Lionel Tertis Vídeos
músico británico
Conmemoraciones 2025 (Muerte: Lionel Tertis)
- viola
- música clásica
- Reino Unido, Reino Unido de Gran Bretaña e Irlanda
- violinista, compositor, profesor universitario, violista, profesor de música, periodista musical
Última actualización
2024-04-26
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Lionel Tertis Pugnani Alexander Mackenzie Oskar Nedbal Gerald Walenn Arnold Bax Frank Bridge Gustav Holst Benjamin Dale York Bowen Ralph Vaughan Williams William Walton Paul Hindemith Shore Montagnana Albert Sammons Edward Elgar Bohemian Quartet Griller Quartet Proms 1717 1876 1900 1906 1920 1928 1930 1937 1949 1950 1975
Lionel Tertis plays his own arrangement of Pugnani's 'Prelude and Allegro,' recorded on 8 December 1930 with piano by Ethel Hobday. From Wikipedia: Lionel Tertis, CBE (29 December 1876 – 22 February 1975) was an English violist. He was one of the first viola players to achieve international fame and a noted teacher. Tertis was born in West Hartlepool, the son of Polish-Jewish immigrants. He first studied violin in Leipzig, Germany and at the Royal Academy of Music (RAM) in London. There he was encouraged by the principal, Alexander Mackenzie, to take up the viola instead. Under the additional influence of Oskar Nedbal, he did so and rapidly became one of the best known violists of his time, touring Europe and the US as a soloist. As Professor of Viola at the RAM (from 1900), he encouraged his colleagues and students to compose for the instrument, thereby greatly expanding its repertoire. In 1906, Tertis was temporarily in the famous Bohemian Quartet to replace the violist/composer Oskar Nedbal and later he took the viola position in the Gerald Walenn Quartet. Composers such as Arnold Bax, Frank Bridge, Gustav Holst, Benjamin Dale, York Bowen, Ralph Vaughan Williams, and William Walton wrote pieces for him. The Walton piece was his Viola Concerto; however, Tertis did not give the world premiere as he found it difficult to comprehend at the time; that honour went to Paul Hindemith. His pupil Bernard Shore took on the second performance at the Proms in August 1930. Tertis first performed the work a month later at the International Society for Contemporary Music festival in Liège. Over the next three years he gave five more performances of the concerto. He owned a 1717 Montagnana from 1920 to 1937 which he found during one of his concert tours to Paris in 1920, and took a chance in acquiring. According to his memoirs, it was 'shown to me in an unplayable condition, without bridge, strings or fingerboard.... No case was available – it was such a large instrument 17 1/8 inches – so my wife came to the rescue by wrapping it in her waterproof coat, and that is how it was taken across the English Channel.' Tertis preferred a large viola to get an especially rich tone from his instrument. Knowing that some would find a 17-1/8-inch instrument too large he created his own Tertis model, which provides many of the tonal advantages of the larger instrument in a manageable 16-3/4-inch size. Tertis sold the 1717 Montegnana to his pupil Bernard Shore in 1937, who in turn passed it on to his pupil Roger Chase. Along with William Murdoch (piano), Albert Sammons, and Lauri Kennedy, Tertis formed the Chamber Music Players. He also encouraged and coached Sidney Griller as he worked to found the Griller Quartet in 1928, and influenced the Griller's enthusiasm for the first Viennese School. In 1937, while at the height of his powers, he announced his retirement from the concert platform to concentrate on teaching. He appeared as soloist only one more time, at a special concert in 1949 to an invited audience at the RAM to help raise money for his fund to encourage the composition of music for the viola. He was appointed a Commander of the Order of the British Empire (CBE) in the 1950 New Year's Honours. Tertis composed several original works and also arranged many pieces not originally for the viola, such as Edward Elgar's Cello Concerto. He was the author of a number of publications about string playing, the viola in particular, and his own life. They include Cinderella No More and My Viola and I. Lionel Tertis died on 22 February 1975 in Wimbledon, London. He was 98 years old. I transferred this side from Australian Columbia DOX 267.
