Beethoven Hall Vídeos
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Mima Millo Millo Anna Bolena Donizetti Beethoven Bolshoi Beethoven Hall 2016
A non professional clip recorded from the second semi final of Competizione dell'Opera Moscow, Bolshoi theater- Beethoven Hall 2016 performance of Mima Millo.
Bolshoi Theatre Beethoven Hall Nikolai Myaskovsky Galli Yampolsky Zeitlin Stolyarsky Kozolupov Vadim Borisovsky Sviatoslav Knushevitsky Beethoven 1881 1898 1899 1902 1909 1922 1923 1926 1931 1933 1935 1936 1938 1950 1952 1957 1965 1968 1973 1994 2020
BOLSHOI THEATRE STRING QUARTET КВАРТЕТ БОЛЬШОГО ТЕАТРА Isaak Zhuk (Исаак Абрамович Жук) 1st violin Boris Weltmann (Борис Исаакович Вельтман) 2d violin Galina (Galli) Matrosova (Галина (Галли) Ивановна Матросова) viola Isaak Buravsky (Исаак Маркович Буравский) cello NIKOLAI MYASKOVSKY / НИКОЛАЙ ЯКОВЛЕВИЧ МЯСКОВСКИЙ (20 / 04 / 1881 - 8 / 08 / 1950) STRING QUARTET No.9, d moll, Op.62 I. Allegro inquieto [07' 15''] II. Andante appassionato. Allegro misterioso. Molto appassionato [18' 00''] III. Allegro con brio Recorded in 1965 BOLSHOI THEATRE QUARTET +••.••(...)) ISAAK ZHUK, 1st violin (1902 – 1973). Studied at the Leningrad Conservatory with Sergei Korguyev and Moscow Conservatory with Abram Yampolsky. BORIS WELTMANN, 2d violin (1899 – 1973). Studied at the Petrograd Cohservatory with Sergei Korguyev and Pavel Kochansky, and from 1922 until 1926 at the Moscow Conservatory with Lev Zeitlin. MORIS GURVICH, viola (1909, Paris - ?), Studied at the Odessa Conservatory with Petr Stolyarsky. ISAAK BURAVSKY, cello (1898 – 1994), studied at the Kiev Conservatory with Semyon Kozolupov. From 1957: GALINA (GALLI) MATROSOVA, viola (1923 – 2020), studied at the Moscow Conservatory with Vadim Borisovsky. The quartet was founded by musicians of the Bolshoi Theatre orchestra and initially with the name “Quartet of the Soloists of the Bolshoi Theatre Orchestra”. The original members were: Isaak Zhuk, Boris Weltman, Moris Gurvich and Sviatoslav Knushevitsky. Their first concert took place on 11 December 1931 in the Beethoven Hall of the Bolshoi Theatre. In 1933 Knushevitsky was replaced by Vladimir Matkovsky (Владимир Матковский) and from 1935 by Isaak Buravsky (Исаак Буравский). In 1936 the Quartet received a prize at a competition for the best performance of a work by a Soviet composer (organized by the Composers’ Union). And in 1938 they won the All-UnionString Quartets Competition, sharing the 1st Prize with the Komitas String Quartet. Despite their highest professional acknowledgement in the USSR the performers did not leave their work as concertmasters of the Bolshoi Theatre orchestra, and in the case of I. Zhuk and M. Gurvich – the USSR State SO (in 1952). That’s why the Quartet very rarely went on tours on an independent basis. In 1957 the violist Moris Gurvich was replaced by Galina Matrosova (Галина Матросова) (the last change in the ensamble). The Bolshoi Theatre String Quartet stopped its performances in 1968. КВАРТЕТ БОЛЬШОГО ТЕАТРА +••.••(...)) ЖУК ИСААК АБРАМОВИЧ, 1я скрипка (1902 – 1973), ученик Сергея Коргуева (Ленинградская консерватория) и Абрама Ямпольского (Московская консерватория) ВЕЛЬТМАН БОРИС ИСАКОВИЧ, 2я скрипка (1899 – 1973), ученик Сергея Коргуева и Павла Коханского (Петроградская консерватория), а с 1922 по 1926 Льва Цейтлина (Московская консерватория) ГУРВИЧ МОРИС ЖАКОВИЧ, альт (1909, Париж - ?), ученик Петра Столярского (Одесская консерватория) БУРАВСКИЙ ИСААК МАРКОВИЧ, виолончель (1898 – 1994), учился в Киевской консерватории у Семёна Козолупова. С 1957 года МАТРОСОВА ГАЛЛИ (ГАЛИНА) ИВАНОВНА, альт (1923 – 2020), училась в Московской консерватории у Вадима Борисовского. Квартет был основан музыкантами оркестра Большого