Johanna Gadski Vídeos
soprano alemana
- soprano
- Alemania
- cantante de ópera
Última actualización
2024-04-29
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Giuseppe Verdi Johanna Gadski Marchi Marcel Journet Louise Homer Giuseppe Campanari Adolph Mühlmann Luigi Mancinelli Metropolitan Opera House 1903
Giuseppe Verdi Aida Excerpts (Mapleson Cylinders): I) Su! del Nilo al sacro lido II) Ma tu, Re, tu signore possente III) [Venga or la schiava ...] Gloria all'Egitto Aida - Johanna Gadski Radamès - Emilio De Marchi Amneris - Louise Homer Amonasro - Giuseppe Campanari Ramfis - Marcel Journet Il Re - Adolph Mühlmann Metropolitan Opera Orchestra and Chorus Luigi Mancinelli, conductor Metropolitan Opera House, January 31, 1903
Johanna Gadski Gioachino Rossini Bayreuth Walter Damrosch Mabel Riegelman Engelbert Humperdinck Bayreuth Festival Covent Garden Washington National Opera Damrosch Opera Company Metropolitan Opera 1870 1872 1889 1895 1896 1898 1899 1900 1901 1902 1903 1904 1905 1906 1907 1910 1911 1917 1921 1922 1925 1928 1929 1931 1932
Johanna Gadski - Stabat Mater - Inflammatus - Gioachino Rossini - G.&.T.03093 enregistré le 30 septembre 1910 Johanna Gadski (15 June 1872 – 22 February 1932) was a German soprano. She was blessed with a secure, powerful, ringing voice, fine musicianship and an excellent technique. These attributes enabled her to enjoy a top-flight career in New York City and London, performing heavy dramatic roles in the German and Italian repertoires. She was born in Anklam, Prussia on 15 June 1872, according to most references, but birth records still extant at the Evangelical Church of Saint Mary, Anklam, Germany, state that Johanna Wilhelmine Agnes Emilie Gadski was born on June 15, in 1870. After receiving a musical education in Stettin, she made her operatic debut in Berlin in 1889 in the role of Undine. Highlights of her subsequent career in Germany included appearances in Wagner's works at the 1899 Bayreuth Festival and at the 1905/06 Munich Festival. However, it was in English-speaking countries that Gadski built her international reputation as a diva. She made her successful American debut in New York in 1895 with the Damrosch Opera Company and became popular, too, in England. In 1896 she created the role of Hester Prynne in the fully staged premiere of Walter Damrosch's opera The Scarlet Letter in Boston. She sang in London at the Royal Opera House, Covent Garden, in 1899, 1900, 1901 and 1906. Some sources credit her with appearing at England's Worcester Festival but this is an error. Actually, she sang at America's Worcester festivals, held in the American state of Massachusetts during the late 1890s. Gadski was an extremely popular recitalist and, in 1899 to 1900, she capitalised on this business opportunity by embarking on a concert tour of the United States. She had also joined the star-studded roster of singers at the New York Metropolitan Opera, singing there from 1898 to 1904 and again from 1907 to 1917. Around 1902 she met Mabel Riegelman, a young soprano in San Francisco, and brought Mabel and her sister Ruby Riegelman (who was also her chaperone and accompanist) to Berlin in 1903 as her guest, then settling the two sisters in Stettin to continue their musical studies. In 1911 Gadski and Mabel Riegelman took the SS Kaiser Wilhelm II to New York City, where Gadski arranged for her star pupil Mabel Riegelman to debut as Gretel in Engelbert Humperdinck's Hansel and Gretel. At the height of World War I, however, she was obliged to resign from the Metropolitan Opera because of her German links. Legend has it that she was deported from the United States as an alien enemy but this is not true. She spent the duration of the war living quietly in New York and Lake Spofford, New Hampshire, and did not revisit Germany until 1922. Gadski resumed her professional concert career in the United States in 1921. She did not return to the operatic stage, however, until the late 1920s; her first such appearance being in a 1928 production of Die Walküre mounted by the Washington National Opera, a semi-professional company not related to its present namesake.[1] Thereafter, in the years 1929 to 1931, she toured as the star of the German Grand Opera Company. By this late date, however, her voice had been eroded by advancing age and strenuous use in her early years. A United States citizen since 1925, she was visiting Germany when she died in a car accident in Berlin on 22 February 1932 Source:Wikipedia
Johanna Gadski Georg Anthes Luise Reuss Belce Richard Wagner 1901 1903 2011
Provided to YouTube by NAXOS of America Lohengrin: Act IV: Duet: Sein Adel wohl bewahrt · Johanna Gadski The Grau Regime at the Metropolitan +••.••(...)) ℗ 2011 Symposium Released on: 2011-07-05 Artist: Johanna Gadski Artist: Georg Anthes Artist: Luise Reuss-Belce Conductor: Alfred Hertz Orchestra: Studio orchestra Composer: Richard Wagner Auto-generated by YouTube.
