Leo Zeitlin Vídeos
violinista, violista, compositor, director de orquesta, profesor
Conmemoraciones 2024 (Nacimiento: Leo Zeitlin)
- viola
- Imperio ruso, Unión Soviética
Última actualización
2024-04-22
Actualizar
Jacobsen Arthur Bergh Bergh George Gershwin Jascha Heifetz Toscha Seidel Elman Franz Kneisel Saint Saens Bruch Walter Damrosch Chausson Einstein Zeitlin New York Philharmonic 1716 1717 1732 1772 1779 1895 1908 1914 1915 1919 1921 1925 1926 1945 1946 1947 1949 1952 1972
Sascha Jacobsen was a Russian violinist and teacher born (in Helsinki, Finland) on December 10, 1895. Jacobsen’s birthdate is also given as November 29, 1895 and December 11, 1895. Little is known of his early life. It has been said that he grew up in St Petersburg. He has been often confused with another violinist (from Philadelphia) named Sascha Jacobson. A humorous song written by George Gershwin in 1921 includes his (first) name (along with those of Jascha, Toscha, and Mischa – Russian violinists Heifetz, Seidel, and Elman, respectively.) It is known that he enrolled at Juilliard in 1908 where his main teacher was Franz Kneisel. He graduated from Juilliard (Institute of Musical Art) in June of 1914 (some sources say 1915.) He was 18 years old. (A fellow-student of his was Elias Breeskin.) In February of 1915, Jacobsen played parts of Lalo’s Symphonie Espagnol at an Aeolian Hall concert. On November 27, 1915, he made his official recital debut at Aeolian Hall playing (among other things) Saint Saens’ third concerto. After the announced program was concluded, he had to play numerous encores and he received very favorable reviews the following day. He first soloed with the New York Philharmonic on March 9, 1919 (at age 23) playing Bruch’s first concerto with Walter Damrosch conducting. Jacobsen concertized as a soloist between 1915 and 1925. He began teaching at Juilliard in 1926. After being hired, he almost immediately formed the Musical Art Quartet which disbanded in 1945, after almost 20 years of concert activity. Recordings of this quartet are not hard to find. Jacobsen also did solo recordings, although mostly of short works for violin and piano. A well-known recording of his is the Chausson concerto for string quartet, violin, and piano with Jascha Heifetz as violin soloist. You can listen to that recording here. He moved to Los Angeles (California, USA) in 1946 and taught at the Los Angeles Conservatory but at other music schools as well. From September 1947 and May 1949, he was guest concertmaster of the Los Angeles Philharmonic. Some sources say he was concertmaster up to 1952 but I could not confirm that. It has been said that Albert Einstein was one of Jacobsen’s pupils. (Einstein also took lessons from Toscha Seidel.) Jacobsen’s most famous pupils are probably Julius Hegyi and Zvi Zeitlin. Among the violins he played are the Red Diamond Stradivarius (1732), the Cessole Stradivarius (1716), the Windsor Stradivarius (1717), a GB Guadagnini (1779), another GB Guadagnini (1772), and a Del Gesu Guarnerius constructed in 1732. Jacobsen died on March 19, 1972, at age 76.
Anahit Tsitsikian Grigory Ginzburg Zeitlin Karp 1926 1946 1950 1954 1961 1967 1970 1982 1999 2004 2007 2011
Komitas- Tsirani Tsar (apricot tree) AnahitCulturalFoundation Anahit Tsitsikian was born in Leningrad (currently St. Petersburg), Russia, into a family of an engineer and a doctor. She began playing the violin at the age of six. Her teachers were musician Grigory Ginzburg and later on professor Lev Moiseyevich Zeitlin (ru). At the beginning of World War II, at the age of fifteen, she left Leningrad for Armenia. Her birthplace left an unforgettable mark on her development as a person and musician. She remained an individual with fine tastes and a careful and sincere approach and attitude toward historical legacy; and she was gentle and espectful toward her friends, colleagues and students.She studied at the Yerevan State Conservatory from 1946–1950 as a student of Professor Karp Dombayev. She was granted the Stalin Scholarship. In 1954 she completed her graduate course at the Moscow State Conservatory (adviser - Professor Konstantin Mostras). she began performing professionally at elementary school age; her performances included many solo performances as well as with symphonic orchestras. Beginning in 1961 she was the principal soloist at the Armenian Philharmonic Hall. Tsitsikian performed throughout the Republics of the former Soviet Union and in 27 countries around the