Театра, и первоначально именовался «Квартет солистов оркестра Большого Театра». Первое выступление квартета состоялось 11 декабря 1931 года в Бетховенском зале ГАБТ СССР в составе Исаак Жук, Борис Вельтман, Морис Гурвич и Святослав Кнушевицкий. В 1933 году Кнушевицкого сменил Владимир Матковский, а с 1935 года – Исаак Буравский. В 1936 году коллектив получил премию на конкурсе на лучшее исполнение произведений советских композиторов, организованном Союзом композиторов СССР. А в ноябре 1938 года стали победителями Всесоюзного конкурса смычковых квартетов, разделив первую премию с Квартетом им. Комитаса. Несмотря на высшее профессиональное признание в СССР, никто из участников не оставил своей работы в качестве концертмейстеров оркестра Большого театра, а И. Жук и М. Гурвич с 1952 – Государственного симфонического оркестра СССР. Этим объясняется то, что квартет весьма редко гастролировал самостоятельно. В 1957 году ИМ. Гурвича сменила Галина (Галли) Матросова, и это стало последним изменением в составе квартета. Квартет Большого театра прекратил свои выступления в 1968 году.
Beethoven Patrick Strub Grieg Tchaikovsky Glazunov Kirill Gerstein Carl Czerny Clara Schumann Schumann Brahms Szymanowski Enesco Massa Stuttgarter Philharmoniker Liederhalle Beethoven Hall Gasteig 1770 1827 1991 2008 2018 2019 2020
(http•••) Ludwig van Beethoven +••.••(...)) – Sonata in F minor op. 57 “Appassionata” Allegro assai Andante con moto Allegro ma non troppo Alexander Sonderegger - piano Alexander Sonderegger has performed with orchestras including the Stuttgarter Philharmoniker, the Orquesta Sinfónica de la Región de Murcia, Spain, the Sinfonietta Lentua Orchestra in Kuhmo, Finnland, the Murmansk Philharmonic, Russia, and the Morocco Philharmonic Orchestra. He has also collaborated with the conductor Patrick Strub, performing concertos by Grieg and Tchaikovsky at the Liederhalle Beethoven Hall in Stuttgart. Alexander Sonderegger was born in 1991 in Petrozavodsk, Russia, to a family of musicians and studied at the Petrozavodsk State Glazunov Conservatory under Viktor Portnoi. In 2008, he attended the State University of Music and Performing Arts in Stuttgart where he was taught by Kirill Gerstein, Shoshana Rudiakov, Péter Nagy and Florian Wiek. Alexander graduated from Stuttgart, passing his soloist concert exam with distinction. Alexander has garnered prizes at many international competitions, including first prize and "The Czech Radio Prize" at the Carl Czerny International Piano Competition in Prague, first prize at the 16. International Piano Competition in Rome, second prize at the ClaMo Competition in Murcia and first prize at the Clara Schumann Competition in Stuttgart. In 2019, Alexander has won the first prize at the 21st International Piano Competition of Ile de France and the IKIF Artist Recognition Scholarship Award at the International Keyboard Institut & Festival“ in New York. Together with his brother Eduard Sonderegger (violin) he has been performing for over 20 years as the SONDEREGGER DUO. In 2019, the Duo has released its first CD with works by Brahms, Szymanowski, and Enesco. The SONDEREGGER DUO will be represented through Massa Konzertmanagement and will make a debut at the Gasteig München in June 2020. From 2018 to 2019 Alexander Sonderegger held a position as lecturer and accompanist at the Strings Department of the State University of Music and Performing Arts in Stuttgart. In 2019 he was offered a position at the university as a piano teacher, position which he currently holds. 26. September 2020, 10 Uhr Konstanzer Kirche in Ditzingen Musik zur Marktzeit XIII Beethoven-Zyklus I (http•••)
Leopold Godowsky Feinberg Rudorff Franz Liszt Camille Saint Saëns Manners Chopin Beethoven Severe Paolo Restani Beethoven Hall 1897 1898 1900 1909 1914 1929
