Alexandre Lagoya Vídeos
guitarrista, compositor
- guitarra clásica
- Francia
Última actualización
2024-05-01
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Antigoni Goni Jérémy Jouve Thibault Cauvin Gabriel Bianco Judicaël Perroy Alexandre Lagoya Olivier Chassain Bach Telemann Weiss 1010 1300
Dans cette série d'interviews des guitaristes classiques français, nous retrouvons aujourd'hui Atanas Ourkouzounov, bien connu pour ses compositions ! Atanas nous parle de ses brefs années de guitare en Bulgarie, de son arrivée en France, de sa vie d'étudiant au Conservatoire de Paris et bien entendu de sa vie de compositeur. Ses œuvres sont jouées dans le monde entier par Zoran Dukic, Pablo Marquez, Goran Krivokapic, Denis Azabagic, Scott Tennant, Eduardo Isaac, Antigoni Goni, Los Angeles Guitar Quartet, Jérémy Jouve, Dimitri Illarionov, Juan Carlos Laguna, Ensemble Nomad, Kostas Tosidis, Thibault Cauvin, Gabriel Bianco, Judicaël Perroy etc. Chapitres 0:00 Introduction 0:18 Présentation de Atanas Ourkouzounov 3:08 Les débuts en Bulgarie 10:10 L' arrivée en France avec Arnaud Dumond, et Alexandre Lagoya 13:00 Ses années avec Olivier Chassain, et au Conservatoire de Paris 21:32 Le compositeur aujourd'hui 31:00 L'enseignant : ensembles de guitares, musique et de chambre & composition #classicalguitar #guitareclassique D'autres interviews (http•••) / Contacts : ➢FACEBOOK: (http•••) ➢INSTAGRAM: (http•••) ➢WEBSITE: (http•••) ➢ALBUM: CD Solo "Bach, Telemann, Weiss" : (http•••) CD Duo with cello "Retratos" : (http•••) CD Duo with voice "Vamos" : (http•••) CD with Quatuor Eclisses "Guitares" : (http•••) "Invitation française" : (http•••) "Pulse" : (http•••) "Evocación" : (http•••) Benjamin Valette joue sur des cordes SAVAREZ Cantigua : (http•••) ➢MY GEAR: -Canon M50 Camera : (http•••) -Canon Objectif Sigma 18-35 mm F1,8 DC HSM ART : (http•••) -Viltrox Bague EF-EOS M2 : (http•••) -Neewer 480 LED Panneau : (http•••) -Zoom H4nPro Microphone : (http•••) -RØDE Lavalier GO Micro-cravate : (http•••)
Olivier Chassain Harms Alexandre Lagoya Roger Boutry Ida Presti Jacques Thibaud Britten Cogan Fukuda Olsen Navez Gallois Xuereb Aubier Ruiz Thierry Pécou Heim Michel Fusté Lambezat Lejet Alain Margoni Margoni Stein Stein Erik Olsen 1957 1977 1978 1982 1988 1989 1992 1994 1995 2009 2010 2011 2012
What is the MOTIVATION of both competitors and Judges in taking part and advantage of Sound Espressivo's concept and originality? Building relationship between musicians from all other the world: a great new way of sharing between all of us! Apply by November 30 (http•••) Olivier Chassain was born in Paris in 1957. He began studying the guitar in Limousin with Roger Généraux and completed his training with Carel Harms. In 1977, he entered the Conservatory of Paris (the current Cnsmdp) where he obtained in 1982 a first prize for guitar in the class of Alexandre Lagoya; he was also awarded a prize for counterpoint (class of Bernard de Crépy) and a prize for harmony (class of Roger Boutry). Today, his triple professional activity makes him lead simultaneously: a career as a concert performer, which took on an international dimension when he won the first prize in the "Guitar Foundation of America international competition" in 1988, thus becoming the first non-American guitarist to receive the highest distinction of this competition worldwide renamed. The following year (in 1989) he made a major tour organized by the GFA, across the entire North American continent: he was invited there regularly for concerts and master-classes, as well as on other continents. a career as a composer: he is the author of numerous works, in particular for guitar, such as: “ Fantastic echoes ” i n memoriam I. Presti and A.Lagoya , “ Etoiles ”, “ Arion ”, “ De loin en loin ”, sonata for two guitars (1995), “ Doigts de fées ” (2010) for flute and guitar, sonata for solo guitar (2011)…, and educational collections such as “ Patchwork ”, “ Ad hoc ”, “ Brèves de lectern ”(2012)… a teaching