world. As a violinist she produced four vinyl discs under the Melodiya label. The music of modern Armenian composers held a special place in Ms. Tsitsikian’s repertoire. She was often the co-author, editor and first interpreter of their original pieces.She taught at the Yerevan State Conservatory starting in 1950, and she established three new courses in its curriculum: history and theory of bowed instruments, history of Armenian performing arts, and course of music teaching practice. Tsitsikian started her scholarly research while she was still a student of the Conservatory. Her research focused on bowing art, organology and musical archaeology, of which she was the founder in Armenia. She spoke five languages, and lectured in English, French, and German. She participated in numerous international scientific conferences and she also published he articles in Armenia and abroad. During her artistic life, Tsitsikian performed in more than a thousand recitals, recorded sixty pieces of archived music, and authored more than 300 articles and scripts for many radio and television programs. She was a member of many local and international organizations such as: Composer’s Union of Armenia or Union of Soviet Composers, Armenian Theater Union, Journalists Union, Women’s Committee of the USSR, AOKS (cultural liaison committee of Armenia with foreign countries), "History of World Culture" Committee in the Academy of Sciences of the Soviet Union, The World Scientific Association of Historical Archaeology, etc. Anahit Tsitsikian died on May 2, 1999. The Anahit Cultural Foundation was established in the same year to continue her work and fulfill her dreams. The mission of the foundation is to facilitate the promotion of Armenian music by supporting musicians in their professional education and work, setting up and implementing cultural programs and events, and stimulating the integration of Armenian music within international music. Anahit Tsitsikian was a Merited Artist of Armenia (1967), PhD of Musical Science (1970), and Professor of Music (1982). In 2004 music school was named after her in Yerevan, Armenia. Анаит Михайловна Цицикян (арм. Անահիտ Ցիցիկյան; 26 августа 1926, Ленинград — 2 мая 1999, Ереван) — армянская скрипачка, музыковед, педагог и учёный Биография С 1961 года — солистка Армянской филармонии. Гастролировала во многих городах СССР и 27 странах мира, выпустила 4 грампластинки на фирме «Мелодия». Примечательно, что это был первый диск с записями армянской скрипичной музыки. С 1982 г. ей было присвоено звание профессора. Научная деятельность На протяжении творческой деятельности Анаит Цицикян имела более 1000 концертных выступлений, осуществила 60 фондовых записей, автор более 300 статей, докладов, радио- и телепередач.Солистка Армянской государственной филармонии (с 1961). Заслуженная артистка Армянской ССР (1967). Она являлась членом Союза композиторов Армении и Муз. Фонда СССР, Армянского театрального общества, Союза журналистов, Комитета женщин СССР, Армянского Общества Культурных Связей с Заграницей (АОКСЗ), Совета по комплексной проблеме «Истории мировой культуры» АН СССР, Международной научной Ассоциации Музыкальная археология («World Archaelogy») и др. В 1999 году был создан Культурный фонд имени Анаит Цицикян, занимающийся сохранением её наследия, продолжением её исследований, самым широким спектром помощи развития музыкальной культуры Армении. 2004 г. Выпущены 4 лазерных диска с музыкальным наследием Анаит Цицикян. В 2007 году в честь скрипачки в городе Ереване одна из детских музыкальных школ была переименована в «Школу имени Анаит Цицикян» В 2011 году издана книга: «Анаит Цицикян. Био-библиографический сборник».
Bolshoi Theatre Beethoven Hall Nikolai Myaskovsky Galli Yampolsky Zeitlin Stolyarsky Kozolupov Vadim Borisovsky Sviatoslav Knushevitsky Beethoven 1881 1898 1899 1902 1909 1922 1923 1926 1931 1933 1935 1936 1938 1950 1952 1957 1965 1968 1973 1994 2020