York Bowen Rideout Lionel Tertis Rachmaninoff Medtner Chopin Grieg Tchaikovsky Kaikhosru Shapurji Sorabji 1727 1876 1884 1961 1975
00:00 / 09:59 / 17:27 - Timothy Rideout (vla) / Frank Dupree (pno) (Viola Sonata No.2 - (http•••) York Bowen +••.••(...)) contributed several works for Viola, notably 2 sonatas and a Concerto, all dedicated to english violist Lionel Tertis +••.••(...)) known as “father of the viola” and revolutionized viola playing as we know it today. Bowen's compositions each display a unique ‘blend of Romanticism and strong individuality’. Although his influences include Rachmaninoff, Medtner, Chopin, Grieg and Tchaikovsky, Bowen's music is very much defined by its distinctive textures and harmonies. Although his active career spanned more than fifty years, Bowen's compositional style altered very little and he continued to employ a diatonic key system with use of chromatic harmonies throughout his life. Interesting fact, his 24 preludes for piano op.102 was dedicated to the english composer Kaikhosru Shapurji Sorabji. #YorkBowen There is no copyright infringement intended. If you wish your recording to be removed, it can be done, please just leave me an email, which can be found at the channel's about section.
Maxim Rysanov Bach Mischa Maisky Nicola Benedetti Vilde Frang Janine Jansen Boris Brovtsyn Alexander Sitkovetsky Sitkovetsky Sergei Krylov Henkel Yusupov Leonard Elschenbroich Kelemen Dobrinka Tabakova Lionel Tertis Valentino Bucchi Richard Dubugnon Leonid Desyatnikov Giya Kancheli Penderecki Vasks Heilbron Martinu Last Night Proms Salzburg Festival Vale Glamorgan Festival Lithuanian Chamber Orchestra London Mozart Players Scottish Ensemble Russian National Orchestra Orquesta Sinfónica Castilla León National Symphony Orchestra Detmold Chamber Orchestra Southbank Sinfonia Budapest Festival Orchestra Sofia Philharmonic Bbc National Orchestra Wales Orchestre Philharmonique Strasbourg Hong Kong Sinfonietta Scottish Chamber Orchestra 1780 2013 2014 2016
Buy Maxim's CDs here: (http•••) Official website: (http•••) Facebook: (http•••) Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worlds most vibrant and charismatic musicians. He is principally known for his performances as a violist, guest of the crème of international music scene such as BBC Last Night of the Proms, Verbier, Great Mountain, Tran Siberian and Edinburgh Festival, Salzburg Festival among others. After having completed a conducting fellowship at The GSMD he started to combine his viola performance with a career as a conductor. Conducting engagements include the Spanish Radio Orchestra, Basel Symphony Orchestra, Lithuanian Chamber Orchestra, Riga Sinfonietta, London Mozart Players, Baltic Neopolis, Scottish Ensemble, Russian National Orchestra, and Moscow Musica Viva, Kiev Soloists, Orquesta Sinfónica de Castilla y León, Georgian National Symphony Orchestra, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Detmold Chamber Orchestra, Dala Sinfonietta, Southbank Sinfonia, Danubia Symphony as well as conducting at festivals in Dubrovnik, Utrecht, Boswil , Surrey Hills, Budapest Festival Orchestra, and the finale of the Beijing Viola Festival, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Royal College of Music String Orchestra, Lviv Philharmonic, Detmold Chamber Orchestra, Lepaje Symphony Orchestra and the Pforzheim Stadtsorchester. As a conductor Maxim worked with such soloists as Mischa Maisky, Nicola Benedetti, Vilde Frang, Janine Jansen, Boris Brovtsyn, Alexander Sitkovetsky, Sergei Krylov, Susanna Yoko Henkel, Kristina Blaumane, Ashley Wass, Benjamin Yusupov, Leonard Elschenbroich, Dora Kokas and Kelemen Quartet among others. Maxim featured as both conductor and soloist on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. Maxim has long been recognised by the international music scene and his list of prizes affirm that status. These include the Classic FM Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award, as well as the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim is a keen promoter of new music. Recently he conducted the Russian premier of the Piano Concerto by Benjamin Yusupov. His enthusiasm for new music has generated collaborations, which have extended the viola repertoire. This includes world premieres by Dobrinka Tabakova, Richard Dubugnon and Sergei Akhunov. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli, Artyom Vassiliev and Elena Langer. In 2014 Maxim presented the Penderecki's double concerto in a Russian premiere. In 2016 he premieres a new viola concerto by Peteris Vasks that was co-commissioned by the BBC National Orchestra of Wales, the Vale of Glamorgan Festival and the Orchestre Philharmonique de Strasbourg. Further performances include Turku Philharmonic, Riga Sinfonietta, Hong Kong Sinfonietta, Scottish Chamber Orchestra, Wurttemburgisches Kammerorchester Heilbron and the Lithuanian Chamber Orchestra. Maxim's commercial CD have continually gained awards including Gramophone Editor's Choice and ECHO, ICMA, Gramophone and Grammy nominations as well as reaching the top of the iTunes charts in the USA. His recent recording of the Martinu Rhapsody – Concerto was shortlisted for the Gramophone Award. He is delighted to have a Giuseppe Guadagnini viola (1780) on extended loan from the Elise Mathilde Foundation.
