Marcello Lippi Vídeos
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2024-05-11
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Giacomo Puccini Gavazzeni Pier Giorgio Morandi Mastrangelo Rinaldi Lippi Ilya Kutyukhin Escobar Teatro Regio 1896 2022
L’inaugurazione della Stagione d’Opera e di Balletto 2022 del Teatro Regio è sabato 12 febbraio alle ore 20 e non poteva che essere con La bohème di Giacomo Puccini, l’opera che proprio al Regio andò in scena in prima assoluta il 1° febbraio 1896. Intesa Sanpaolo e Italgas partner della produzione inaugurale. Il nuovo allestimento de La bohème, realizzato dal Teatro Regio, unisce la regia, firmata da Paolo Gavazzeni e Piero Maranghi, a scene e costumi ripresi dai bozzetti e dai figurini originali di Adolf Hohenstein, disegnati per la prima assoluta torinese del 1896 e custoditi dall’Archivio Storico Ricordi di Milano. Il maestro Pier Giorgio Morandi dirige l’Orchestra, il Coro e il Coro di voci bianche del Teatro Regio. Nel cast: Maritina Tampakopoulos (Mimì), Valentin Dytiuk (Rodolfo), Valentina Mastrangelo (Musetta) e Biagio Pizzuti (Marcello). Completano il cast: Jan Antem (Schaunard), Riccardo Fassi (Colline) e Matteo Peirone (Benoît e Alcindoro). Curatrice delle scene è Leila Fteita, curatrice dei costumi è Nicoletta Ceccolini, pittore scenografo Rinaldo Rinaldi. Nel corso delle dieci rappresentazioni, dal 12 al 27 febbraio si alterneranno nei ruoli principali Francesca Sassu (Mimì), Matteo Lippi (Rodolfo), Cristin Arsenova (Musetta), Ilya Kutyukhin (Marcello), Vincenzo Nizzardo (Schaunard), Bozhidar Bozhkilov (Colline), Sabino Gaita / Alejandro Escobar (Parpignol), Desaret Lika / Riccardo Mattiotto (Sergente dei doganieri), Marco Tognozzi / Marco Sportelli (un doganiere). Il maestro Giulio Laguzzi, sostituirà sul podio il M° Morandi, mercoledì 23 e venerdì 25 febbraio. I Cori sono istruiti rispettivamente dal maestro Andrea Secchi e dal maestro Claudio Fenoglio. www.teatroregio.torino.it
Donizetti Bellini Pietro Mascagni Leopoldo Mugnone Dino Borgioli Grieg Verdi Mendelssohn Lippi 1885 1900 1926 1929 1949 2019
COMPOSER Giovanni Giovale +••.••(...)) In Sicily, around 1900, there were many amateurs and professionals capable of astonishing an audience with their musical capabilities. These performers learned the art of music in their own guild, neighbourhood or club and played for occasional listeners rather than in great concert halls. They were sometimes named ‘orecchisti’ because they played by ear only and without sheet music. Giovale +••.••(...)) was brought up in this cultural background and within a short time he became one of the greatest. Giovale began learning to play mandolin at 10 years old. It is said he was captured by the beauty of the instrument after attending one of the short concerts performed at a barbershop in Via Plebiscito (Sicily – Catania) around closing time. Later on, he learnt playing banjo, guitar and also violin at the boarding school of Cruciferi Street. As a violinist, he became a member of the Orchestra of Bellini Theatre. Although a multi-instrumentalist, Giovale preferred the mandolin above all. During his musical career he played before and/or collaborated with many great maestri such as composer Pietro Mascagni, director Leopoldo Mugnone and tenor Dino Borgioli; all were amazed by his musical skills on the mandolin. Borgioli even invited Giovale to go on a tour with him to Spain. His fame as a musician and his love for travelling brought him all over the world: besides Spain, he also went to Austria, England, Africa, and the United States. From 1926 to 1929 he resided in New York. During this period he attained a high reputation for his concerts and recordings. MUSIC His repertoire included works by Mozart, Grieg, Bellini, Verdi, Mendelssohn, Mascagni and many works of his own. He wrote many works for mandolin, mostly polkas, waltzes and mazurkas. Many recordings have survived but his sheet music is hard to find. His cultural background is reflected in his style of playing as well as his way of composing: famous melodies such as ‘Chi me frena’ from Donizetti’s Opera ‘Lucia di Lammermoor’ were used by adding resourceful accompaniments and beautiful variations. MANDOLIN Sebastiaan de Grebber plays a Lorenzo Lippi mandolin from 2019. INFO (http•••) (http•••) (http•••)
Gaetano Donizetti Marcello Lippi Pasolini Malatesta
NATIONAL OPERA THEATER OF KOMI REPUBLIC (Russia) DON PASQUALE Gaetano Donizetti II atto Direttore - Raffaele Mascolo Don Pasquale - Marcello Lippi, baritono Norina - Elena Bakanova, soprano Ernesto - Gianluca Pasolini, tenore Dottor Malatesta - Daniele Piscopo, baritono
Gaetano Donizetti Marcello Lippi Malatesta
NATIONAL OPERA THEATER OF KOMI REPUBLIC (Russia) DON PASQUALE Gaetano Donizetti III atto "Don Pasquale...Cheti cheti immantinente" Direttore - Raffaele Mascolo Don Pasquale - Marcello Lippi - baritono Dottor Malatesta - Daniele Piscopo - baritono
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- cronología: Cantantes líricos (Europa). Intérpretes (Europa).
- Índices (por orden alfabético): L...