Leon Fleisher Vídeos
director de orquesta, pianista de música clásica, musicólogo, profesor de música
- piano
- música clásica
- Estados Unidos
Última actualización
2024-04-27
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Chopin Karl Ulrich Schnabel Artur Schnabel Schubert Bach Beethoven Liszt Leon Fleisher Peter Serkin Serkin Richard Goode 1955 2001
Unfortunately, there are those who assume that Karl Ulrich Schnabel was a technical lightweight who only played four hand music with his illustrious father, Artur Schnabel. In fact, his technical equipment was at least equal to that of his father and in certain repertoire may have surpassed it. Early in life, Karl Schnabel decided to devote himself to the neglected four hand music composed by Mozart, Schubert etc. However, he was quite capable of performing solo recitals devoted to the music of Bach, Beethoven, Chopin, and Liszt, among others. . This performance of the Chopin Scherzo No. 3, reveals Karl Ulrich Schnabel's late Romantic ancestry. There are slight textual changes and the interpretation is totally devoid of generic influence. He could think for himself. I now have four favorite recordings of this work. This is a fabulous performance. Karl Schnabel was also an important teacher His students included Leon Fleisher (who also studied with Artur Schnabel), Peter Serkin, Richard Goode and Claude Frank. In later years he was a faculty member of the Manhattan School of Music. Karl Ulrich Schnabel died in Danbury, Connecticut on August 27, 2001 at the age of 91.
Leon Fleisher Seiji Ozawa Benjamin Britten Epstein Boston Symphony Orchestra 1992
Provided to YouTube by Sony Classical Diversions, Op. 21: Finale. Tarantella · Leon Fleisher · Seiji Ozawa · Benjamin Britten · Boston Symphony Orchestra Piano Concertos for the Left Hand ℗ 1992 SONY BMG MUSIC ENTERTAINMENT Released on: 1992-11-30 Producer: Steven Epstein Auto-generated by YouTube.
Leon Fleisher Brahms George Szell Cleveland Orchestra 1928 2020
A tribute to Leon Fleisher +••.••(...)), on the one-year anniversary of his untimely passing. For Fleisher, the way music is printed leads to enormous problems. 16th-notes, for example, are beamed in a way that groups them unnaturally, against the laws of forward momentum. Fleisher elaborates on this point alongside pianist Rachel Naomi Kudo in a rigorous examination of the opening cadenza from Brahms's epic Second Piano Concerto, a piece he immortalized nearly 60 years ago in a recording with George Szell and the Cleveland Orchestra. Filmed in his home in Baltimore, February 2020. To view the full lesson, and several more hours of exclusive masterclasses and interviews featuring Leon Fleisher: ️ (http•••) / tonebase gives you instant access to knowledge from the world's greatest classical musicians, performers, and educators. Learn more by visiting (http•••) Facebook - (http•••) Instagram - (http•••) Questions? Contact us: •••@•••
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- cronología: Directores de orquesta (Norteamérica). Intérpretes (Norteamérica).
- Índices (por orden alfabético): F...