Maxim Rysanov Schubert Valery Gergiev Mikhail Pletnev Jiří Bělohlávek Svetlanov Andrey Boreyko Vasily Petrenko Petrenko Tugan Sokhiev Yuri Simonov Vassily Sinaisky Sir Mark Elder Philippe Herreweghe Eivind Gullberg Jensen Jensen Michał Nesterowicz Nesterowicz Arvo Volmer Matthias Bamert John Axelrod Olari Elts Caballe Kaftan Gennady Rozhdestvensky Jorma Panula Oleg Caetani Verdi Vivaldi Maxim Vengerov Janine Jansen Mischa Maisky Gidon Kremer Nicola Benedetti Vadim Repin Augustin Dumay Viktoria Mullova Alexander Sitkovetsky Sitkovetsky Sol Gabetta Leif Ove Andsnes Denis Matsuev Alessio Bax Bax Michael Collins Alice Coote Freddy Kempf Dobrinka Tabakova Pēteris Vasks Richard Dubugnon Balogh Yusupov Leonid Desyatnikov Giya Kancheli Gabriel Prokofiev Prokofiev Lionel Tertis Valentino Bucchi Ulster Hall Last Night Proms Mariinsky Gürzenich Russian National Orchestra Bbc Symphony Orchestra Residentie Orkest Seattle Symphony Orquesta Sinfónica Castilla León Deutsches Symphonie Orchester Berlin Bournemouth Symphony Orchestra Gürzenich Orchestra Frankfurt Radio Symphony Prague Radio Symphony Orchestra Adelaide Symphony Orchestra Danish National Symphony Orchestra National Symphony Orchestra European Union Youth Orchestra Scottish Chamber Orchestra Spanish National Orchestra Beethovenorchester London Mozart Players Southbank Sinfonia Lithuanian Chamber Orchestra I Musici I Musici Montreal Detmold Chamber Orchestra Sofia Philharmonic 1780 2013 2020
Get tickets to 'Rysanov Plays Schubert' now at (http•••) #uoletsplaydigital Official website: (http•••) Facebook: (http•••) Grammy nominated Ukrainian-British violist and conductor Maxim Rysanov has established himself as one of the worldʼs most vibrant and charismatic musicians. As a violist, he is principally known as a frequent guest of the crème of the international music scene, such as BBC Last Night of the Proms and the festivals of Edinburgh, Salzburg and Verbier. Among his concerto highlights are the Mariinsky Orchestra (Valery Gergiev), Russian National Orchestra (Mikhail Pletnev), BBC Symphony Orchestra (Jiří Bělohlávek), Residentie Orkest the Hague (Neeme Jarvi), Svetlanov State Symphony Orchestra (Vladimir Jurovsky), Seattle Symphony (Andrey Boreyko), Orquesta Sinfónica de Castilla y León (Vasily Petrenko), Deutsches Symphonie-Orchester Berlin (Tugan Sokhiev), Moscow Philharmonic (Yuri Simonov), Bournemouth Symphony Orchestra (Vassily Sinaisky), Gürzenich Orchestra Cologne (Sir Mark Elder), Frankfurt Radio Symphony Orchestra (Philippe Herreweghe), NDR Philharmonic Orchestra (Eivind Gullberg Jensen), Prague Radio Symphony Orchestra (Juraj Valcuha and again with Michał Nesterowicz), Adelaide Symphony Orchestra (Arvo Volmer), Danish National Symphony Orchestra (Michael Schoenwandt), Shanghai Symphony (Long Yu), European Union Youth Orchestra (Matthias Bamert), Czech Filharmonic (John Axelrod), Scottish Chamber Orchestra (Olari Elts), Spanish National Orchestra (Josep Caballe Domenech) and Beethovenorchester Bonn (Dirk Kaftan). Maxim enjoys a busy career as a conductor parallel to playing the viola. Often he combines conducting and directing a concerto from viola. Maxim studied conducting with Alan