Raichev Grillo Jacques Urlus Richard Wagner Leoncavallo Johanna Gadski Becker Vienna State Opera Sofia National Opera Metropolitan Opera 1867 1873 1887 1896 1904 1908 1913 1914 1916 1920 1924 1929 1930 1931 1932 1934 1935 1947 1950 1960
Pietr Raichev - E canto il grillo - Jacques Urlus - Cavalleria Rusticana Addio alla madre - Carl Jorn La Dame Blanche Ah quel plaisir The tenor, Petar Raichev, was born in Varna on 9 March 1887. Following vocal studies in St. Petersburg with Umberto Mazetti and in Naples with Fernando de Luca, he made his debut in 1913 at St. Petersburg. He left Russia in 1920 after singing the roles of Lensky, Herman, Canio and Rodolfo, primarily at St. Petersburg, to spend the next 15 years singing in Italy, Vienna, Berlin, Leipzig, Dresden and Paris. After major roles with the Berlin and Vienna State Opera houses in 1924, he joined the Opera Russe in Paris in 1930 where touring took him throughout Europe and South America. Following an engagement with the National Opera of Zagreb between 1934 and 1935, he returned to Bulgaria to sing with the Sofia National Opera, adding to his Russian roles Count Almaviva, Alfredo and the Duke in Rigoletto. In 1947 he was responsible for creating an opera company in his town of birth, Varna. Upon retiring from singing in 1950 he taught vocal studies at the State Academy of Music until his death on 31 August 1960 in Sofia. Jacques Urlus (January 6, 1867 in Hergenrath, Rhine Province - June 6, 1935 in Noordwijk, Netherlands), was a Dutch dramatic tenor. He sang to great critical acclaim at major opera houses on both sides of the Atlantic, and his recordings of the music of Richard Wagner are considered to be among the finest ever made. Karl Jorn (Tenor) (Riga, Latvia 1873 - Denver, Colorado 1947) He made his debut (1896) at Freiburg as Lionel in ‘’Martha’’. On 13. 12. 1904 he appeared at the Berlin Hofoper in the premiere of R. Leoncavallo’s "Der Roland von Berlin". He was a member of the Metropolitan Opera for six seasons +••.••(...)). In 1914, at the Berlin Deutschen Opernhausin, he sang the title role in the première of R. Wagner's ‘’Parsifal’’. He was the favorite singer emperor Wilhelm II, who gave him several times souvenirs. In 1916 he accepted the American citizenship. During the 1920’s he lost his whole property and lived completely forgotten as a singing teacher in Denver (Colorado). When Johanna Gadski, in the 1929-1931 seasons, undertook a North America tour with the German Opera Company, she invited him to take part in it and he appeared again with success as Tristan, Siegmund and Siegfried. In 1932 he opened in New York a vocal studio, however sat down later again in Denver. He was married the soprano Else Jörn-Becker.
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- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): G...