Maurice Thiriet Vídeos
composirtor francés de música clásica y bandas sonoras
- ópera
- Francia
- compositor, compositor de bandas sonoras
Última actualización
2024-04-27
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André Balbon Victor Massé Léo Sachs Sachs Moret Thiriet Carpentras Milhaud Delannoy Hirschmann Bousquet Rosenthal Riquet Ibert Roussel Amon Pérez Hoffmann Jean Gilbert Jacques Jansen Jansen Paul Burkhard Delair Jean Michel Damase Opéra Comique Théâtre Monnaie Grand Théâtre Genève 1902 1924 1928 1933 1934 1952 1953 1954 1961
André Balbon was a French bass opera singer, born in 1902. He was principally active in France and Belgium in character roles In 1924 he appeared in Les Burgraves by Léo Sachs at the Théâtre des Champs-Élysées, before working in the French provinces for several years. Balbon made his debut at the Paris Opéra-Comique on 1 November 1928 as un Officier in Lorenzaccio by Moret. From then until the 1940s he was a regular member of the Opéra-Comique company with an extensive repertoire. He sang in the Paris premieres of Bourgeois de Falaise by Thiriet (Sottencourt), Comme ils s'aiment by Lavagne (Lustrac), Esther de Carpentras by Milhaud (Cacan), Fou de la Dame by Delannoy (Cavalier noir), Frasquita by Lehar (Aristide), Georges Dandin by d’Ollone (Sottenville), Nuit Embaumée by Hirschmann (Ali), Mon Oncle Benjamin by Bousquet (Pontcassé), Rayon de Soieries by Rosenthal (Monsieur Loyal), Riquet à la Houppe by Hue (Marquis de Carabas), le Roi d'Yvetot by Ibert (Renaud), le Testament de Tante Caroline by Roussel (Maître Corbeau), Tout Ank Amon by Pérez (Hapousend), Vieux Garçons by Urgel (von Petersboom), and Zadig by Duperrier (Arimage). He also appeared in Angélique (le Nègre), le Barbier de Séville (Basilio), la Bohème (Colline) le Bon roi Dagobert (Éloi), les Brigands (Chef des Carabiniers), Carmen (Zuniga), les Contes d’Hoffmann (Lindorf), l'Étoile (Sirocco), Gargantua (three roles), Gianni Schicchi (title role), la Habanéra (le Vieux), Louise (Bricoleur, Chiffonnier), Madame Butterfly (Sharpless), Manon (le Comte), Mariage Secret (Comte Robinson), le Médecin malgré lui (Sganarelle), Mignon (Lothario), Philémon et Baucis (Vulcain), le Roi malgré lui (Villequier), la Rôtisserie de la Reine Pédauque (d'Astarac), le Roi d'Ys (le Roi), Tosca (Angelotti), la Traviata (Docteur), and Werther (Bruhlmann).[1] In 1933 Balbon created the title role in Marc Berthomieu’s opérette Robert Macaire, at the Grand Théâtre in Le Havre.[2] For two seasons, from 1953–55, Balbon sang at the Théâtre de la Monnaie, Brussels, appearing as Calchas (La Belle Hélène), Pomarel (La Chaste Suzanne by Jean Gilbert), Gaspard (Les Cloches de Corneville) and the Baron de Gondremark (La Vie parisienne). In 1934 he appeared as Popoff in the Meilhac version of Die lustige Witwe “La Veuve Joyeuse” at the Théâtre de la Gaîté-Lyrique in Paris and returned to the role in Geneva in February 1954 in a Grand Théâtre de Genève production starring Jacques Jansen as Danilo. Balbon participated in Feu d'artifice by Erik Charell and Jurg Amstein with music by Paul Burkhard starring Suzy Delair at the Théâtre Marigny in 1952. He sang Robinet in the premiere of the comédie lyrique Colombe by Jean-Michel Damase and Jean Anouilh on 5 May 1961.
Leblanc Thiriet Ponce Humbert Blondel Demarest Qian Thibault Seo Rochefort
Synopsis : Emmanuelle Colin est une ancienne athlète de haut niveau. Après une chute qui la rendra épileptique, Emmanuelle est femme au foyer. Alors qu’elle est interviewée sur son passé de championne, elle se remémore certains moments de son quotidien. Genre : Drame Durée : 15 minutes Interprétation : Julia Leblanc-Lacoste (Emmanuelle Colin) Meaulnes Leblanc-Lacoste (Liam Colin) Cyril Garnier (Stéphane Colin) Serge Thiriet (Patrick Sans) Fiche technique & artistique : Réalisation : Audric LE FAUCHEUR Scénario : Pietro LAGO, Charles VAUDOIS Chargé de production : Marie-Camile SANCHEZ Assistant de production : Yann CANEILL Régisseur général : Ariane MICHAL 1er assistant réalisation : Léa PONCE 2ème assistant réalisation : Lucie LE BAIL Scripte : Magali PATARD Chef opérateur image : Oriane HUMBERT Cadreur : Ludivine CATHERINE 1er assistant caméra : Rodolphe BLONDEL 2ème assistant caméra : Anaelle LE MAGOROU Chef électro : Théo GELY Electro : Guillaume SAMSON, Florian DE MAGALHAES Chef machino : Adrien LORRAIN Machinos : Adrien DEMAREST, Qian HE Chef opérateur son : Bastien JAUDINOT Perchman : Thibault ANDRE 1er assistant son : Yeon SEO Monteur son : Lauriane LOPPINET Mixeur : Dylan ROCHEFORT Montage, habillage & étalonnage : Martin MALDY, Julien LARIVIERE Page Facebook : (http•••)
Maurice Thiriet Roger Bourdin Charles Koechlin Alexis Roland Manuel Maurice Jaubert Francis Poulenc Jean Françaix 1906 1925 1931 1942 1960 1972
Maurice Thiriet +••.••(...)) Concerto for Flute and Strings I. Allegretto giocoso II. Adagio espressivo 5:40 III. Allegretto scherzando 13:50 Roger Bourdin, flute Orchestre de Chambre de l'O.R.T.F Jean Doussard, conductor Maurice Thiriet (2 April 1906 / 28 September 1972) was a French composer of classical and film music. Born in Meulan, Yvelines, he entered the Paris conservatory in 1925 to study counterpoint and fugue with Charles Koechlin and orchestration and arrangement under Alexis Roland-Manuel. He graduated in 1931. During the forties Thiriet carved his career within film music, inspired by fellow composer Maurice Jaubert (who died in World War II), and wrote something like twenty scores from 1942 to 1960. Apart from his film work, Thiriet also composed several concert works, including a Flute concerto, ten ballets and two operas. His style, which was influenced by Jaubert and Roland-Manuel, is characterized by taught construction and modest, nearly impressionistic harmonization and often bears a classical grace not unlike that of Francis Poulenc and Jean Françaix
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): T...