Jonathan McGovern Vídeos
cantante de ópera
- barítono
redes sociales
Última actualización
2024-05-13
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Tchaikovsky Fabio Luisi Dupuis Nicole Car Pavol Breslik Brindley Sherratt Chapa Keith Jameson Habermann Hanson Kullman McGovern Dallas Symphony Orchestra Dallas Symphony Chorus
Dallas Symphony Orchestra Fabio Luisi, Music Director ETIENNE DUPUIS baritone (Eugene Onegin) NICOLE CAR soprano (Tatyana) PAVOL BRESLIK tenor (Lensky) BRINDLEY SHERRATT bass (Prince Gremin) MELODY WILSON mezzo-soprano (Olga) ALEXIS GALIDO mezzo-soprano (Larina) CLAUDIA CHAPA mezzo-soprano (Filipyevna) KEITH JAMESON tenor (Triquet) ALLEN MICHAEL JONES bass (Zaretsky) WILL HUGHES bass-baritone (A Captain) DANIEL NORWOOD tenor (Peasant) DALLAS SYMPHONY CHORUS JOSHUA HABERMANN Chorus Director (Jean D. Wilson Chair) MAURICE COHN Assistant Conductor (Marena & Roger Gault Chair) CAYLEY CARROLL assistant to stage director YULIA LEVIN repetiteur & rehearsal pianist JESSICA DRAYTON lighting designer PEGASUS CONTEMPORARY BALLET DIANA CROWDER dance director KIERA MAYS dancer COURTLYN HANSON dancer CARRIE RUTH TRUMBO dancer KYRA MCGUIRK dancer ADAM WALLMAN dancer ROBERTO REYNA dancer ADAM KULLMAN dancer Book Props Donated by Thriftbooks Executive Producers Kim Noltemy, Ross Perot President & CEO Denise McGovern, Vice President of Communications and Media Producer Katie McGuinness, Wildenthal Families Vice President of Artistic Operations Stage Direction Alberto Triola Video Director Andrew Alden Concert Audio Engineer George Gilliam Video Audio Engineer Jennifer Nulsen Video Editor Teresa Alden
Alexandre Tansman Millard McGovern 1950 1952 1954 1960 1976 1994
00:00 - I. Introduction et Allegro: Lento molto cantabile (to Allegro grazioso) 04:09 - II. Sarbande: Adagio sostenuto 05:56 - III. Scherzo: Allegro vivace / Bassoon: Christopher Millard Piano: Kenneth Broadway Year of Recording: 1994 / "Alexandre Tansman was an internationally recognized composer and virtuoso pianist. He was regarded as one of the most prominent Polish musicians of his time. The Suite pour bassoon (1960 concours piece) is in three movements and is clearly a significant technical challenge. The technical demands in the first movement are not overwhelmingly difficult, but the multitasking of technique along with the required nuance, light articulation and tonal clarity is a substantial task. The second movement is tranquil, lovely and brief. The third movement Scherzo is fast and very rhythmic in its appeal. The piano and bassoon are often at odds rhythmically with displaced groups of three and five against three patterns. Many of the same melodic themes used in the Suite pour bassoon can be found in his Suite pour Trio d’Anches (1954), Sonatine for bassoon and piano (1952) and Four Impressions for Woodwind Octet +••.••(...)Timothy McGovern) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Gian Carlo Menotti Soraya Mafi Jonathan McGovern Stuart Stratford Missy Mazzoli Edinburgh International Festival Scottish Opera 1947 1984 2015 2019
This version of the film has an Audio Description narration, and is preceded by a brief spoken introduction to give some background information and an overview of the main visuals. If you want to skip this, you can go straight to the start of the film at 02:46 The Telephone, or L'Amour à trois, is an opera in a single act, written for two singers and a hand-picked chamber ensemble. Menotti's 1947 work, last performed at the Edinburgh International Festival in 1984 by Washington Opera, brings together piquant humour with sly nods to the classics of grand opera. Multi-award-winning soprano Soraya Mafi and celebrated baritone Jonathan McGovern make their Edinburgh International Festival debuts as Lucy and Ben – the hapless couple whose love affair is repeatedly thwarted by a telephone. Pioneering young director Daisy Evans relocates Menotti’s mismatched lovers into today’s Edinburgh, as the story unfolds in and around the King’s Theatre. The opera becomes a witty commentary on our obsession with our mobile phones, reminding us to be present in the moments that matter. International Festival audiences are given the rare opportunity to hear this charming work performed by The Orchestra of Scottish Opera, conducted by Stuart Stratford, who has been the company’s Music Director since 2015. His expansive portfolio of acclaimed performances includes the European premiere of Missy Mazzoli’s Breaking the Waves at the 2019 Edinburgh International Festival. As a part of My Light Shines On, the Edinburgh International Festival has commissioned some of Scotland’s major national artistic companies to create extraordinary works that audiences can enjoy from their own homes. In a tribute to the enduring spirit of our Festival City, they bring light and life to sites that must stay empty this year. These unique performances for film reflect on what it means to keep a hopeful light burning in dark times.
Scottish Opera Thomas Allen Stuart Stratford Jonathan McGovern Hye Youn Lee Youn Keel Keel Watson 2019 2020 2021
Scottish Opera: Don Giovanni (http•••) Mozart’s masterpiece is one of the world’s most performed operas for good reason. Sir Thomas Allen – whose 2019 revival of The Magic Flute was a sell-out success – returns to direct his stunning production. In the backstreets of 17th century Venice, hunting ground of the amorous, Don Giovanni waits. A mercurial rogue who flits from irresistible charm to brute violence in a heartbeat, he is the ultimate anti-hero – and he is about to suffer the ultimate reckoning Music Director Stuart Stratford conducts an exciting cast that includes Roland Wood (Falstaff 2021) and Jonathan McGovern (The Telephone 2020) sharing the role of the titular anti-hero. They are joined by Hye-Youn Lee (Nixon in China 2020), Kitty Whately (Hansel and Gretel 2021), and Keel Watson. Sung in Italian with English supertitles
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- cronología: Cantantes líricos.
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