Leopold Godowsky was one of the most astonishing piano virtuosos of all time and a composer of remarkably difficult polyphonic music. His father was a physician who contracted cholera tending patients during an epidemic, dying when his son was only 18 months old. Godowsky and his mother were taken in by friends, who soon realized the toddler was exceptionally musical. He played violin and piano longer from an age earlier than he could remember, but he was told he played before he was two. He said he had no teacher that he could remember, certainly none past the age of four. He composed a minuet when he was five, with the middle section being a strict canon, "This is noteworthy," he said, "because up to that time I had never heard a canon." It was good enough that he was able to use it in a fully mature composition 23 years later. Leopold's adoptive father, Louis Passinock, promoted his fame as a Wunderkind. To forestall his exploitation, a banker named Feinberg offered to finance his study at the Hochschule für Musik in Berlin. Leopold studied under Ernst Rudorff, but could only take three months of regimentation. He, his mother, and his "uncle" Passinock went to New York where he began to concertize at the age of thirteen. They booked him onto a tour of the West that eventually went bust, stranding the boy, who worked his way back to New York. Again, a wealthy arts patron sought to "rescue" him. Leon Saxe arranged for him to go to Europe to study with the virtuoso Franz Liszt. By the time Leopold's ship reached Europe, Liszt was dead. But Camille Saint-Saëns, who had lost his children, became a mentor, mostly discussing interpretation and other esthetic manners. Godowsky had some success in Europe, but not enough to satisfy him, and returned to America. There he had a career as a respected piano teacher in New York, Philadelphia, and Chicago. He developed the modern approach to piano playing, emphasizing economy of motion and release of weight (rather than direct muscle power) as the basis for playing. He began to arrange other composers' music, including a set of 53 exceptional etudes on Chopin's etudes, as well as other music. While teaching in Chicago, he gained a strong local reputation by giving recitals. An eight-recital set in 1897 and 1898 surveyed the history of nineteenth century piano literature. Soon his fame spread, and he had triumphal performances in the U.S. and Europe. His December 6, 1900, concert at Beethoven Hall in Berlin was a triumph where he was acclaimed one of the greatest living pianists. Soon, he was the highest-paid solo instrumentalist in the world. He continued to write original piano music and his free adaptations of other music. In 1909, he became director of the Piano School of the Imperial Academy of Music in Vienna, the first Jew to take this post. He was visiting Belgium for vacation in 1914 when the Germans invaded. He escaped to England and returned to the United States, where he made his home for the rest of his life. He moved his residence frequently and traveled widely, giving concerts in Mexico, South America, Yokohama, and Asia. His trip to Java inspired him to try to capture the sound of the gamelan orchestra in his suite Phonoramas. He lost much of his fortune in the 1929 stock market crash, then the next year had a severe stroke that ended his public career. He declined into depression and further illness before his death. (AllMusic) Please take note that the audio AND sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry. Original audio: (http•••) (Performance by: Paolo Restani) Original sheet music: (http•••)
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