Victor Maurel Vídeos
barítono francés
- barítono
- ópera
- Francia
- cantante de ópera
Última actualización
2024-05-19
Actualizar
Wolfgang Amadeus Mozart Maurel Quatuor Anches Hantées 2019
Wolfgang Amadeus Mozart Quatuor n° 15 KV. 421 Allegretto ma non troppo Transciption - Bertrand Hainaut Concert donné à la Ferme de Villefavard le 28/09/2019 Prise de son - Ananda Cherer Montage et captation vidéo - LiveInLife productions (http•••) Ce quatuor est présent dans l'album "Malinconia" du Quatuor, disponible sur (http•••) . This string quartet is part of the album "Malinconia", available on (http•••) . Quatuor Anches Hantées www.qah.fr (http•••) (http•••) (http•••) Our albums available on (http•••) and on Deezer, AppleMusic, YouTube Music, Spotify... Booking : Corentin Maurel / •••@••• / +••.••(...) 16 Contact : •••@•••
Giuseppe Verdi Francesco Tamagno César Vezzani Renato Zanelli Victor Maurel Teatro Scala Odeon 1566 1887 1902 1903 1924 1928
Giuseppe Verdi - Otello - Ora e per sempre addio - Historic Collection vol. 1 Francesco Tamagno, Giovan Battista De Negri, César Vezzani, Renato Zanelli. Buy "Otello and Jago" on Amazon: (http•••) Find us on Facebook: (http•••) Follow us on Twitter: (http•••) Visit our Website: (http•••) Subscribe to our channel: (http•••) Listen to all the extracts from "Otello and Jago": (http•••) Listen to all the extracts from "Historic Collection": (http•••)/ ENG Otello and Jago is the firs volume of the prestigious Historic Collection, analyzing the interpretation of the two main characters of Verdi's work, evolving throughout the first half of the XX century. Otello is the only work by Verdi of which at least two of the premiere's protagonists (Francesco Tamagno and Victor Maurel, who inaugurated Otello and Jago at La Scala on February 5th 1887) left a recording of the roles that Verdi himself had given them. This extract includes four interpretations of "Ora e per sempre addio" in comparison from historical and fully restored recordings by Francesco Tamagno (the first Otello in history, handpicked by Verdi himself), Giovan Battista De Negri (in Verdi's opinion not artistically inferior to Tamagno. This particular interpretation is half a tone lower), a french version by Corsican tenor César Vezzani and an interpretation by the Chilean singer Renato Zanelli, who had started off his career as a baritone, which is a sign of how the conception of Otello as a pure tenor changed through the years./ ITA Otello e Jago è il primo volume della prestigiosa collezione storica HC / Historic Collection, che analizza i due protagonisti dell'opera verdiana nella loro evoluzione interpretativa lungo tutta la prima metà del XX secolo.L'Otello è l'unica opera di Verdi della quale almeno due protagonisti della prima assoluta (Francesco Tamagno e Victor Maurel, che tennero a battesimo Otello e Jago alla Scala il 5 febbraio 1887) abbiano lasciato testimonianza registrata dei ruoli che Verdi aveva loro affidato. Questo estratto comprende quattro interpretazioni di "Ora e per sempre addio" a confronto nelle registrazioni storiche e interamente ristrutturate di Francesco Tamagno (il primo Otello della storia, scelto personalmente da Verdi), Giovan Battista De Negri (che Verdi reputava artisticamente allo stesso livello di Tamagno. Questa particolare interpretazione è abbassata di mezzo tono), una versione in francese del tenore corso César Vezzani e infine un'interpretazione del cileno Renato Zanelli, che aveva iniziato la propria carriera come Baritono e testimonia come nel corso degli anni il personaggio di Otello si sia discostato da una concezione schiettamente tenorile./ DETAILS 1 - Ora e per sempre addio Francesco Tamagno Con accompagnamento di pianoforte 1903, 78 rpm (acoustic recording) G&T 052102 - Matrix: 12-W2-FT 2 - Ora e per sempre addio Giovan Battista De Negri esecuzione abbassata di mezzo tono Con accompagnamento di pianoforte 1902, 78 rpm (acoustic recording) Zonofono X-1566 3 - Ora e per sempre addio (French) César Vezzani Con accompagnamento di orchestra 1924, 78 rpm (acoustic recording) Odeon X 111338 4 - Ora e per sempre addio Renato Zanelli Orchestra del Teatro alla Scala Conductor: Carlo Sabajno 1928, 78 rpm (electric recording) Grammofono DB 1439 - Matrix: CM 9771/ HC - Historic Collection Casa della Musica - Sara Ferrari Edizioni Musicali www.edizionisfem.com Distributed by EMI Music Italy
Victor Maurel Jean Lassalle Maurice Renaud Giuseppe Verdi Ruggero Leoncavallo Richard Wagner Gabrielle Krauss Krauss Wolfgang Amadeus Mozart Frances Ingram Herbert Heyner Metropolitan Opera Covent Garden Scala 1847 1848 1861 1867 1873 1879 1887 1891 1892 1893 1894 1898 1904 1909 1923 1933 1950 1977
