Michael Dachs Vídeos
compositor alemán
- Reich alemán
- compositor, teórico del arte
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2024-05-23
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Leoš Janáček Fuchs Eule Förster Mutter Verena Usemann Dachs Hecht Hahn Specht Okumura Krause Hauschild Levi Dyck 1924 2009
Oper von Leoš Janáček (in deutscher Sprache) Vom Fuchs über Dackel und Hennenchor bis zur Eule, einem Ballett aus Libellen, Igeln, Eichhörnchen und einer Dorfgemeinschaft mit einem Landstreicher in Janáčeks bezauberndem und zugleich tief berührendem weisen Spätwerk geht es wild und märchenhaft zu. Die Oper erzählt die Episode vom Leben der Füchsin Schlaukopf, die von einem Förster gefangen wird und auf dessen Hof heranwächst. Abgeschieden von ihrer Heimat fühlt sie sich dort einsam, fremd und viel schlimmer noch: schikaniert. Nach langen Kämpfen gelingt ihr schließlich die Flucht. Zurück im Wald findet sie die große Liebe in einem galanten Fuchs, der ihr ebenbürtig ist. Es wird Hochzeit gefeiert und eine stattliche Anzahl von kleinen Füchslein, der Mutter wie aus dem Gesicht geschnitten, krönt das Lebensglück beider. Wäre da letztlich nicht doch der unaufhaltsame schicksalhafte Kreislauf der Natur mit seinen eigenen Gesetzen vom Werden und Vergehen, dem steten Wechsel von Eros und Tod im Leben der Tiere wie Menschen. Tragisch tröstlich und sehr menschlich! Diese zauberhafte Tier-Oper von Leoš Janáček, welche 1924 an der Oper Brünn mit großem Erfolg uraufgeführt wurde, besticht bis heute durch ihre volkstümliche Melodik verbunden mit harmonischer Kühnheit, als auch durch ihre charakteristische Rhythmik, bei der sich die romantische Atmosphäre des Waldes zu einer Art 'tschechischem Sommernachtstraum' verdichtet. Musikalische Leitung Werner Seitzer Inszenierung Johannes Reitmeier und Urs Häberli Bühne und Kostüme Hannes Neumaier Chor Achim Falkenhausen Mit Ernst Garstenauer (Förster), Verena Usemann (Försterin/Eule), Jan Kristof Schliep (Dackel/Schulmeister), Piet Bruninx (Dachs/Pfarrer), Uwe Tobias Hieronimi (Haraschta), Klaus Jüngling (Mücke/Pasek), Aleksandra Söchtig (Gastwirtin), Inga Krischke (Franzel), Luise Hecht (Seppel), Milena Georgieva/Stephanie Elliott (Füchsin Schlaukopf), Antonia Radneva (Fuchs), Wojciech Mastalerz (Hahn), Agnes Buliga-Contras (Schopfhenne), Stephan Freiberger (Specht), Atsushi Okumura (Eichelhäher), Alina Bacali/Katharina Krause (Frosch), Ruth Wilken (Grille), Jasmin Bunzel/Christopher Schreiber (Heuschrecke), Sophia Hauschild (Das kleine Füchslein Schlaukopf), Annika Flindt, Antonia Hauschild, Levi Grun, Lukas Bunzel, Malin Dyck, Lucy Schreiber (Fuchskinder), Chor, Kinderchor, Statisterie und Orchester des TfN Hildesheim-Premiere am 25. April 2009 Aufführungen in Hildesheim Sa 25.04.09 / Di 28.04.09 / So 03.05.09 (17.00 Uhr) / Fr 08.05.09 / Mo 18.05.09 / Mo 25.05.09 / Sa 06.06.09 / Do 18.06.09 / Mi 24.06.09, jeweils um 19.30 Uhr Mehr unter www.tfn-online.de
Juliusz Zarębski Władysław Szpilman Bronisław Gimpel Wroński Krenn Dachs Franz Liszt Chopin Royal Conservatory Brussels 1854 1870 1874 1875 1878 1880 1881 1885
It is my express wish that any and all remuneration, actual or potential, be directed towards any and all holders of copyright. Juliusz Zarębski +••.••(...)) Piano Quintet in G minor, Op. 34 I. Allegro 0:00 II. Adagio 9:52 III. Scherzo: Presto 21:50 IV. Finale: Presto - Allegretto 27:27 Władysław Szpilman, piano Bronisław Gimpel, 1st violin Tadeusz Wroński, 2nd violin Stefan Kamasa, viola Aleksander Ciechański, cello Juliusz Zarębski +••.