Giulio Regondi Vídeos
compositor italiano
- guitarra, guitarra clásica, concertina
- Reino de Italia
- compositor, guitarrista, guitarrista clásico, artista escénico
Última actualización
2024-05-08
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Gabriel Bianco Bach Fernando Sor Mozart Giulio Regondi 1003 1817 1828 2006 2008
If there's any problem with the video just tell me. thanks In the case of the Sonatas and Partitas for Solo Violin, Bach alternated three sonatas with three partitas. The partitas consist of between five and eight dance movements, while the sonatas are in four movements, none of which is a dance except the third movement of the first sonata, in G minor, which is a Siciliana. Throughout these six works there is evidence of not only Bach's knowledge of the technical capabilities of the violin, but also of his ability to create dense counterpoint and effective harmony with one stringed instrument. The solo violin sonatas were first published between 1817 and 1828. A rhapsodic Grave opens the second Sonata in A minor, BWV 1003. At such a slow tempo, the highly ornamented melody seems to meander at will, navigating a course of highly contrasting rhythms and decorative flourishes that release the melodic potential of the minor mode. The overall "free" nature of the Grave makes it sound like a prelude to the ensuing movement. As in all three of the violin sonatas, the second movement, the central point of the piece, is a fugue. Daunting in both size and complexity, the Fugue pushes forward relentlessly, creating a dense contrapuntal web. Bach sets the third movement apart from the others through both an Andante tempo and contrasting key. The writing is more homophonic here, with a calm melody that provides a needed foil to the harsh energy of the preceding Fugue. A lively, lighthearted Allegro, rich with rhythmic and melodic variations, returns to A minor and closes the piece. Grave (0:00) Fuga (3:54) Andante (10:52) Allegro (15:23) Gabriel Bianco, France GFA 2008 Winner Performance Guitar: Cedar top Greg Smallman 2006, Australia Same Concert: - Fernando Sor: Variations on a theme by Mozart (http•••) - Agustín Barrios: La Catedral (http•••) - Agustín Barrios: Julia Florida (http•••) - Giulio Regondi: Introduction et Caprice (http•••)
Cosenza Lorenzo Perosi Nicola Fago Emilio Pujol Giulio Regondi 1974 1998 2005 2013
Fabio Federico interpreta Gran Vals di Tàrrega CURRICULUM OF FABIO FEDERICO Professional training concert activity competitions and contests, record, production, reviews. Professional training Fabio Federico is born in Rossano on October 8 1974. At the age of 20 he qualified from the "Stanislao Giacomo Antonio" Music Academy of Cosenza. He attended courses specialising in the guitar repertoire of the 19th and 20th. Centuries held by illustrious exponents of worldwide fame such as: Angelo Gilardino, Tilman Hoppstock, Maurizio Colonna and Luigi Biscaldi. In 1998 he graduated with distinction from the International Academy of Higher Specialisation "Lorenzo Perosi" of Biella, tutored by the guitar player/composer Angelo Gilardino. In June of 2013 he received his Master's Degree of Music at the Conservatory of Avellino in as a soloist under the direction of Maestro Lucio Matarazzo. Concert activity and Competitions/Contests. He began concert activity at the age of 9. He was guest in numerous television programmes and he recorded some soundtracks for fiction TV. He proposed 19th and 20th Italian composers' works in live radio broadcasts all over the world investigating and renovating the guitar repertoire. Now, he is playing and giving lectures in different countries such as Germany, Poland, Australia, United States, Guatemala, Venezuela, Hong Kong, China, Canada, Denmark and Sweden. He is also taking part in important Italian concert seasons with great approval of the critics and popular success. He has won numerous prizes in national and international contest for guitar, including the Benvenuto Terzi of Clusone (Bergamo), the International Guitar Contest of Lagonegro, the XIII National Contest City of Parma, the XIV International Contest Nicola Fago of Taranto, the International Contest Emilio Pujol of Sassari, the National Contest City of Castelfidardo Record production In 2005 he began his record production with the CD "Estudios" ( Ethnoworld c 2005) now available Reviews. He recorded in exclusive the whole repertoire of Romantic composer Giulio Regondi for "Sei Corde" magazine and "Suonare" Records. He recorded a " 800 guitar vol.1" for dot Guitar Magazine. Reviews "He is a guitarists guitarist" Business Today, USA "One of the most interesting virtuosi on the new national guitar scene" Guitar Club "He is gifted instrumentalist, excellent technique and great self-confidence in public: sound, mental clarity, memory, presence make him a concert player who always gives the exact impression of knowing what he wants to do with the music he plays, and knowing how to do it with precision and nonchalance...." Angelo Gilardino "...the Calabrian guitarist demonstrates an extremely qualified mastership leading to virtuosismo, typical of this interpretation of the 19th . century" Guitart "...in the studies of Gilardino the technical exuberance of the Calabrian musician takes pride of place and gives back to the text its expressive strength/force..." Sei Corde.