Hazeldine at the Guildhall School of Music and Drama, and has taken part in several masterclasses with Gennady Rozhdestvensky, Jorma Panula and Oleg Caetani. Here are some of the orchestras he conducted: Svetlanov State Symphony Orchestra, La Verdi Orchestra Milan, Basel Symphony Orchestra, Russian National Orchestra, Tatarstan State Symphony Orchestra, Spanish Radio Orchestra (RTVE), Orquesta Sinfónica de Castilla y León, Dala Sinfonietta, Danubia Symphony Budapest, London Mozart Players, Southbank Sinfonia, Riga Sinfonietta, Lithuanian Chamber Orchestra, I Musici de Montreal, Detmold Chamber Orchestra, Musica Viva (Moscow), Voronezh Youth Orchestra, Kiev Soloists, Częstochowa Philharmonic Orchestra, Chamber Orchestra Chaarts, Budapest Festival Academy Orchestra, Classic FM Orchestra (Bulgaria), Georgian National Symphony Orchestra, Plovdiv Philharmonic, Sofia Opera Orchestra and Chorus, Sofia Philharmonic, Pfortseim Theatre Orchestra, Badische Philharmonie, Vivaldi Orchestra Morbegno. Maxim is a keen chamber musician. His chamber partners include Maxim Vengerov, Janine Jansen, Mischa Maisky, Gidon Kremer, Nicola Benedetti, Vadim Repin, Augustin Dumay, Viktoria Mullova, Alexander Sitkovetsky, Sol Gabetta, Leif Ove Andsnes, Denis Matsuev, Alessio Bax, Michael Collins, Martin Frost, Alice Coote, Freddy Kempf, Yeoelom Son among others. His enthusiasm for new music generates many exciting collaborations which extend the viola repertoire. This includes world premieres by Dobrinka Tabakova, Pēteris Vasks, Richard Dubugnon, Mate Balogh and Elena Langer. Other composers with whom Maxim has developed a close working relationship include Benjamin Yusupov, Leonid Desyatnikov, Giya Kancheli and most recently Gabriel Prokofiev. Gabriel is planning to write a symphony-concerto for Maxim, where the performer will have to combine skills of both soloist and conductor. Maxim's recordings have gained numerous award nominations including Gramophone Editor's Choice, ECHO, ICMA. Maxim featured as both soloist and conductor on the debut disc of composer Dobrinka Tabakova (ECM) in 2013 - a disc that reached number 2 in the UK classical charts and was shortlisted for a Grammy Award. His last album “in Schubert’s company” was selected as Gramophone Critic’s Choice of the Year. New CD is planned for a spring 2020 release on BIS. Sinfonietta Riga under Maxim’s direction are performing music by Peteris Vasks. It will include the premier recording of the Viola Concerto written and dedicated to Maxim, coupled with the Symphony no 1. Maxim is a recipient of various awards, including the Gramophone Young Artist of the Year Award and the BBC Radio 3 New Generation Award. He is also a prize-winner at the Geneva, Lionel Tertis and Valentino Bucchi competitions. Maxim studied viola with Maria Sitkovskaya in Moscow and John Glickman at the Guildhall School of Music and Drama London. He is delighted to play a 1780 Giuseppe Guadagnini Viola known as 'II Soldato', on private loan that was kindly arranged by Premiere Performances of Hong Kong.
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- cronología: Compositores (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): T...