Victor Maurel - Falstaff - Quand'ero paggio - Société française de Gramophlie AFG 14. enregistré en avril 1904 rédité ca 1950 Victor Maurel (17 June 1848 – 22 October 1923) was a French operatic baritone who enjoyed an international reputation as a great singing actor. Maurel was born in Marseille. Educated in music and stagecraft at the Paris Conservatory, he made his debut in opera in 1867, in the city of his birth. The following year, he performed on stage in Paris for the first time. New York first heard him in 1873, when he performed at the Academy of Music. Later, he would sing at New York's Metropolitan Opera (in 1894-96 and 1898–99). Other famous venues at which he appeared included London's Royal Opera House, Covent Garden — in 1873-79, 1891–95 and 1904 — and the Paris Opera, where he was on the roster of singers from 1879 to 1894. Maurel was renowned in Europe and the United States for his vivid stage presence and exceptional acting and make-up skills; but his voice, while well trained and of good quality, was not considered to be as impressive as that of his chief French baritone rivals, Jean Lassalle (1847–1909) and Maurice Renaud (1861–1933). In 1887, Maurel created the role of Iago in Otello at La Scala, Milan, and then, in 1893, he created the title role in Falstaff, again at La Scala. These were the final two, and arguably the greatest, operatic masterpieces composed by Giuseppe Verdi, and it was Verdi who selected Maurel to perform in the premieres. Maurel made operatic history for a third time in 1892 when he was chosen to be the first Tonio in Ruggero Leoncavallo's enduringly popular verismo opera, Pagliacci. Like many Paris-trained singers of his day, Maurel was equally adept at performing roles in Italian and French. He appeared, too, in several German operas by Richard Wagner (on 30 March 1873 he sang in the first production in Milan of Lohengrin, to Gabrielle Krauss's Elsa), and was a famous Don Giovanni in Wolfgang Amadeus Mozart's opera of the same name. George Bernard Shaw, however, though an admirer of Maurel, claimed that his genius was not Mozartian, and commented that "the problem of how to receive a call from a public statue does not seem to have struck him as worth solving".[1] After retiring from opera, Maurel taught singing in Paris and New York City, where he died at the age of 75. His pupils included the contralto Frances Ingram and the baritones Herbert Heyner and Thomas Quinlan (impresario). Some impressive examples of his vocalism are preserved on gramophone records he made in the early 20th century. These recordings, which include a few French songs and arias from Otello, Falstaff and Don Giovanni, have been reissued on CD by various companies. Maurel also wrote a number of books on opera and the art of singing, and dabbled in theatrical set design. Volume One of Michael Scott's The Record of Singing (London: Duckworth, 1977) contains an informative overview of the baritone's career, an assessment of his musical importance and a brief discussion of his recordings. Source : Wikipedia
Guiot Daniel Breszynski Gabel Gauthier Tavernier Kuzma Dietz Berger Maurel Provost Yvan Cassar 2007
Provided to YouTube by Warner (France) I Am the Blues · Johnny Hallyday Le coeur d'un homme ℗ 2007 Warner Music France, A Warner Music Group Company. Bass: Abraham Laboriel Drums, Percussion: Abraham Laboriel, Jr. Viola: Agnès Toussaint-Justaffré Violin: Alex Pelovski Violin: Anne Villette Violin: Arnaud Nuvolone Unknown: Bob Clearmountain Electric Guitar: Brian Ray Viola: Christophe Briquet Violin: Christophe Bruckert Orchestral Contractor: Christophe Guiot Solo Violin: Christophe Guiot Trombone: Daniel Breszynski Solo Viola: Daniel Vagner Violin: David Gabel Assistant Mix Engineer: Djoum Violin: Doriane Gable Recorder: Eddie DeLena Programmer: Eric Chevalier Unknown: François Gauthier Additional Recording: François Gauthier Masterer: Gavin Lurssen Violin: Gilles Donge Librettist: Guy Paul Romby Cello: Jean Ferry Horn: Jean-Jacques Justaffré Viola: Jean-Michel Lenert Horn: Jean-Michel Tavernier Cello: Jean-Philippe Audin Violin: Jean-Philippe Kuzma A&r Manager: Jef Cahours de Virgile Violin: Jocelyne Maubre Lead Vocals: Johnny Hallyday Viola: Jonathan Nazet Violin: Karen Brunon Orchestra: Les archets de Paris Horn: Lionel Surin Horn: Marc Chamot Violin: Marie-Hélène Clausse Violin: Michel Dietz Double Bass: Michel Robache Cello: Nathalie Gaudemer Unknown: Nicolas Berger Viola: Noëlle Santos Trombone: Olivier Duvaure Trombone: Pascal Gonzales Cello: Philippe Nadal Violin: Sophie Maurel Double Bass: Sylvain Le Provost Violin: Yue Zhang Conductor, Piano: Yvan Cassar Orchestra Arranged & Conducted by: Yvan Cassar Producer: Yvan Cassar Violin: Yves Melon Writer: Bono Writer: Simon Carmody Arranger: Yvan Cassar Auto-generated by YouTube.
o
- cronología: Cantantes líricos (Europa).
- Índices (por orden alfabético): M...