Gabriel Bianco Sor Mozart Beethoven Bach Giulio Regondi 1791 1820 1823 2006 2008
If there's any problem with the video just tell me. thanks The Variations sur un theme de Mozart (ca. 1820-1823) draws its thematic material from the aria "Das klinget so Herrlich" from Mozart's opera The Magic Flute (1791). Written in E major, one of the most idiomatic keys for the guitar because of its open-string resonance, the work commences with a brooding introduction in the minor mode, curiously similar to many of Beethoven's sonata introductions. A statement of the theme is followed by the sunny first variation, which is punctuated by scale runs throughout. The second variation, in the minor mode, is solemn and stately. The third is good-natured, relaxed, and of an extemporized quality, while the prelude-like fourth, based on two alternating rhythmic figures, is more structured. The fifth variation provides a flashy conclusion, a mercurial perpetuum mobile of several dozen measures that comes to rest on a cadence of two full-textured chords. Introduction. Andante largo (0:00) Theme. Andante moderato (1:43) Variation 1 (2:49) Variation 2 (4:02) Varation 3 (5:47) Variation 4 (7:05) Varation 5 and Coda (7:50) Gabriel Bianco, France GFA 2008 Winner Performance Guitar: Cedar top Greg Smallman 2006, Australia Same Concert: - J.S. Bach: Violin Sonata No. 2 (http•••) - Agustín Barrios: La Catedral (http•••) - Agustín Barrios: Julia Florida (http•••) - Giulio Regondi: Introduction et Caprice (http•••)
Giulio Regondi Joaquín Rodrigo Sérgio Assad Alberto Ginastera Hansen Thibaut Garcia Orchestre Symphonique Aarhus 2014 2015
Guitariste virtuose, Jakob Bangsø pose sa valise à Paris, nous invitant à découvrir le renouveau de la scène contemporaine danoise et de la musique classique avec un programme varié comprenant entre autres les œuvres de Giulio Regondi, Joaquín Rodrigo, Sérgio Assad et Alberto Ginastera. Considéré comme l’un des solistes danois les plus récompensés de son temps, gagnant plusieurs compétitions internationales de guitare, Jakob Bangsø s’inscrit parmi les nouveaux visages de la musique classique danoise, poursuivant une carrière couronnée de succès. Bangsø interprètera en première création « Fantasia n°2 », œuvre du compositeur émergent Klavs Kehlet Hansen, diplômé de l’Académie Royale de Musique d’Aarhus et présentement assistant producteur de l’Orchestre Symphonique d’Aarhus. Kehlet Hansen nous livre un travail enchanteur et cosmopolite pour guitare classique, dont la douceur des notes se marie au bouillonnement explosif du jeu de Bangsø. Thibaut Garcia, espoir français se joindra à notre prodige pour un duo lors d’une extraordinaire soirée à l’Eglise du Danemark. Bangsø clôturera sa série de concerts Parisiens par les Rencontres Internationales de la Guitare d'Antony, en qualité d’invité d'honneur suite à sa victoire en 2014, il y jouera le concerto d’Anthony Girard, dévoilant son amour pour la composition contemporaine française. Concerts: 26 mars - 20h30: Fondation Danoise, Paris 27 mars - 20h30: Église Danoise de Paris 29 mars - 16h30: Conservatoire d'Antony
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- cronología: Compositores (Europa). Intérpretes (Europa).
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