••(...)) was a Polish composer and pianist. Some of his manuscripts have been found in the National Library of Poland (BN). Zarębski was born on March 3, 1854 in Zhytomyr, now Ukraine (then former lands of the Polish-Lithuanian Commonwealth and the Polish Kingdom). He would die in the same city in 1885. His mother was his first piano teacher. In 1870, he completed his education at the gymnasium with honors and moved to Vienna to study composition with Franz Krenn and piano with Josef Dachs. Two years later, he graduated with two gold medals, even though his curriculum indicated a musical training of six years. The following year he moved to St. Petersburg and studied there for three more years, passed his examination and obtained his diploma of "free artist." A year later, he moved to Rome and stayed there until 1875. In Rome, he studied piano with Franz Liszt, his friend for some time. The Hungarian composer, who would orchestrate his Danses Galiciennes in 1881, greatly helped Zarębski, appearing with him in concerts and using his contacts to publicize the works of the Polish composer. Zarębski's compositions evoke those of Liszt and Chopin. He set to music the writings of Adam Mickiewicz and Włodzimierz Wolski. His career as a virtuoso pianist began in spring 1874 with concerts in Odessa and Kiev. His performances in Rome, Naples, Constantinople, Warsaw, Paris, London and other European cities were a great success. He was interested in the two piano keyboards, a new invention of Edouard Mangeot, which in two months mastered. He developed his repertoire in this new instrument and performed on it with great acclaim in the 1878 Paris Exhibition. He established himself in Brussels, where he served as teacher of piano master classes at the Royal Conservatory. Two years before his death he had to put an end to his career as a virtuoso as he was diagnosed with tuberculosis, throwing himself into teaching (he had been appointed professor at the Royal Conservatory of Brussels in 1880) and composing pieces such as the five movements of Les roses et les épines based on a more advanced harmony. Though he continued composing nearly exclusively for the piano, the summit of his output would be his 1885 cyclical Piano Quintet in G minor of 1885.
Juliusz Zarębski Franz Liszt Krenn Dachs Royal Conservatory Brussels 1854 1870 1873 1874 1875 1878 1883 1885 1931
Juliusz Zarębski, Piano Quintet in G Minor, Op. 34. I. Allegro. 1885, dedicated to Franz Liszt; published in Warsaw, 1931. Video illustrated with some (rather random) DeviantArt pictures from Resurgere. / JULIUSZ ZARĘBSKI: Pianist and composer; born 28 February 1854 in Zytomierz; died 15 September 1885 in Zytomierz. Zarebski's mother was his first piano teacher, and he gave concerts in the salons of Zytomierz from the age of ten. Having completed his gymnasium education with honours in 1870, he left for Vienna to study composition under Franz Krenn and piano under Josef Dachs at the Conservatory of the Society of Friends of Music. He graduated two years later, with two gold medals, even though the curriculum assumed a six-year education. In 1873 he went to St Petersburg and having studied for three years, he passed an exam and obtained a "free artist" diploma. In 1874 he left for Rome and stayed there until 1875, studying the piano under Franz Liszt, his long-time friend-to-be. Liszt would look after Zarebski, appearing with him in concerts and using his contacts to support the publishing of Zarebski's works. Zarebski's career as a virtuoso pianist started with concerts in Odessa and Kiev in the spring of 1874. His performances in Rome, Naples, Constantinople, Warsaw, Paris, London and other European cities were a huge success. He developed an interest in Edouard Mangeot's new construction, the two-keyboard piano, and in a matter of two months mastered playing it. He developed a repertory for this new instrument and performed at the Grand Exhibition in Paris in 1878 to a wide acclaim. He assumed the position of professor of the piano master class at the Royal Conservatory in Brussels and settled in Brussels. Health problems (TB) made him give up almost all of concertising activity from 1883. / Kwintet fortepianowy g-moll, op. 34. I. Allegro.
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- cronología: Compositores (Europa).
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