BOLSHOI THEATRE STRING QUARTET КВАРТЕТ БОЛЬШОГО ТЕАТРА Isaak Zhuk (Исаак Абрамович Жук) 1st violin Boris Weltmann (Борис Исаакович Вельтман) 2d violin Galina (Galli) Matrosova (Галина (Галли) Ивановна Матросова) viola Isaak Buravsky (Исаак Маркович Буравский) cello NIKOLAI MYASKOVSKY / НИКОЛАЙ ЯКОВЛЕВИЧ МЯСКОВСКИЙ (20 / 04 / 1881 - 8 / 08 / 1950) STRING QUARTET No.9, d moll, Op.62 I. Allegro inquieto [07' 15''] II. Andante appassionato. Allegro misterioso. Molto appassionato [18' 00''] III. Allegro con brio Recorded in 1965 BOLSHOI THEATRE QUARTET +••.••(...)) ISAAK ZHUK, 1st violin (1902 – 1973). Studied at the Leningrad Conservatory with Sergei Korguyev and Moscow Conservatory with Abram Yampolsky. BORIS WELTMANN, 2d violin (1899 – 1973). Studied at the Petrograd Cohservatory with Sergei Korguyev and Pavel Kochansky, and from 1922 until 1926 at the Moscow Conservatory with Lev Zeitlin. MORIS GURVICH, viola (1909, Paris - ?), Studied at the Odessa Conservatory with Petr Stolyarsky. ISAAK BURAVSKY, cello (1898 – 1994), studied at the Kiev Conservatory with Semyon Kozolupov. From 1957: GALINA (GALLI) MATROSOVA, viola (1923 – 2020), studied at the Moscow Conservatory with Vadim Borisovsky. The quartet was founded by musicians of the Bolshoi Theatre orchestra and initially with the name “Quartet of the Soloists of the Bolshoi Theatre Orchestra”. The original members were: Isaak Zhuk, Boris Weltman, Moris Gurvich and Sviatoslav Knushevitsky. Their first concert took place on 11 December 1931 in the Beethoven Hall of the Bolshoi Theatre. In 1933 Knushevitsky was replaced by Vladimir Matkovsky (Владимир Матковский) and from 1935 by Isaak Buravsky (Исаак Буравский). In 1936 the Quartet received a prize at a competition for the best performance of a work by a Soviet composer (organized by the Composers’ Union). And in 1938 they won the All-UnionString Quartets Competition, sharing the 1st Prize with the Komitas String Quartet. Despite their highest professional acknowledgement in the USSR the performers did not leave their work as concertmasters of the Bolshoi Theatre orchestra, and in the case of I. Zhuk and M. Gurvich – the USSR State SO (in 1952). That’s why the Quartet very rarely went on tours on an independent basis. In 1957 the violist Moris Gurvich was replaced by Galina Matrosova (Галина Матросова) (the last change in the ensamble). The Bolshoi Theatre String Quartet stopped its performances in 1968. КВАРТЕТ БОЛЬШОГО ТЕАТРА +••.••(...)) ЖУК ИСААК АБРАМОВИЧ, 1я скрипка (1902 – 1973), ученик Сергея Коргуева (Ленинградская консерватория) и Абрама Ямпольского (Московская консерватория) ВЕЛЬТМАН БОРИС ИСАКОВИЧ, 2я скрипка (1899 – 1973), ученик Сергея Коргуева и Павла Коханского (Петроградская консерватория), а с 1922 по 1926 Льва Цейтлина (Московская консерватория) ГУРВИЧ МОРИС ЖАКОВИЧ, альт (1909, Париж - ?), ученик Петра Столярского (Одесская консерватория) БУРАВСКИЙ ИСААК МАРКОВИЧ, виолончель (1898 – 1994), учился в Киевской консерватории у Семёна Козолупова. С 1957 года МАТРОСОВА ГАЛЛИ (ГАЛИНА) ИВАНОВНА, альт (1923 – 2020), училась в Московской консерватории у Вадима Борисовского. Квартет был основан музыкантами оркестра Большого Театра, и первоначально именовался «Квартет солистов оркестра Большого Театра». Первое выступление квартета состоялось 11 декабря 1931 года в Бетховенском зале ГАБТ СССР в составе Исаак Жук, Борис Вельтман, Морис Гурвич и Святослав Кнушевицкий. В 1933 году Кнушевицкого сменил Владимир Матковский, а с 1935 года – Исаак Буравский. В 1936 году коллектив получил премию на конкурсе на лучшее исполнение произведений советских композиторов, организованном Союзом композиторов СССР. А в ноябре 1938 года стали победителями Всесоюзного конкурса смычковых квартетов, разделив первую премию с Квартетом им. Комитаса. Несмотря на высшее профессиональное признание в СССР, никто из участников не оставил своей работы в качестве концертмейстеров оркестра Большого театра, а И. Жук и М. Гурвич с 1952 – Государственного симфонического оркестра СССР. Этим объясняется то, что квартет весьма редко гастролировал самостоятельно. В 1957 году ИМ. Гурвича сменила Галина (Галли) Матросова, и это стало последним изменением в составе квартета. Квартет Большого театра прекратил свои выступления в 1968 году.
Arnold Schoenberg Zeitlin Rafael Kubelík Berg Weber Behrens Symphonieorchester Bayerischen Rundfunks 1972 1991
Provided to YouTube by Universal Music Group Schoenberg: Violin Concerto, Op. 36 - 2. Andante grazioso · Zvi Zeitlin · Symphonieorchester des Bayerischen Rundfunks · Rafael Kubelík Schoenberg: Piano Concerto / Berg: Violin Concerto ℗ 1972 Deutsche Grammophon GmbH, Berlin Released on: 1991-01-01 Producer: Dr. Rudolf Werner Producer, Recording Producer: Hans Weber Studio Personnel, Recording Engineer: Gernot Westhaeuser Studio Personnel, Editor: Klaus Behrens Studio Personnel, Editor: Christa Conrad Composer: Arnold Schoenberg Auto-generated by YouTube.
o
- cronología: Compositores (Europa). Directores de orquesta (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): Z...