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Józef Władysław Krogulski Krogulski Krzeszowiec Soroka Marcin Zdunik Nelson Goerner 1454 1830 1831 1832 1905
0:00 - Adagio - Allegro 9:28 - Adagio 14:54 - Menuetto - Trio Allegretto 19:05 - Finale (A la Bohemienne) Flute - Jan Krzeszowiec Clarinet - Radoslaw Soroka Violin I - Lena Neudauer Violin II - Erzhan Kulibaev Viola - Artur Rozmyslowicz Cello - Marcin Zdunik Double Bass - Slawomir Rozlach Piano - Nelson Goerner In November, 1830, the Poles rose up against their Russian occupiers. This act of bravery did, however, leave Poland in a dire economic position. This economic pressure affected Poles of all walks of life, but it hit a young pianist named Józef Krogulski particularly hard. In 1831, Krogulski's everyday financial frustrations and hardships were compounded by the death of his mother, causing him to take a serious step back from his career as a performer. Krogulski took up some work as a private piano teacher to pay the bills. Over the course of the uprising, he began to focus more on his duties as a member of a church choir and on composing. Throughout these difficult years, he almost exclusively performed at home (in part because of health problems), focusing much of his attention on his new creations. When he finally arose from his seclusion in 1832, he premiered his 2nd Piano Concerto, and two years later, he premiered this work - the Octet in D-Minor. Krogulski has a reputation as a "Polish Mozart." We can see some of that influence here, but the work certainly stands on its own. The piece begins with the foreboding pulsation of the strings giving way to slow woodwind descent. The lighter tone of the first movement cuts through the dense atmosphere of the opening to recite the first theme. This first movement is a microcosm of the Octet as a whole. The adagio moves between a beautiful, glowing theme and creepy tremolos that interrupt the serenity. The rondo is lively and the finale is joyously vibrant. You can detect that hint of conflict in each of the movements. The work as a whole is well balanced and varied. As I was dissecting it, I encountered a lot that surprised me given the time period. Note: There are a lot of repeats in this octet. Where it started getting hard to follow, I started inverting sections that were not being played on that page because of the repeats. That is why several passages have those black sections. (http•••)
Józef Władysław Krogulski Krogulski Krzeszowiec Soroka Marcin Zdunik Nelson Goerner 1815 1832 1842
Józef Władysław Krogulski +••.••(...)) – Klavieroktett für Flöte, Klarinette, zwei Violinen, Bratsche, Violoncello, Kontrabaß und Klavier in D-Moll, op. 6 (1832) Flöte – Jan Krzeszowiec Klarinette – Radoslaw Soroka Violine 1 – Lena Neudauer Violine 2 – Erzhan Kulibaev Bratsche – Artur Rozmyslowicz Violoncello – Marcin Zdunik Kontrabaß – Slawomir Rozlach Klavier – Nelson Goerner
Mokrzycki Fryderyk Chopin Karol Szymanowski Johannes Brahms Holder Bonis Ignacy Jan Paderewski Kowalczyk Marcin Zdunik National Forum Music 2005 2010 2017
Rafal Mokrzycki: Polish pianist, a winner of the Valletta International Piano Competition on Malta (2017). He was repeatedly rewarded at many different national and international competitions including Academic Chamber Music Competition in Jurmala (Latvia), National Piano Competition "Szymanowski in Memoriam" in Warsaw (Poland) and Westpomeranian Piano Competition in Szczecin (Poland). Rafal Mokrzycki is also a semi-finalist of Jeunesses International Music Competition in Bucharest (Romania) and Johannes Brahms Wettbewerb in Portschach (Austria). Over the period of 2005-2010 he was covered by the Palish Children's Benefit Fund Scheme, he was also a scholarship holder of Karol Szymanowski Foundation in Warsaw. The artist performs frequently as a soloist and a chamber musician. He performed in the National Philharmonic in Warsaw, the National Forum of Music in Wroclaw, the Opole Philharmonic and the Lviv Philharmonic. Rafal Mokrzycki is regularly invited to perform at numerous festivals e.g. Mel Bonis "Festival der franzosischen Musik" in Vienna (Austria), Festival "Chopin w barwachjesieni" in Antonin (Poland), International Festival of Ignacy Jan Paderewski in Warsaw (Poland), Valletta International Piano Festival (Malta), Gulangyu Music Week in Xiamen (China) and Sacrum non Profanum in Trzesacz (Poland). He played in many countries of Europe, he also performed in Japan and China.His wide repertoire includes works from baroque to the present time. Rafal Mokrzycki performed with orchestras under the baton of Andrzej Gebski, Ihor Pylatiuk and Oleg Arpi, in the area of chamber music he collaborated with AgataIgras, Magdalena Bojanowicz, Marta Kowalczyk, Jan Jakub Bokun, Marcin Zdunik and Rupert Frankhauser. The pianist is a graduate of the Fryderyk Chopin University of Music in Warsaw and also a graduate of the Vienna University of Music and Performing Arts.
Cykl "Porozmawiajmy w C-dur" przedstawia muzyków, którzy podjęli współpracę z Filharmonią Sudecką im. Józefa Wiłkomirskiego w Wałbrzychu. Marcin Zdunik - wybitny wiolonczelista wystąpił z Orkiestrą Filharmonii Sudeckiej pod dyrekcją Bartosza Żurakowskiego 18 marca 2022, w programie znalazł się Koncert wiolonczelowy c-moll op. 43 Mieczysława Weinberga. Muzyk zgodził się na rozmowę na kilka godzin przed koncertem, za co bardzo dziękujemy! Zachęcamy do wysłuchania całej rozmowy, która dostępna jest w trzech częściach: Marcin Zdunik - o Weinbergu, wiolonczeli, inspiracji renesansem, o muzyce klasycznej i rozwoju człowieka Marcin Zdunik - muzyk w czasie wojny Marcin Zdunik - aspiracje i potrzeby artystyczne Rozmowę przeprowadził: Piotr Jonek Opracowanie: Maciej Jonek
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