career which took off in Orléans in 1978, following his first teacher, Roger Généraux (he was established after obtaining his CA at the age of 21), and which saw its accomplishment when he was appointed in 1992 at the Jacques Thibaud Conservatory in Bordeaux, then in 1994 to succeed his master Alexandre Lagoya, as guitar teacher at the Paris National Conservatory of Music and Dance (Cnsmdp), where he still teaches today. Olivier Chassain regularly leads, in addition to his conservatory lessons, instrumental improvement sessions within the framework of festivals, summer academies, as was notably the case in Dordogne from 1995 to 2010, at the Britten school in Périgueux directed by Jean-Jacques Rouveroux: this institute organized ad hoc courses throughout the year in all musical disciplines, and called on internationally renowned artists. Olivier Chassain thus had, for his summer internship, the opportunity to invite many friends, renowned guitarists, such as J. Cogan, N. Koshkin, SI. Fukuda, B. Kanengiser, D. Bogdanovic, SE Olsen, F. Zigante, L. Blanquart, H. Navez, Jim Smith. Since 2010, it has been organizing new sessions in Limousin, throughout the year. Olivier Chassain's repertoire displays a great eclecticism, from the Renaissance to the music of today. Passionate about early music, he has also devoted himself to the lute and the vihuela for many years, in order to transmit through this privileged approach the sound and the spirit of this music. He is also fond of French music from the Grand Siècle and romantic music, which he plays alone or in the company of eminent artists such as P. Gallois, Ph. Muller, P.-H. Xuereb, R. Pidoux, E. Aubier, F. Pierre, G. Millière ... Ardent defender of contemporary creation, Olivier Chassain is the dedicatee of numerous works for guitar (Stephen Dodgson, Antonio Ruiz-Pipo, Thierry Pécou, Sean Heim) and of concertos: "Escales" by Roland Creuze: created in Bordeaux with the ensemble Musique Nouvelle and Michel Fusté-Lambezat, as well as that of Edith Lejet, "Flowers in the shape of diamonds", from the concerto by Alain-Michel Riou, and more recently by Alain Margoni. Olivier Chassain has made several records, under different labels, including "Almost a song" (Metronome recordings) which was crowned with the "Choc" of the World of Music, and "Eventail" by the review Classica. An album devoted to the complete compositions of Ida Presti - the world's first recording -, in duet with the Norwegian guitarist Stein-Erik Olsen, received a rave reception from music critics (ranked in the 'top 5' of the 10 best albums classics of 2009 in Scandinavia), under the Simax label. Several other recordings are in the pipeline, including a second album with his friend SE Olsen, for the Simax label, in a repertoire of original works dedicated to the Duo Presti-Lagoya.
Alexis Weissenberg Herbert Karajan Anne Sophie Mutter Jean Pierre Rampal Lagoya Cyprien Katsaris Rachmaninoff Barrera Calleja Plácido Domingo Puccini Brahms Beethoven Poulenc Schumann Kurt Moll Debussy Berliner Philharmoniker 1847 1985
MUSIC: 0:00- RACHMANINOFF Piano Concerto No. 3, III- Finale: Alla breve (Coda) - Alexis Weissenberg / Emil Tchakarov / Orchestre Philharmonique des Flandres 3:37- BARRERA / CALLEJA "Adiós Granada" - Plácido Domingo / Alexis Weissenberg 9:13 - PUCCINI Tosca: ""Recondita armonia" - Plácido Domingo 18:47- BRAHMS Piano Concerto No. 1: I- Maestoso - Alexis Weissenberg / Emil Tchakarov / Orchestre Philharmonique des Flandres 41:31- II- Adagio - Alexis Weissenberg / Emil Tchakarov / Orchestre Philharmonique des Flandres 54:58- III- Rondo: Allegro non troppo - Alexis Weissenberg / Emil Tchakarov / Orchestre Philharmonique des Flandres 1:19:59- MOZART Piano Concerto No. 21: II- Andante (excerpt) - Herbert von Karajan / Berliner Philharmoniker 1:24:15- BEETHOVEN Piano Concerto No. 4: III- Rondo: Vivace (Cadenza and Coda) - Alexis Weissenberg / Herbert von Karajan 1:27:27- BRAHMS Violin Sonata No. 3: II- Adagio - Alexis Weissenberg / Anne-Sophie Mutter 1:31:17- III- Un poco presto e con sentimento - Alexis Weissenberg / Anne-Sophie Mutter 1:33:35- IV- Presto agitato - Alexis Weissenberg / Anne-Sophie Mutter 1:40:26- KEDROV “Otche Nash” - Bulgarian National Choir / Georgi Robev 1:47:39- POULENC Sonate pour flûte et piano: I- Allegretto malincolico - Alexis Weissenberg / Jean-Pierre Rampal 1:52:54- MOZART Flute Concerto No. 2: III- Allegro - Jean-Pierre Rampal / Emil Tchakarov / Orchestre Philharmonique des Flandres 2:03:06- SCHUMANN "Die beiden Grenadiere" - Alexis Weissenberg / Kurt Moll 2:07:00- MOZART Die Entführung aus dem Serail, K384: "O, wie will ich triumphieren" - Kurt Moll / Emil Tchakarov / Orchestre Philharmonique des Flandres WEISSENBERG Sonata in a State of Jazz: IV- Provocation de samba - Cyprien Katsaris DEBUSSY La plus que lente - Alexis Weissenberg
Hans Haug Segovia Schott Tansman Alexandre Lagoya Assisi Villa Lobos Torroba 1900 1950 1952 1953 1954 1956 1957 1961 1963 1966 1967 1970
Audio source: (http•••) Hans Haug +••.••(...)) was a Swiss composer and conductor, mainly of operas and theatrical music. He also became known as a composer for the classical guitar. In December 1950, Haug's Concertino for Guitar and Chamber Orchestra won a prize at a composition competition for guitar at the Accademia Musicale Chigiana in Siena, Italy. It was Haug's first guitar composition. The prizewinners were promised that Segovia would premiere their pieces in the summer of 1952 and that they would be published afterwards by Schott of London. Whereas this promise was kept in the case of Tansman's Cavatina (Schott published it in 1952), Segovia never played Haug's Concertino, which had to await publication until three years after Haug's death in 1970. It appeared in a facsimile edition under the auspices of Edizioni Musicali Bèrben. Alexandre Lagoya and the Lausanne Chamber Orchestra played its world premiere. Encouraged by his prize in the Siena competition, Haug continued to explore the guitar. He took guitar lessons on a regular basis with José de Azpiazu from October 1953 to January 1954 in order to learn more about the instrument. His first composition for solo guitar, Alba, and possibly his 'Preludio' as well (which Segovia later called 'Postlude'), were written around this time. Apparently, Alba was in Segovia's possession shortly thereafter; in a letter from Assisi dated 19 September 1954, he apologizes to Gagnebin for having studied only one work of his: "Please be aware that I am also behind in my work on the other pieces by Villa-Lobos, Tansman, Haug, Rodrigo, Torroba, Castelnuovo, etc. You will not see any premieres at all on the programs of my next concerts (...)." Later, Segovia did record Alba and Postlude (Decca DL 9832). This was Segovia's only recording of any of Haug's works. In 1961, Segovia asked Haug to teach some composition courses at the summer music academy in Santiago de Compostella, and it was here that Haug completed his Prélude, Tiento et Toccata on 28 September 1961. No correspondence between Haug and Segovia is known to exist since they communicated mostly by telephone. Hans Haug became acquainted with other guitarists such as Luise Walker at the Geneva Competition in 1956. As a result of this meeting, he wrote his Fantasia for Guitar and Piano (1957), which he dedicated to her. In 1963, his Capriccio for flute and guitar was written for the duo Werner Tripp and Konrad Ragossnig (released on RCA Victor 440.182). Also, Haug composed a Concerto for flute, guitar and orchestra in 1966, and he used the guitar in some other works. Anna Pietrzak, guitar: www.annapietrzak.com Carl Petersson, piano: www.carlpetersson.com / The videos published in this channel are only dedicated to diffussion and eduational purposes, not commercial. If someone, composer or company, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and the video will be removed immediately. Please and thanks.
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