Amalia Hjelm Vídeos
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2024-05-11
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Halfdan Cleve Franz Xaver Scharwenka Johann Sebastian Bach Otto Winter Hjelm Hjelm Raif Philipp Scharwenka 1879 1902 1951 2015
It is my sincere and express wish that any and all remuneration, actual or potential, that may be my due, be directed instead towards all holders of copyright. Should any such copyright holders wish that this video be removed, please notify me before contacting YouTube and I will delete it as soon as possible. Halfdan Cleve +••.••(...)) Piano Concerto No. 2 in B-flat minor, Op. 6 I. Allegro moderato e maestoso 0:00 II. Adagio 11:37 III. Allegro risoluto 20:15 Charlotte Purrucker, piano Hannover Radio Symphony Orchestra Hans Herbert Jöris, conductor Dedicated to Franz Xaver Scharwenka Halfdan Cleve +••.••(...)) was a Norwegian composer, born and raised in Kongsberg, although he spent some time in Germany. Throughout his early childhood he was tutored with a firm hand by his father, the organist Andreas Klewe. A child prodigy, he made his first appearances on the concert stage at the age of five. The strictness of his training is exemplified by the fact that he was not allowed to play anything other than the works of Johann Sebastian Bach until he was sixteen! For the next three years his musical training was undertaken by Otto Winter-Hjelm, after which he studied in Berlin under Professor Raif and the brothers Xaver and Philipp Scharwenka. In 1902 he married Berit Winderen, a student of Theresa Carreno, and together they made numerous concert appearances, both in Norway and abroad. They had four children. Cleve composed five piano concertos, a violin sonata, a piano quintet, songs with orchestral accompaniment and over one hundred piano pieces.
Otto Winter Hjelm Hjelm Edvard Grieg Johan Kvandal Bergen Philharmonic Orchestra 1837 1864 1866 1874 1887 1913 1921 1931
Otto Winter Hjelm (1837–1931) was a Norwegian musician, conductor, writer, composer and music critic. He was born in Christiana, and studied in Leipzig and Berlin. He became a leading force in Norwegian music, established a music school in 1864 and founded the music Conservatory in Christiana with Edvard Grieg in 1866. He also served as organist for the Trinity Church in Oslo from 1874 to 1921 and music critic for Aftenposten from 1887 to 1913. Winter Hjelm composed two symphonies and a number of cantata and songs for male chorus. (Ref: Wikipedia) Symfoni nr. 2 i h-moll I. Allegro non tanto "Vikingliv" II. Andante pastorale III. Scherzo: Allegro molto vivace IV. Vivace (Revidert av Johan Kvandal) Performers: Musikselkabet Harmonien (Bergen Philharmonic Orchestra) Kjell Ingebretsen, conductor Art Work: 1. Normann Adelsteen: "Norsk fjordlandskap" 2. Normann Adelsteen: (maybe) 3. Albert Edelfelt: 4. Normann Adelsteen: "The Steamship"
Otto Winter Hjelm Hjelm Miguel Harth Bedoya Bedoya Knutson Norwegian Radio Orchestra 1837 1863 1931
Otto Winter-Hjelm (8 October 1837 – 3 May 1931) was a Norwegian musician, conductor, writer, composer and music critic. Norwegian Radio Orchestra conducted by Miguel Harth-Bedoya 00:00 Allegro Non Tanto - Poco Sostenuto 10:27 Andantino Pastorale 19:31 Scherzo (Allegro Molto Vivace) 22:18 Finale (Allegro Vivace) Day in Lapland by Johan Knutson Enjoy the work. Julian
Beethoven Streicher Bard Reich Carrasco Hjelm 1770 1800 1827
Ludwig van Beethoven (1770–1827) | Septett für Streicher und Bläser Es-Dur op. 20 Adagio – Allegro con brio Adagio cantabile Tempo di menuetto Thema con variazioni: Andante Scherzo: Allegro molto e vivace Andante con moto alla marcia – Presto Daniel Bard, Violine Lilli Maijala, Viola Nadja Reich, Violoncello Jordi Carrasco Hjelm, Kontrabass Matthew Hunt, Klarinette Alec Frank-Gemmill, Horn Donatien Bachmann, Fagott Als Beethoven das Septett um 1800 komponierte, war er seit acht Jahren in Wien und bestrebt, sich als Komponist und Pianist einen Namen zu machen. Das Septett widmete er der jungen Kaiserin Maria Theresia, einer leidenschaftlichen Musikliebhaberin, und verfehlte damit die Wirkung nicht. Kurze Zeit später nämlich konnte er ein erstes eigenes Konzert veranstalten, in dem seine 1. Sinfonie und dieses Septett uraufgeführt wurden. Er hatte eben seine ersten sechs Streichquartette beendet und stellte sich mit der Komposition eines Werks für sieben Einzelinstrumente einer neuen Herausforderung. Die Verbindung von vier Streichinstrumenten – Violine, Bratsche, Cello und Kontrabass – und drei Bläsern – Klarinette, Horn und Fagott – scheint ihn ganz besonders gereizt zu haben, gerade auch im Hinblick auf die Komposition von Orchesterwerken. Beethoven verbindet hier geschickt eingängige Serenadenmelodik und kunstvollen Kammermusikstil. Besonders eindrücklich gestaltet ist der zweite Satz, ein tiefsinniges, schwärmerisches Allegro cantabile, in dem nahezu alle Instrumente solistisch hervortreten und sich wunderbare Farbschattierungen ergeben. Rolf Grolimund
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): H...