 mm. - Tenori 12 - Ottava - Decimaquinta - Decimanona - Vigesimaseconda - Vigesimasesta - Vigesimanona - Flauto 3 - Fiffaro From the Middle Ages, thanks to trading with eastern and southern Mediterranean ports, the intellectual vitality of Arab culture and the artistic fervor of the Byzantine world had an influence on Venetian cultural life. The latter had quite a great impact on the development of Venetian aesthetic ideals: the taste for intense and varied colors, the predilection for gems and precious metals. The concept of Beauty thus combined the magnificence of the architecture and the meticulous attention to detail, which characterized as well the mosaic tradition with its clearly eastern origins. In Venice, St. Marks Cathedral was the religious center for the Doges, radiating music. Documents from 1316 regarding the Basilica witness the presence of a Mistro Zucchetto, organist and organ builder. At the end of 14th century, there were two organs: the called Organum magnum (by Jacobello, 1374) and the Organum parvum (anonymous Franciscan monk, 1388). In 1490, Brother Urbano built an organ, successfully repaired in 1558 by Vincenzo Colombo under the guidance of Merulo and Padovano. The fame of the performances in St. Marks, were illustrated, among others, by the Maestri di Cappella Adrian Willaert, Cipriano de Rore and Gioseffo Zarlino. During Zarlinos period +••.••(...)), the organists Claudio Merulo and Andrea Gabrieli, brought further prestige, continuing the tradition of Marc Antonio Cavazzoni, Jacques Buus, Annibale Padovano and Girolamo Parabosco. With Andrea Gabrieli (c.1533-1585) Venetian organ music reached one of its zeniths («Toccata del nono tono»). Gabrieli was the second organist in St. Marks for almost twenty years, substituting Merulo at the first organ between 1584 and 1586 when he moved to Parma. Despite the fact that his organ works were published posthumously, the presence of several single pieces in didactic publications of the time, as, for example in the Transilvano of G. Diruta (1593) demonstrates that he was already well known previous to those editions. Author of two books of Ricercari, Gabrieli probed this form with intensity, rigorously following the principals of imitation, elaborating a single subject in its melodic and rhythmic variants, and embellishing the cadences with brief ornaments and diminutions («Ricercare del primo tono»). One other imitative form was the canzone. It has its origins in the practice of transcribing French vocal chansons into keyboard tablature. The canzone was subsequently transformed into a free paraphrase, often keeping the title, canzone alla francese or canzon francese, until it gradually acquired complete independence with respect to the vocal models and took on the title canzone da sonare (chanson to play). «Qui la dira» transcribed by A. Gabrieli respects the vocal model of T. Crequillon to a substantial degree and is embroidered with abundant ornamentation.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): D...